by Daniel Hathaway

by Daniel Hathaway

by Daniel Hathaway

We reached Ricky Todd Adams by telephone at his home in New Jersey to find out how his career trajectory took him to Broadway and national tours of long-running shows — in the Lloyd Webber universe, he’s one of the few American actors to have played the Phantom, as well as Jean Valjean, and Javert. Quite the accomplishment for someone who had very different career plans at the age of 10. [Read more…]

The performances begin at 7:00 pm, but a Happy Hour with special drink prices will begin on the front terrace at 6:00 pm, and beverage service will be offered there following each performance. Tickets are now on sale for the three-concert package, with individual tickets available beginning May 1.
Here are the program details: [Read more…]
by Robert Rollin

by Mike Telin
by Mike Telin

If you can’t make it to Blossom, the Orchestra has scheduled three early Friday evening concerts in its Summers@Severance series. Special “happy hour” drink prices will be offered one hour prior to each concert on Severance Hall’s front terrace. Attendees are encouraged to arrive early and enjoy the outdoor delights of University Circle.
“As usual the summer season is a mix of musical genres and artists,” Cleveland Orchestra artistic administrator Ilya Gidalevich said during a recent telephone conversation. [Read more…]
by Robert Rollin

The highlight was a marvelous performance of Carl Orff’s Carmina Burana (1936) scored for soprano, tenor, and baritone soloists, children’s choir, chorus and large orchestra, mixing words from both Latin and old German. The text comes from a significant collection of 12th century Latin and old German secular poems recorded in manuscript in an abbey near Munich, where German monks preserved it for future generations. Johann Andreas Schmeller published the first edition in 1847. The first performance in 1937 was a staged version, though the large majority of subsequent performances were in concert format. [Read more…]
by James Flood

Apparently to lighten the evening, the program itself was downsized a little from the Orchestra’s typical offering, placing Beethoven’s modestly-sized 4th Symphony between the four-minute “Overture to the Creatures of Prometheus” and the 20-minute “Choral Fantasy” and excluding an intermission.
The opening overture boasted crisp, clean and energized 16th notes in the strings, generating a quick burst of excitement that was the perfect start for a summer evening at Severance Hall. [Read more…]
by Guytano Parks

John Williams’s rousing “Main Title” from Star Wars opened the program. Everly conducted with authority, yet he also communicated his ideas with subtle tilts of the head and dance-like motions. The orchestra responded to every gesture with polish and pizzazz. The brass and woodwinds played brilliantly, and the contrasting eerie and mystical sections were effectively played by the strings, harps and bells. The driving percussion kept things marching forward with great excitement. [Read more…]