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Cleveland Opera Theater:
La Casa de Bernarda Alba (June 10)

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by Peter Feher

Cleveland Opera Theater saw the payoff of several years’ work when La Casa de Bernarda Alba premiered earlier this month. The production, fully realized on the mainstage at Baldwin Wallace University’s Kleist Center for Art and Drama from June 9-12, didn’t just spring out of nowhere. The company nurtured the piece through its New Opera Works Festival beginning in 2017 with a series of public readings of the source material.

And Federico García Lorca’s 1936 play is a good place to start. La Casa de Bernarda Alba makes for highly effective theater in that the simplest elements (a chair, a door, an offstage character) generate all the drama. Even in this operatic adaptation, Scott Skiba’s direction and Jeff Herrmann’s set design emphasized the essentials and communicated much of the action silently.

[Read more…]

Dames Jane Glover and Imogen Cooper bring eloquence and elegance to Severance (Mar. 27)

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by Daniel Hathaway

Half Mozart and half British, the repertory at Severance Music Center on Sunday afternoon, March 27 gave The Cleveland Orchestra multiple opportunities to shine under the baton of Dame Jane Glover, who organized the proceedings with a keen sense of style and narrative. And Dame Imogen Cooper, her compatriot in the Most Excellent Order of the British Empire, crafted a memorable account of Mozart’s richly symphonic Piano Concerto No. 22.

The geography of the event was established immediately with Benjamin Britten’s Suite on English Folk Tunes, a collection of five pieces completed in 1974, two years before the composer’s death. With folksy titles like “The Bitter Withy” and “Hankin Booby” (the latter commissioned for the 1967 opening of the Queen Elizabeth Hall in London), you expect rustic charm, which Britten delivers along with his own batterie of compositional devices and orchestral effects. [Read more…]

Cleveland Opera Theater: Amahl and the Night Visitors 

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by Mike Telin

What’s on your list of favorite holiday classics? The ones you remember from childhood and — as an adult — still look forward to seeing. My list begins with Tchaikovsky’s The Nutcracker, followed by Dickens’ A Christmas Carol. And I still enjoy How the Grinch Stole Christmas and A Charlie Brown Christmas — especially Vince Guaraldi’s musical score.

Another I remember fondly is Gian Carlo Menotti’s Amahl and the Night Visitors.  Commissioned by NBC, the one act, made-for-television opera, premiered on December 24, 1951, at the network’s studios in New York’s Rockefeller Center. And now, through the wonders of technology, Cleveland Opera Theater has created a magical new production of the work which is available on demand through January 6, 2021 (Three Kings Day). [Read more…]

Cleveland Opera Theater’s Summer Concerts return online 

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by Mike Telin

With the weather forecast to be 85 and sunny with no rain in sight, why not take a picnic to your backyard or front porch and enjoy a family-friendly evening of music courtesy of Cleveland Opera Theater?

Beginning on Saturday, June 20 at 7:00 pm, the company will take its popular Opera For All free summer concerts online. (And if you’re looking for a culinary theme to accompany your listening pleasure, Saturday just happens to be National Ice Cream Social Day.)

“Our hope is that families will be listening together,” Megan Thompson, Cleveland Opera Theater director of education and outreach, said by telephone. “We won’t be announcing the programs until the night of each concert, but it will be a nice mix of familiar pieces, lesser-known works, and we almost always sprinkle in some fun musical theater pieces as well — especially from the Golden Age.”

Performances will continue on July 25 at 7:00 pm (National Hot Fudge Sundae Day and Wine and Cheese Day) and on August 30 at 7:00 pm (National Toasted Marshmallow Day — s’mores perhaps?). [Read more…]

Cleveland Opera Theater launches Opera for All Online 

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by Mike Telin 

At a time when everyone is practicing social distancing, and shelter in place is for the time being a reality, many artists and arts organizations are responding by moving to streaming formats. Beginning on Monday, March 30, Cleveland Opera Theater will launch Opera for All Online, social-distance-safe programs to experience, explore, and engage in opera. The events are free.

“Throughout the company’s history we’ve always done what was necessary to remain viable and relevant in the community,” Scott Skiba, Cleveland Opera Theater’s executive artistic director, said during a recent telephone conversation. “We’ve often thought about getting into the streaming environment, and now is the opportunity to try some new things without changing the organization’s mission.”

