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Cleveland Opera Theater’s La bohème: second of three articles

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by Mike Telin

Boheme-PosterOn Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s  La bohème, directed by Scott Skiba. Conducted by Domenico Boyagian, the opera will be sung in Italian with English subtitles.

“It’s going to be an exciting production,” Skiba said during a recent conversation. “It’s easy to take it for granted and say, yeah, it’s La bohème, but when you’re working on it and discovering new things in it, it just strikes you how rich it is at every turn. And Puccini’s music is so wonderful. At every rehearsal I look over at Domenico and say ‘This music is so good!’” [Read more…]

Cleveland Opera Theater: La bohème (first of three articles)

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by Mike Telin

COT-Orchestra-&-Set“La bohème is just a winner,” Cleveland Opera Theatre founder Andrea Anelli said during a rehearsal break at Masonic Auditorium. “It was the first opera the company ever put on. We did it at the Beachwood Middle School Auditorium — semi-staged, no chorus, and just with a piano,” Anelli recalled. “It’s really exciting to see the growth of the past ten years in circling back to that opera, but now doing it with full chorus and full orchestra. It’s a fantastic feeling.”

On Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s beloved La bohème, directed by Scott Skiba and conducted by Domenico Boyagian. Lisa Yanofsky is the assistant director. The opera will be sung in Italian with English subtitles. [Read more…]

Nkeiru Okoye’s opera Harriet Tubman: When I Crossed the Line to Freedom (Feb. 6)

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by Nicholas Jones

Tubman-PyramidOpera is a great medium for exploring the courage of acting for freedom and the personal cost of heroic resistance. There is something built into the art form that deepens our view of even the most resolute of actions, showing us the often tragic consequences of taking the courageous path. We can hardly hear Vissi d’arte without understanding both Tosca’s heroism and the pain that comes with it. [Read more…]

Cleveland & Oberlin Opera Theaters to produce Nkeiru Okoye’s Harriet Tubman opera: second of two articles

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by Mike Telin

OkoyeWhen composer Nkeiru Okoye first began thinking about setting the life of Harriet Tubman to music she was certain it would take the form of an oratorio. “When I first had the idea to tell her story in music, I thought I would link spirituals together with some dialogue, and I would have this amazing piece,” Okoye told us during a telephone conversation from New Paltz, N.Y., where she is Director of Music Theory and Composition at SUNY New Paltz. “But I found out that that piece had been written already, so I needed to find a different angle.”

Over the next two weekends, Northeast Ohio audiences can experience the story of Harriet Tubman when Cleveland Opera Theater’s New Opera Works, in collaboration with Oberlin Opera Theater, presents the Midwest premiere of Nkeiru Okoye’s Harriet Tubman: When I Crossed that Line to Freedom. The opera is presented as part of Oberlin College’s Africana Unity and Celebration Month. Harriet Tubman, which premiered in New York City in February 2014, tells the story of the influential former slave and her rise to a pivotal role in the Underground Railroad. [Read more…]

Cleveland & Oberlin Opera Theaters to produce Nkeiru Okoye’s Harriet Tubman opera: first of two articles

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by Mike Telin

FIELD-Jonathon2Over the next two weekends Northeast Ohio audiences are in for an operatic treat when Cleveland Opera Theater’s New Opera Works, in collaboration with Oberlin Opera Theater, presents the Midwest premiere of Nkeiru Okoye’s Harriet Tubman: When I Crossed that Line to Freedom. The opera is presented as part of Oberlin College’s Africana Unity and Celebration Month.

“What grabbed me about the opera is its accessibility, and the fact that it is a genuine opera that was meant to be sung by operatic voices. It’s the kind of opera that an audience can really get caught up in. Everybody is going to enjoy it,” stage director Jonathon Field said during a recent conversation. [Read more…]

Musical life after the holidays:
a cornucopia of January concerts

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by Daniel Hathaway

Bronfman-FWM-TCONow that winter has finally arrived and the excitement of the holidays has subsided, it’s tempting to burrow in and hibernate for a few weeks. But there’s plenty to do during January. Let’s have a look at some of what the month has to offer, beginning with orchestra concerts.

