by Mike Telin
On Thursday, June 19, a standing-room-only crowd gathered in Kulas Hall at the Cleveland Institute of Music to hear clarinetist Franklin Cohen perform works by Reich, Brahms and Mozart. From start to finish Cohen proved that he is, without a doubt, one of the greatest musicians of our time. [Read more…]
by Timothy Robson
In its first three seasons, ChamberFest Cleveland made itself an indispensable set of summer events that helped satisfy the seemingly insatiable appetite for chamber music in Cleveland. Organized by Cleveland Orchestra principal clarinet Franklin Cohen and Diana Cohen, concertmaster of the Calgary Philharmonic, this year’s fourth festival has expanded to ten concerts over a two-week period in late June, in six venues, some of them traditional concert halls, others, more unusual sites. [Read more…]
by Mike Telin
“When Diana and Frank came up with this fantastic idea of starting ChamberFest, I was so happy when they invited me to be part of the first festival,” violinist Amy Schwartz Moretti said during a telephone conversation while enroute to Cleveland. “Diana and I were both in Donald Weilerstein’s studio at the Cleveland Institute of Music. Of course, back then Frank was ‘Mr. Cohen,’ but I got to hear him play all the time at Severance Hall, and I got to know him through school because he also teaches at CIM. I always had a wonderful relationship with both of them.”
In addition to reconnecting with the Cohens, the opportunity to be part of ChamberFest also gave Schwartz Moretti the chance to rediscover a city she had not visited in some time. “When I came back to Cleveland after not having been there since the 1990s, I was so impressed with all the changes in the University Circle area, and with all that was happening in Cleveland in general — it is such a vibrant city. And ChamberFest is just a wonderful addition, with all the great musicians it brings to town.” [Read more…]
by Mike Telin
Ghosts from the past, the present and the future were brought to life on Saturday, June 28 in Kulas Hall at the Cleveland Institute of Music. But these were not the ghosts made famous by Charles Dickens but rather, through a 4,000 year-old Chinese tradition, where humans, spirits of the past and future and nature communicate with one another. All of this happened during ChamberFest Cleveland’s spectacular production of Tan Dun’s Ghost Opera for String Quartet and Pipa, [Chinese lute] with Water, Stones, Paper and Metal. Commissioned by the Kronos Quartet nearly 20 years ago, ChamberFest added another dimension to the haunting work with the world premiere of inventive and stylistically sensitive choreography by Groundworks Theater artistic director David Shimotakahara. [Read more…]
By Daniel Hautzinger
Intelligent programming at its best not only uncovers interesting musical connections, but can also lend insight into the world beyond music. The repertoire for ChamberFest’s eighth concert, at Fairmount Presbyterian Church, is a fine example. The juxtaposition of three works from a 35-year period by “Three Bouncing Czechs” provided a glimpse into different historical moods, revealing the drastic psychological damage wrought by World War I.
Erwin Schulhoff was born in Prague in 1894. He was wounded in WWI while serving in the Austro-Hungarian military, and ended the war in an Italian POW camp. The first movement of his String Sextet was composed in Dresden in 1920, two years after the end of the war, the final three movements in Prague in 1924. It is an intense work, devoid of hope: the death and desolation of the war Schulhoff had just witnessed pervade every note. [Read more…]
by Daniel Hautzinger
“I would write to you only by means of music,” said Robert Schumann in a letter to his wife, the composer and pianist Clara Schumann. Theirs is a storied coupling, beginning against the wishes of Clara’s father, ending with Robert’s mental breakdown and early death, and complicated by their close relationships with Johannes Brahms. All three being heart-on-their-sleeve Romantic composers, and with Robert’s letter in mind, it makes sense to explore this “Love Triangle” through their music.
On June 26 in the Cleveland Institute of Music’s Mixon Hall, ChamberFest did just that in a sold-out concert, presenting a work by each of the three with intermingled readings from their letters by ChamberFest Speaker Patrick Castillo (the above quote comes from those). [Read more…]
By Daniel Hautzinger
A back-lit beer cooler casting its light on rows of folding chairs. Vivacious artwork hanging from the walls. Popcorn tumbling from bag to hand to mouth. The murmur of conversations smoothed by wine. Plus the fine musicians of ChamberFest, having a ball.
On June 25, at the midpoint of its ten-concert run, ChamberFest Cleveland relaxed into the Cleveland Heights art gallery-cum-wine and beer store The Wine Spot for some cheerful short works, wisely enhanced by amplification. For who wants to hear stodgy old Brahms in such a setting? (Though Brahms certainly loved his beer). [Read more…]
By Mike Telin
It appears that the stars have aligned for ChamberFest Cleveland’s third season birthday party. Inspired by the number three, Artistic Directors Diana Cohen and Franklin Cohen have put together some truly creative concert programs, a fact that has not gone unnoticed by my reviewer colleagues. And, as we have come to expect from ChamberFest, the performances by the outstanding group of musicians that have assembled for these concerts are second to none. Such was the case on Sunday, June 22, at Dunham Tavern Museum Barn, when the players – keeping with the number three – scored a Hat-Trick before a capacity crowd during a concert titled “Revolving Thirds: From Darkness to Light,” that featured music by Mozart, Penderecki and Schubert. [Read more…]
By Mike Telin
In an interview last week, oboist Alex Klein told us that he looked forward to ChamberFest’s Family Concert. “I confess that when I was with the Chicago Symphony the thing I liked to do most were the family concerts. To walk on stage and hear the buzz of children talking is very stimulating.” Klein went on to say that his program would not be the typical Peter and the Wolf concert but rather would include works by experimental composers as well as portions of Bach’s Goldberg Variations arranged for sting trio. “OK I thought, a room full of kids listening to Berio and Xenakis – what could possibly go wrong?” On Saturday morning, June 21 a large number of families gathered at MOCA and were treated to a 50-minute concert that that held everyone in rapt attention.
“Today’s magic word is context. It’s the most important word in chamber music,” Klein told the crowd following a splendid performance of the opening movement of Kodaly’s Serenade performed by Diana Cohen and David Bowlin, violins, and violist Yura Lee. [Read more…]
by Daniel Hautzinger
ChamberFest Cleveland is doing it right. With ten concerts over eleven days blends thoughtful programming, diverse venues, exceptional musicians, and a convivial vibe for a musical experience as refreshing and sweet as the ice cream that’s served after some of the concerts. It’s an ideal model for the future of classical music.
On June 20 at Harkness Chapel, all of these attributes mixed beautifully in a “Mélange à Trois” (the twee but clever program titles are just another aspect of ChamberFest’s affability). The program linked trio pieces spanning a 270-year period, with each consecutive work more than a century distant from its neighbors. Yet the music evinced stronger connections than are often found in a standard concert. Three of the four pieces featured Eastern European accents (be they Gypsy, Hungarian, or Jewish), and each had a rambunctious wildness fearlessly channeled by the musicians. [Read more…]