Skiba noted that two Opera for All Online programs were already part of the company’s offerings. That includes Opera-101, which will now meet Monday through Friday at 12:15 pm on the company’s Facebook page. The staff welcomes questions for future sessions (email them here). “People can ask anything they want to know about opera, like can you really break a glass by singing high? Or what do the conductor and the director do?” Skiba said. “Megan Thompson, our director of education and outreach, will moderate and give lectures about upcoming Metropolitan Opera broadcasts.”

[Read more…]

Mack & McGuire’s Ghosts of Gatsby at Music Box Supper Club (Jan. 12)

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by Daniel Hathaway

Although the turbulent marriage of F. Scott and Zelda Fitzgerald —  self-caricatures of the Jazz Age — has inspired a number of literary efforts in addition to their own near-autobiographical novels, the subject never seems to have been approached through the lens of opera. Composer Evan Mack and librettist Joshua McGuire have stepped in to fill that void with their one-act The Ghosts of Gatsby, commissioned by Samford University (Montgomery, Alabama), where it premiered in November 2018. [Read more…]

Cleveland Opera Theater moves to Playhouse Square with La Bohème (Sept. 13)

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by Daniel Hathaway

Puccini’s La Bohème was produced 598 times worldwide during the 2017-2018 season, making it the fourth most-performed title in the repertoire (trailing La traviata, Carmen, and The Magic Flute). It’s also the show that Cleveland Opera Theater chose for its move from venues like the Masonic Auditorium and the Maltz Performing Arts Center to the Ohio Theater, a more traditionally-outfitted house. On Friday, September 13, Scott Skiba’s clever production surrounded a fine cast with memorable scenic design by Matthew D. McCarren and projections by Brittany Merenda that brought a Parisian garret, the Café Momus, and a toll gate outside the city vividly to life in Playhouse Square.

[Read more…]

Classical music events to catch during the rest of the summer

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by Daniel Hathaway

Classical music events begin spiraling down into the Dog Days of August this week, beginning with Ohio Light Opera, which will present final performances of Perchance to Dream (above) and Girl Crazy on Wednesday the 7th at 2:00 and 7:30 pm, The Devil’s Rider and Music in the Air on Thursday the 8th at 2:00 and 7:30 pm, South Pacific and Into the Woods on Friday the 9th at 2:00 pm and 7:30 pm, and Pirates of Penzance on Saturday the 10th at 2:00. Hurry to Freedlander Theater on the campus of The College of Wooster before the company packs it in for 2019. Tickets here.

The Cleveland Orchestra will be busy in several modes through the end of the month. Its Star-Spangled Spectacular — postponed from Independence Day because of the All-Star Game — takes place on Mall B downtown on Wednesday the 7th at 9:00 pm (catch it, if not in person, on the stream at ideastream.org). [Read more…]

Cleveland Opera Theater to present La traviata at the Maltz

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by Mike Telin

Violetta Valéry is among the most popular of the many sopranos who die in the last acts of operas. You can relive the story of that “fallen woman” this weekend when Cleveland Opera Theater turns the Maltz Performing Arts Center into an opera house for Verdi’s La traviata.

Scott Skiba directs, Domenico Boyagian conducts, and the cast features Angela Mortellaro as Violetta, Benjamin Werley as Alfredo, and Grant Youngblood as Germont. The Act II party scene is always a highlight, but this one, featuring Cleveland Burlesque, promises to be a show-stopper. The lights go up on Friday, April 26 at 7:00 pm and on Sunday, April 28 at 3:00 pm. Tickets are available online.

“Cleveland Burlesque performs all around Cleveland,” Skiba said during a telephone conversation, “and I reached out to them because we are setting the production in contemporary times. I was thinking, who would Flora hire to perform at her party, and I thought she would hire burlesque dancers.”

[Read more…]

Cleveland Opera Theater {NOW} Festival: Griffin Candey’s The House of Bernarda Alba

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by Mike Telin  

When Griffin Candey first read an English translation of Spanish dramatist Federico García Lorca’s La Casa de Bernarda Alba, he knew the play had the makings for an opera. “My wife suggested that I read it,” the composer said by telephone from his home in Marquette, Michigan. “She went to school for musical theater as did I, and in one of her classes they read the play and thought it was fantastic. I’m always scouring material for things to do in the future, so when I read it, I immediately leapt on it.”

On Friday, February 8 at 8:00 pm in Baldwin Wallace’s Gamble Auditorium, Cleveland Opera Theater’s {NOW} Festival will present a workshop reading of scenes with piano accompaniment from Acts I and II of Candey’s The House of Bernarda Alba with libretto by Obie Award-winner Caridad Svich. The opera is a co-commission between Cleveland Opera Theater and the BW Conservatory.

[Read more…]

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