by David Kulma
A rare operatic treat graced the Ohio Theatre at Playhouse Square on Saturday, June 16: a single performance of Stanisław Moniuszko’s 19th-century, Polish-language gem Straszny dwór. Designed to celebrate the centenary of Polish independence, this traditionally-staged production with Cleveland Ballet added up to an uneven evening. [Read more…]
by Daniel Hathaway
To mark the 100th anniversary of Polish independence, The Cleveland Opera and Cleveland Ballet will present Stanislaw Moniuszko’s 1865 opera, Straszny Dwór (“The Haunted Manor”), on Saturday, June 16 at 7:30 pm at the Ohio Theatre in Playhouse Square.
“It was popular at its debut in the mid-19th century, but Poland was under partition between Russia, Prussia, and Austria, so there’s a patriotic undercurrent,” soprano, executive artistic director — and native Pole — Dorota Sobieska said in a telephone conversation. “It’s a Polish opera. We sing and I cry. It’s sentimental. It’s where my heart is.”
“The music is wonderful,” conductor Grzegorz Nowak said in a separate phone call. “It was all composed by Moniuszko, but it has a folk quality to it. The Mazur [Mazurka] has even been texted so it can be sung by a choir.”
Nowak, also Polish, is principal associate conductor of London’s Royal Philharmonic Orchestra, as well as music director of The Grand National Opera (Teatr Wielki) in Warsaw. He studied at Tanglewood, earned his doctorate at Eastman, then served on the faculty of Bowling Green State University. He’s quite familiar with Moniuszko’s piece, having first conducted it in Warsaw in what he describes as “quite a scandalous production.” [Read more…]
by Daniel Hathaway
On Saturday, June 11, four years after Opera Circle Cleveland first took on Il trovatore at Bohemian National Hall, the company revisited the opera — one of Verdi’s most popular titles — at the Ohio Theatre in PlayHouse Square. A strong cast of singers and a fine professional orchestra led by Joel Smirnoff lifted the production well above some shortcomings of staging. [Read more…]
by Mike Telin
“What do I enjoy about singing Verdi? Oh my gosh, everything about it,” tenor Jorge Pita Carreras exclaimed during a recent interview. On Saturday, June 11 at 7:30 pm at the Ohio Theatre in Playhouse Square, Carreras will perform the role of Manrico in Opera Circle Cleveland’s production of Giuseppe Verdi’s Il trovatore. Mezzo-soprano Christina Carr, who will perform the role of Azucena, shares Carreras’s feelings about the composer’s music. “There’s just something about the way Verdi approaches the emotional side of his music that brings you along. It’s just wonderful,” she said during a separate interview.
Based on a Spanish play by Antonio Garcia Gutierrez adapted by Verdi’s librettist Salvatore Cammarano, the opera is the middle child in the trio of popular titles Verdi produced in the early 1850s, preceded by Rigoletto and followed by La traviata. Joel Smirnoff will conduct the Opera Circle Orchestra and a cast that will also include baritone Kevin Wetzel as Il Conte di Luna, soprano Dorota Sobieska as Leonora, bass Nathan Resika as Ferrando, tenor Brian Skoog as Ruiz, and soprano Lauren Wright as Inez. [Read more…]
by Mike Telin
Opera Circle Cleveland will revisit Giuseppi Verdi’s Il trovatore for its season finale at the Ohio Theatre in PlayHouse Square on Saturday, June 11 at 7:30 p.m. Last produced by the company in February of 2012, the opera is the middle child in the trio of popular titles Verdi produced in the early 1850s, preceded by Rigoletto and followed by La traviata.
Based on a Spanish play by Antonio Garcia Gutierrez adapted by Verdi’s librettist Salvatore Cammarano, the opera was an immense success at its premiere at Rome’s Teatro Apollo on January 19, 1853. Although the Tiber had flooded earlier that day and the audience had to slog through water and mud to reach the theater, nothing dampened their enthusiasm that evening. Il trovatore proved immediately appealing to the crowd. As the Gazetta Musicale reported,
The public listened to every number with religious silence and broke out with applause at every interval, the end of the third act and the whole of the fourth arousing such enthusiasm that their repetition was demanded. — David Ewen, Encyclopedia of the Opera. [Read more…]
by J.D. Goddard
Since 1997, with its first production of I Pagliacci, Opera Circle has produced an impressive record of more than 50 opera productions in churches and other venues throughout Northeast Ohio. On June 13, Opera Circle brought to the Ohio Theater stage in PlayhouseSquare a somewhat subtle production of one of the most revered titles of all time, Giacomo Puccini’s three act opera, Madama Butterfly, with libretto by Luigi Illica and Giuseppe Giacosa. Like other works staged in the past two years, Opera Circle’s Butterfly courageously moved the company forward, enhancing its presence as an operatic staple in Cleveland’s classical music scene. This marked the company’s third performance in the Ohio Theater. [Read more…]
by Daniel Hathaway
Opera Circle staged an enticing production of Erich Korngold’s Die tote Stadt (“The Dead City”) on Saturday, June 14 at the Ohio Theatre in PlayHouseSquare. The opera is something of a rarity, probably because of the challenges of dealing with the eerie subtleties of its plot, its demand for a Heldentenor to sing the role of Paul, and its opulent 1920s orchestration. Die tote Stadt is a major undertaking for any small company, but Opera Circle admirably rose to the task.
Though not flawless, the production succeeded in the most important operatic category: the music. A strong and dedicated cast of singers and generally fine playing from a 65-piece orchestra expertly led by Grigor Palikarov brought Korngold’s colorful and sometimes creepy music vividly to life.
The opera, based on Georges Rodenbach’s 1892 novel, Bruges-la-Morte, and set in that Belgian canal town, explores the obsession of a widower (Paul) after the death of his wife (Marie). [Read more…]
by J.D. Goddard
Before performing at a major theater in downtown Cleveland last Saturday for the first time in its 17-year history, Opera Circle logged an impressive record of 47 opera performances in churches and other venues throughout Northeast Ohio. On June 15, Opera Circle brought to the Ohio Theater stage in PlayhouseSquare an adventuresome production of one of the most venerated operas of all time, Giuseppe Verdi’s Rigoletto. In the works for over two years and previously performed on a smaller scale in 2007, Opera Circle’s Rigoletto bravely broke away from the company’s past operational and financial constraints.
The production’s frugal yet effective sets and upstage projections, somewhat restrained lighting and straightforward staging allowed its strong cast of singers to keenly concentrate on the dramatic flow of this most tragic of stories, free from the distraction of flamboyant and opulent sets. [Read more…]
by Robert Rollin
Last Friday night, February 17, Opera Circle joined forces with the Cleveland Women’s Orchestra to present Guiseppe Verdi’s Il trovatore at the Bohemian National Hall. Opera Circle is headed by executive director Dorota Sobieska, one of Northeast Ohio’s most talented sopranos, and music director and chorus master Jacek Sobieski, a former music director of Warsaw’s Polish National Theater. Robert Croquist, the Cleveland Women’s Orchestra’s longtime music director, served as conductor. [Read more…]