Franz Welser-Möst and The Cleveland Orchestra are back at work early in the month with a round of all-Beethoven concerts from January 7-9 featuring pianist Yefim Bronfman (left) in the third piano concerto, and Bronfman and the Cleveland Orchestra Chorus in the Choral Fantasy. Soprano Barbara Hannigan will be featured in the U.S. premiere of Hans Abrahamsen’s let me tell you on January 14 and 15, sharing a program with Dmitri Shostakovich’s fourth symphony. On Saturday the 16th, Robert Porco will lead the annual Martin Luther King Jr Celebration, followed by a Severance Hall Open House on Monday the 17th from 12 Noon to 5 pm. Community ensemble performances will be bracketed by the Cleveland Orchestra Youth Chorus (12:30) and Youth Orchestra (4:15). The Cleveland Philharmonic will host its own MLK Observance at Tri-C Metro Auditorium on Sunday, January 17. [Read more…]

Cleveland Opera Theater: André Previn’s A Streetcar Named Desire at Masonic PAC (Dec. 4)

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by Daniel Hathaway

Stanley-Stella-BlancheWith characters like Stanley Kowalski and Blanche Dubois, its setting in the French Quarter of New Orleans in the 1940s, and its subplots of sensuality, delusion, and madness, Tennessee Williams’s play A Streetcar Named Desire makes it a shoo-in for operatic treatment. Composer André Previn and librettist Philip Littell took that task on in 1995, and Cleveland Opera Theater chose their adaptation of Streetcar for its second show at the Masonic Performing Arts Center, mounting a production that was admirable for its ambition and impressive in its results. [Read more…]

Cleveland Opera Theater to present André Previn’s A Streetcar Named Desire

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by Mike Telin

Previn-LA-Phil-1986Steeped in desire, passion, and deceit, it’s no wonder that Tennessee Williams’ Pulitzer Prize-winning play A Streetcar Named Desire eventually found its place on the opera stage. On Friday, December 4 at 7:30 pm in Masonic Auditorium, Cleveland Opera Theater will present the Ohio premiere of composer André Previn’s and librettist Philip Littell’s 1995 opera based on Williams’ iconic play. The production will be repeated on Sunday, December 6 at 3:00 pm. (Left, Previn conducting the L.A. Philharmonic in 1986).

COT’s artistic director Scott Skiba recalled his first experience with the work, which was premiered at San Francisco Opera in 1998. “I remember sitting in the Oberlin Conservatory library watching it on a LaserDisc,” he told me over breakfast at a popular Ohio City café. “At first I wasn’t sure what to think of it, but nevertheless I found it interesting.”

The idea of producing Streetcar has been in discussion at COT for a few years, but when a reduction of the orchestra score was completed, taking the number of players down from 70 to 40, it suddenly became realistic to mount a production. [Read more…]

Cleveland Opera Theater presents Opera al Fresco at Dunham Tavern Museum (August 16)

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by Mike Telin

Dunham-Tavern-PhotosOn Sunday, August 16 beginning at 6:00 pm, Cleveland Opera Theater will present its wildly popular free outdoor Opera al Fresco concert at its new location on the grounds of historic Dunham Tavern Museum at 6709 Euclid Avenue in Cleveland’s MidTown district. This family-friendly concert, which has traditionally been held at the Italian Cultural Gardens, is relocating this year to coincide with the company’s recent move to MidTown and its ongoing plans to increase community involvement and civic impact.

“I’m excited to able to introduce another hidden gem of Cleveland to audiences,” COT’s founder and executive director, Andrea Anelli, said during a recent telephone conversation. “I always loved the Cultural Gardens. When we began the Opera al Fresco concerts, the audience was quite small. Over time, it was a thrill to see more people not only coming to the concert, but also to the area, because they too fell in love with it.” [Read more…]

Cleveland Opera Theater: Tosca at Masonic Auditorium (May 8)

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by Daniel Hathaway

COT-Tosca-Act-I

Rebranding is sometimes just a marketing ploy to sell the same old product with a shiny new veneer. But when Opera Per Tutti changed its name to Cleveland Opera Theater last fall, the announcement came with an ambitious set of new plans. On Friday evening, May 8, the new company reached its first milestone with a first-class production of Puccini’s Tosca in COT’s new performing space, the acoustically excellent Masonic Auditorium. [Read more…]

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