by Mike Telin

On Thursday, October 17 at 7:30 pm, Hadelich will make his Severance Hall debut with Prokofiev’s Concerto No. 2. The concert, under the direction of the young Finnish conductor Klaus Mäkelä, making his Severance debut as well, will also include Messiaen’s Les Offrande oubliées and Beethoven’s Symphony No. 7. The program will be repeated on Friday, October 18 and Saturday, October 19 at 8:00 pm. Tickets are available online.
Hadelich has always been enjoyable to talk to. But when his performance and travel schedule, along with time zone differences, made a telephone interview impossible, he suggested that I send a few questions by email.
Mike Telin: Please tell me your thoughts on the Prokofiev Concerto.
Augustin Hadelich: It is one of the most exciting and beloved violin works of the 20th century. Prokofiev was a storyteller, and this piece contains just about every character, from the lyrical and pastoral to the manic. [Read more…]




Orpheus Chamber Orchestra, the New York-based conductorless ensemble, joined violinist Augustin Hadelich in an impressive program of string music by Irving Fine, Haydn, Schubert, and Tchaikovsky at Akron’s E.J. Thomas Hall on Wednesday evening, March 28. Their assured playing on the Tuesday Musical series proved that you don’t always need a baton-wielding leader out in front to inspire an excellent sense of ensemble — though sometimes it can be a good idea from an interpretational point of view.


30-year-old German-Italian violinist Augustin Hadelich is developing a reputation for stepping in to save concerts at the last minute. In 2008, on less than a week’s notice, he replaced Julian Rachlin in Prokofiev’s second concerto with the Los Angeles Philharmonic at the Hollywood Bowl (an occasion when conductor Miguel Harth-Bedoya was also an emergency substitute for the ailing Edo de Waart).