by Daniel Hathaway

On Sunday, February 20 at 4:00 pm, pianist Michelle Cann will join the Cavani in a program of piano quintets by Johannes Brahms and Florence Price. Admission is free, but offerings will be gratefully accepted.
Cann, a graduate of the Cleveland Institute of Music who is on the faculty of the Curtis Institute in Philadelphia, is treating her visit as something of a homecoming.
I chatted with her earlier this week on her mobile phone while she was driving from Santa Rosa to San José in California for a recording session with a flutist friend. (Not to worry: Bluetooth was operational.) [Read more…]



The Cavani Quartet’s well-attended concert on Sunday, November 21 at St. Wendelin Church marked the sixth of eight performances in the ensemble’s roaming “Beethoven and Beyond” series, as well as the beginning of the 30th season of the Arts Renaissance Tremont series.
COVID-19 may have interrupted the celebration of Beethoven’s 250th Birthday in December 2020, but the Cavani String Quartet has made that event a moveable feast.
On April 25, 2020, my wife Chris Haff-Paluck passed away due to health complications related to breast cancer, lupus, and diabetes. For more than forty years, Chris had been a freelance double bassist, educator, mentor to young musicians, concert presenter, and arts manager at the Cleveland Orchestra Youth Orchestra, Oberlin Conservatory of Music, the Cleveland Institute of Music, and the founder and moving spirit of Arts Renaissance Tremont (ART).

Violinist Jinjoo Cho was born in Seoul and lives in Montreal, but you could easily say she’s from Northeast Ohio. She moved here as a teenager and enrolled in the Cleveland Institute of Music’s young artist program, and she didn’t leave the area until last year, when she joined the faculty of the
If you had to have musicians living above you, judging from their performance at Pilgrim Church on Sunday, October 13, cellist Darrett Adkins and pianist Cicilia Yudha are two you would want to have. Their concert, which opened Arts Renaissance Tremont’s 29th season, featured intriguing works that proved a cello recital doesn’t always need to include music by the three B’s to hold you in rapt attention.
Since its founding in 1991, 