by Nicholas Jones

The man that hath no music in himself,
Nor is not moved with concord of sweet sounds,
Is fit for treasons, stratagems, and spoils;
The motions of his spirit are dull as night,
And his affections dark as Erebus.
Let no such man be trusted. Mark the music.
Essentially, don’t trust anyone who doesn’t love music. [Read more…]







On Saturday afternoon, June 25, the Cleveland Museum of Art continued its centenary celebration with musical events commemorating the Summer Solstice. At 3:00 pm in the Ames Family Atrium, the New York-based new music ensemble Alarm Will Sound presented an alluring performance of John Luther Adams’s Ten Thousand Birds. Written for the Ensemble and designed by its artistic director Alan Pierson, the work follows the cycle of a day, beginning with morning bird songs before moving into the afternoon, evening, and night, ultimately returning to morning.
Many aspects of Ohio Light Opera’s productions are moving forward along with their repertoire, which is expanding beyond the traditional Gilbert & Sullivan oeuvre and the European Operetta into an exploration of early American musicals and Broadway masterpieces of the Golden Age.
Violinist Yura Lee gave a splendid solo recital on Wednesday evening in the high-ceilinged west gallery at Transformer Station as part of this year’s Chamberfest Cleveland. It was compact — slightly more than an hour without intermission — with a well-planned arc of music, all of which was performed with style and virtuosity.
When is the tempo of a waltz too slow? For composer Christopher Auerbach-Brown the answer may well be never, as was evident during the first full performance of his 2014 work titled The Slow Waltzes at the Bop Stop on Sunday, June 12.
Following Colin Davin’s May 2013 performance at the Cleveland International Classical Guitar Festival, ClevelandClassical.com wrote: “Davin is in his twenties, and it is rare to have such a young guitarist achieve the level of sophistication and refinement that was on display throughout his distinguished program.”
There are competitions for everything, so why not one for snare drummers? Anyone who might have scoffed at the notion need only to have attended the final rounds of the Modern Snare Drum Competition on Saturday afternoon, May 28 in Gartner Auditorium at the Cleveland Museum of Art. The eight finalists competing in two divisions all brought superb artistry to their performances of a required work as well as a solo of their choice.