The members of the London-based Belcea Quartet hail from Romania (first violinist Corina Belcea), France (second violinist Axel Schacher and cellist Antoine Lederlin), and Poland (violist Krzysztof Chorzelski), but they meld their various backgrounds into an arresting blend that is all the more colorful for its multinational origins. On October 18, the Belcea returned to the Cleveland Chamber Music Society at Plymouth Church in Shaker Heights — for the first time since 2014 — for riveting performances of early and late quartets by Franz Schubert, with Dmitri Shostakovich’s weird and wild Quartet No. 8, Op. 110, tucked in between. [Read more…]
The audience for the International Contemporary Ensemble in Gartner Auditorium at the Cleveland Museum of Art on Wednesday evening, October 19, heard two versions of Igor Stravinsky’s The Rite of Spring. The first was the world premiere of a clever arrangement by Cliff Colnot for thirteen players. The second, Vijay Iyer’s score that accompanied Prashant Bhargava’s film Radhe Radhe: Rites of Holi, delivered the spirit of Rite subliminally — which requires some explanation. [Read more…]
Composer Margaret Brouwer curated a fascinating playlist for the most recent concert by her Blue Streak Ensemble. At Heights Arts on October 13, the seven musicians wrapped a celebration of the 50th anniversary of the Bascom Little Fund and a remembrance of the victims of 9/11 into a single program, “Looking Back.” [Read more…]
The superb young pianist Yuja Wang is a fiery presence. Recently named Musical America’s Instrumentalist of the Year for 2017, the flamboyant, Chinese-born Wang has justly soared to fame for her gutsy performances of the most technically demanding solo and concerto literature for the piano. She plays with a formidable command of the finger-busting pieces of the Romantic and high modern, and she brings to them a sense of burning intensity. [Read more…]
Last Wednesday night, October 19 at Fairmount Temple, CityMusic Cleveland kicked off its 13th season with an exceptional concert intermingling Classic, Romantic, and 21st-century works by Beethoven, Tchaikovsky, and Avner Dorman, the orchestra’s music director. The highlight was a magnificent performance of Tchaikovsky’s Violin Concerto by stellar soloist Sayaka Shoji. [Read more…]
In February, Chicago’s all-star Third Coast Percussion released an album of Steve Reich’s music on the Cedille label creatively titled “Third Coast Percussion | Steve Reich.” It’s quite a good recording. The New York Times, The Washington Post, Classical CD Review, the San Francisco Chronicle, Steve Reich himself, and many other noteworthy voices have all effusively praised the album. [Read more…]
Music for the instrument that the English called the viol and the Italians the viola da gamba flourished during the tumultuous changes in Europe in the 16th and 17th centuries. The contemplative, intimate sound of a consort of viols must have been a welcome relief from fires, plagues, religious wars, revolutions, and other sudden and unpredictable catastrophes. Viol consorts implied the opposite of Fortune’s wheel: the steady companionship of friends, both players and listeners, coming together in the appreciation of a quiet artistry. [Read more…]
As Akron Symphony music director Christopher Wilkins put it in his speech to the audience in E.J. Thomas Hall on Saturday, October 15, the Orchestra’s program featured “not wasps, not birds, and not planets.” [Read more…]
Dmitri Shostakovich permeated the first half of The Cleveland Orchestra’s concert at Severance Hall on October 14, which included his reorchestration of the placid prelude to Mussorgsky’s unfinished opera, Khovanshchina, and his dark and nervous Second Violin Concerto. But any residual gloom was dispelled after intermission by scintillating performances of Henri Dutilleux’s Métaboles and Maurice Ravel’s second Daphnis and Chloé suite, each radiant and colorful in its own way. [Read more…]
On Sunday afternoon, October 9, Youngstown’s St. John’s Episcopal Church played host to violinist Andrew Sords and pianist Elizabeth DeMio for an excellent recital of 19th- and 20th-century music. The two major works of the afternoon were Johannes Brahms’s Sonata No. 3 in d, Op. 108, and César Franck’s Sonata in A. Both received outstanding performances. [Read more…]