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Emerson Quartet launches Oberlin series with its own farewell concert (Sept. 22)

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by Daniel Hathaway

Photo: Abe Frato

Nearing the end of their distinguished 47-year run with only one change of personnel, the Emerson String Quartet bid adieu to its local fans in a nostalgic yet festive program that launched Oberlin’s Artist Recital Series on Friday, September 22 in Finney Chapel.

The Emersons (Philip Setzer and Eugene Drucker — who have always shared first violin duties — violist Lawrence Dutton, and cellist Paul Watkins — who replaced David Finckel for the past decade) gave the capacity audience parting gifts of Mendelssohn, Sarah Kirkland Snider, and Beethoven. Plus an exquisite Bach chorale arrangement which should linger long in many listeners’ memories. [Read more…]

CityMusic Cleveland: “Symphonie Concertante” (Sept. 21)

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by Kevin McLaughlin

The concert by CityMusic Cleveland on Thursday, September 21 in Fairmount Presbyterian Church was a reminder of two things: that there is an abundance of appealing music yet to be heard or played out, and there are exceptional performers in Cleveland ready to play it. The consistently splendid CityMusic (now in its twentieth year) maintained its high standard with a program of infrequently heard works by George Walker, Joseph Bologne, Tōru Takemitsu, and W.A. Mozart, aided by guest solo violinists Kyung Sun Lee and Jung-Min Amy Lee (pictured at another venue).

Walker’s Lyric for Strings has the quiet solemnity of Barber’s famous Adagio for Strings, and like that piece, it started life as the second movement from an early string quartet. Walker added the title Lament (later Lyric for Strings) and dedicated it as an elegy to his grandmother. From the first notes the ensemble, led by concertmaster Laura Hamilton, conveyed the right mood and established a bath of tonal beauty that benefitted every piece to come.

[Read more…]

CD Review — Wish: Music of Valerie Coleman

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by Peter Feher

Valerie Coleman joined the flute and composition faculty at New York’s Mannes School of Music in 2021, but her work has found a second home at Oberlin Conservatory since then. Wish, the latest release from the Oberlin Music Label, features seven of Coleman’s flute pieces from the past two decades, many of them in their first recordings.

Alexa Still, Oberlin’s professor of flute, isn’t the only major player involved in the project, though her spirit for exploration and education is what unites the album. Elegy, a lively and pulsing work written for Still in 2015 which winds up here as the closing track, has the flutist backed by an ensemble of her students on instruments ranging from piccolo to contrabass flute, all conducted by Timothy Weiss.

[Read more…]

Cleveland Orchestra provides the live soundtrack to ‘Amadeus,’ reveling in the splendor and genius of Mozart (Sept 21)

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This article was originally published on Cleveland.com

By Peter Feher

CLEVELAND, Ohio — The classical season at Severance Music Center got off to a shocking start on Thursday, Sept. 2, with the Cleveland Orchestra’s live performance of the score to Amadeus. In the first half of the evening alone, there was cursing, flatulence, some hanky-panky, an attempted suicide, and much talk of murder — and all because of one 18th-century composer.

The brilliant 1984 film directed by Miloš Forman was adapted from Peter Shaffer’s 1979 play of the same name — Shaffer also wrote the screenplay. Yet nothing about Mozart’s character as portrayed in Amadeus should really scandalize contemporary audiences. The myths and misconceptions around the life and work of Wolfgang Amadé Mozart — he preferred Amadé over Amadeus — would sooner upset a historian than outrage the average 21st-century concertgoer.

[Read more…]

Cleveland Classical Guitar Society: Stephanie Jones (Sept. 17)

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by Kevin McLaughlin

The Australian guitarist Stephanie Jones brought passion and clarity to the opening concert of the Cleveland Classical Guitar Society’s 2023-24 International Series, in a program of mostly German and South American works at the Maltz Performing Arts Center on September 17. This was the first concert since CCGS moved from their cozier confines of Plymouth UCC. Whatever the acoustical challenges in the Maltz, the charisma of Jones’ playing made a clear and lasting impression.

Beginning with two movements from J.S. Bach’s Violin Partita No. 3, she employed precision and a rubato musical line, breathing life into the familiar Gavotte en Rondeau movement. [Read more…]

Cleveland Silent Film Festival 3: Heart of Cleveland (1924) & Man With a Movie Camera (1929, Sept. 8)

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by Daniel Hathaway

The third of four evenings of soundless cinema presented by the Cleveland Silent Film Festival featured a charming industrial propaganda piece and an exuberant compendium of filming and editing techniques, both from the 1920s and both screened with live underscores by the excellent and indefatigable Mont Alto Motion Picture Orchestra.

Now in its second season, the Silent Film Festival has obviously attracted a following. The crowd gathered on Friday evening September 8 in Gartner Auditorium at the Cleveland Museum of Art so far exceeded expectations that attendees were asked to recycle their programs for the Saturday screening. [Read more…]

Zimmermann Remembered (Sept. 10)

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by Kevin McLaughlin

The late Gerhardt Zimmermann was remembered with affection by family and friends in a concert given by the Canton Symphony Orchestra at Umstaddt Hall on Sunday, September 10.

Former conducting students and colleagues took turns at the podium, and soloists whose careers Zimmermann had touched also took part in a program of works by Mahler, Brahms, Mozart, and Tchaikovsky, among others.

Possibly the most shining example of Zimmermann’s legacy is the orchestra that he developed and led for 43 years. In an age of peripatetic conductors and short-lived musical directorships, the Canton Symphony Orchestra, an ensemble of ninety mostly young professionals, has remained remarkably excellent and intact over the years.

[Read more…]

Simone Lamsma brings Saint-Saëns violin concerto to Blossom Music Center (Aug. 26)

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by Kevin McLaughlin

The Cleveland Orchestra’s final classical concert at Blossom Music Center on Saturday, like the last rose of summer, was the unexpected apogee of the season. Transforming a generic-sounding program titled “Impressions of France and Spain,” conductor Fabien Gabel captivated in works of Ravel, de Falla, and Saint-Saëns’ Violin Concerto No. 3, with which soloist Simone Lamsma won everyone’s heart.

[Read more…]

Pianist Mao Fujita leads Cleveland Orchestra in bold performance of Tchaikovsky’s Piano Concerto No. 1 (Aug 19)

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This article was originally published on Cleveland.com

By Peter Feher

CUYAHOGA FALLS, Ohio — The Cleveland Orchestra went into Saturday’s concert at Blossom Music Center with more than a few unknowns. It’s not every week that this ensemble tackles a pair of new pieces, welcomes both a debuting conductor and soloist, and even takes a risk with the order of the evening’s program.

Still, for all the novelty, the Orchestra’s performance on Aug. 19 followed the same satisfying arc of any conventional symphonic concert. In classical music, the formula for success — and one surefire way to get a crowd on its feet — is to save the best for last.

[Read more…]

Audra McDonald teams up with The Cleveland Orchestra for a glorious tour of the Great American Songbook (Aug 13)

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This article was originally published on Cleveland.com

(Photo by Roger Mastroianni)

by Kevin McLaughlin

If there is a more complete singing-and-acting talent than Audra McDonald, I can’t think of one. For a generation she has poured her heart out and done so with such vocal and dramatic authority it is difficult to imagine what we did before she came along. The near-capacity crowd at Blossom Music Center on Sunday was treated to a delightful program of Broadway standards and unguarded reflections on life and living.   [Read more…]

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