by Nicholas Stevens

by Nicholas Stevens

by Mike Telin
by Mike Telin

On Saturday, September 15 at 7:30 pm in the Maltz Performing Arts Center, Aron and Collins will be joined by fellow guitarist Colin Davin during the Cleveland Classical Guitar Society’s annual Showcase Concert. The program will include Mauro Giuliani’s Rossiniana No. 1 along with selections from Aron’s Menagerie, Sixteen Concert Studies for Guitar (2018) and the premiere of Collins’ Impressions for Viola and Guitar. The free event is part of the inaugural Silver Hall Concert Series.
Aron, who has been teaching at the Oberlin Conservatory since 1992 (he also taught at the University of Akron for thirty-four years), has often felt “boxed in” by the limited number of concert studies available to him as a teacher. “Then it finally hit me — I should just write my own,” he said during a telephone conversation.
by Hannah Schoepe

The idea of shimmering silver is certainly a fitting concept to describe the Series, presented in partnership with CWRU. Renovated in 2015, Silver Hall Auditorium now includes state-of-the art recording and live-streaming capability. This Series marks the Maltz Center’s new venture into presenting.
Randall Barnes, executive director of the Maltz Center, said the Series tackles several key components that help to define the niche of the Center. “First, the celebration of the musical artistry of our students through the CWRU Music Department ensembles; second, the professional and semi-professional talent of the greater Cleveland area ensembles showcased here; and finally, the intersection of technology and heritage by delivering one-of-a-kind performances both in-person and live-streamed from Silver Hall, the historical showpiece of the Maltz Performing Arts Center.”
by Daniel Hathaway

by Jarrett Hoffman

The pair of Grammy winners will get that chance this May. They’ll head to the University of California, Davis for a performance on Friday, then cross the country to Plymouth Church in Shaker Heights for a joint recital on Tuesday, May 8 at 7:30 pm.
The program of Spanish and American music is co-presented by Cleveland’s Classical Guitar and Chamber Music Societies (CCGS and CCMS). ClevelandClassical.com’s own Daniel Hathaway will give a pre-concert lecture at 6:30 pm.
“We’ve been working on this for years, so it’s long in coming,” Sasha Cooke said during a phone call. “I’m glad it finally worked out. It’s really beautiful music, and Jason’s a phenomenal guitarist.”
by Nicholas Stevens

by Daniel Hathaway

Galbraith explained the origins of the instrument in an interview with this publication in 2012.
I was aware of some of the limitations that the 6-string guitar imposes early on, in fact as early as when I was twelve, when learning my first Bach lute suite. When facing that material on guitar, you’re confronted with having to make decisions and compromises: you don’t have the necessary range to play what Bach writes, so you have to rearrange things to fit. And it struck me even then: why don’t we have a wider-ranging instrument to play this great repertoire? Soon after, the same questions arose when playing the lute music of Dowland. Meanwhile, there were one or two prominent players who used instruments with a wider range. [Read more…]
by Robert Rollin

by Jarrett Hoffman

Albert picked up another phone at Avers’ parents’ house in Massillon, where the two guitarists were staying before heading out for performances in Kentucky and Ohio. That tour includes a concert this Saturday, February 24 at 7:30 pm at Plymouth Church in Shaker Heights on the Cleveland Classical Guitar Society’s International Series. There they’ll bring together Balkan folk music, classical music, two works of their own, and a free improvisation.
I asked again. Why The Jellyfish Brothers? “Oh,” Albert said, laughing. “It’s a long story.”
It begins in 2008 at the Akron Zoo — at a jellyfish exhibit.
by Timothy Robson
