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Les Délices ventures into jazz standards with its “Songs Without Words” concerts

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by Mike Telin

NAGY-Debra“Instrumentalists, especially during the last couple of decades of the 17th century, would often turn to vocal music as a source of repertory for their solo playing,” said Debra Nagy, Les Délices Artistic Director, during a recent interview. “This program uses that idea as its point of departure and brings the concept into the 20th century with jazz standards arranged for and improvised by the ensemble.”

On Saturday, October 15 at 8:00 pm at SPACES, and on Sunday at 4:00 pm at Herr Chapel, Plymouth Church, Les Délices will kick off its new season with a program titled “Songs Without Words.” The program will feature torch songs spanning the 17th to 20th centuries, including music by Michel Lambert, Marin Marais, Billy Strayhorn, and Nina Simone. [Read more…]

Stephen Toombs: an appreciation

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by Steven Plank
Special to ClevelandClassical.com

ToombsIn a sadly pleasing strain
Let the warbling lute complain.

Alexander Pope’s memorable couplet from his Ode on St. Cecilia’s Day poetically voices the doleful propensity of the lute, and with the news of the death of Stephen Toombs on August 17, it also seems to voice the Cleveland musical community’s deep sense of loss. In his 28 years as the music librarian at Case Western Reserve University, Stephen combined a love of scholarship and the diverse sources that bring it to life with a passion for the music that was dearest to his heart: Renaissance and Baroque music for the lute.

The intertwining of these strands was deep-rooted in his training as musicologist, librarian, and lutenist, and given the high distinction of the performance practice program at the University, this meant that at his arrival there, both the school and its new librarian could rejoice in a match most felicitously made. [Read more…]

Les Délices: Vaudeville in the French Baroque (May 8)

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by Nicholas Jones

TheatredelaFoireWhen we hear the big names of French Baroque music — Couperin, Lully, Rameau — we think of the opulence of the courts of Paris and Versailles. And we think big — long, serious operas on mythical subjects, string bands packed with dozens of players, and hefty subsidies from king and courtiers. But outside the heady claustrophobia of the courts, Paris also had a looser musical counterculture in the suburbs: small ensembles that played music based on popular tunes, and presented “operas” based not on the tragedies of gods and heroes but on the complications of everyday life. [Read more…]

Les Délices to present
“Concertos Comiques”

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by Mike Telin

CorretteFinding ways to circumvent rules has always been a popular pastime. It has also often inspired creative genius. When Louis XIV put a stranglehold on entertainments such as opera and theater by enforcing rules designed to secure official monopolies, non-court composers and playwrights countered with Fair Theaters (Théâtre de la Foire), low-cost performances on the outskirts of Paris. The satirical plots regularly mocked the pretentiousness of the bourgeois by featuring servants who were far more intelligent than their bosses, or by poking fun at old men who chased after young girls.

On Saturday, May 7 at 8:00 pm at the Bop Stop and Sunday, May 8 at 4:00 pm at Plymouth Church, Les Délices will present Concertos Comiques. The program will include works by Michel Corrette, Francesco Corbetta, Joseph Bodin de Boismortier, and Jean-Joseph Mouret, performed by Debra Nagy (oboe), Julie Andrijeski and Scott Metcalfe (violins), Josh Lee (viola da gamba), and Simon Martyn-Ellis (theorbo and baroque guitar). [Read more…]

Les Délices to hold Ohio City residency from March 17—20

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by Mike Telin

LesDelicesPopUp2Les Délices, Cleveland’s period instrument ensemble specializing in French Baroque music, will settle into Ohio City beginning on Thursday, March 17 for a weekend full of free events. As a resident of the neighborhood, Artistic director Debra Nagy feels strongly about reaching out to Cleveland’s Near-West Side community. “The primary goals for the residency are to build awareness of chamber music performance, expand the group’s West-Side audience, and increase visibility for Cleveland artists,” Nagy said in an interview.

The ensemble’s residency also celebrates Early Music Month, devised by Early Music America. Nagy, who is an EMA board member, explained that the month is designed to draw attention to the quantity, breadth, and richness of the country’s early music scene. [Read more…]

Apollo’s Fire: Bach’s St. John Passion at First Baptist Church (March 4)

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by Nicholas Jones

StJohnTrinityMar2016Like all great drama, Johann Sebastian Bach’s Passions — his settings of the gospel accounts of Jesus’s crucifixion — present conflicting points of view. We see the Passion through so many characters in the story — the disciple Peter, who denies knowing Jesus; the conflicted Roman governor Pilate, who finds no guilt in Jesus and yet sends him to the cross; the angry crowd, which demands his crucifixion; and Jesus himself, suffering and yet transcending his suffering. At every point, Bach demands our involvement with the conflicting ways in which each of these actors interpret the crucial event of the Christian story. [Read more…]

Les Délices: “Folly of Youth” at Harkness Chapel, CWRU (Feb. 20)

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by Christine Jay

Rubens-fall-of-phaetonDoing stupid things when young is natural. Two epic failures in youth — alas, fatal ones — are found in the myths of Icarus and Phaeton. Both are ambitious teenagers, their unrelenting and unchecked egos inducing catastrophe. Although similarly bold, the Les Délices program titled “Folly of Youth” at Case Western Reserve University’s Harkness Chapel on February 20 delighted and enthralled, with no signs of godly demise. [Read more…]

Les Délices’ The Imaginary Orchestra:
a conversation with harpsichordists Michael Sponseller and Jacob Street

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by Mike Telin

Sponseller-Street“When you work in baroque opera, the job of a harpsichordist is to also be the Répétiteur,” Michael Sponseller explained during a recent conference call with fellow harpsichordist Jacob Street. “During the rehearsals, our job is to take the score and figure out how to make one harpsichord sound like an orchestra.”

This weekend, Les Délices will prove that two harpsichords are better than one when Michael Sponseller and Jacob Street combine their musical wizardry for two concerts entitled “The Imaginary Orchestra.”

The program, presented on Saturday, January 16 at 8:00 pm in The Galleries at Cleveland State University and on Sunday at 4:00 pm at Herr Chapel in Plymouth Church in Shaker Heights, will feature arrangements from operas by Jean-Baptiste Lully, Marin Marais, Jean-Philippe Rameau, and Pancrace Royer, as well as the rarely heard symphony for two harpsichords by Armand-Louis Couperin. Les Délices artistic director Debra Nagy and harpsichordist Lisa Goode Crawford will present a pre-concert talk at each performance. [Read more…]

Vocal/Choral CD Reviews: Apollo’s Fire, Kendra Colton, Liz Huff, Quire Cleveland & Joan Ellison

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The Power of Love: Arias from Handel Operas. Amanda Forsythe, soprano, with Apollo’s Fire, Jeannette Sorrell, conducting (Avie).

AF-Forsythe-Power-of-LoveStart with the second track of this excellent survey of George Frideric Handel’s expertise in writing for the soprano voice and its realization through the supple vocal chords of Amanda Forsythe. “Geloso tormento,” from Almira, the 19-year-old composer’s first opera, shows how ravishingly Handel and Forsythe can depict both rage and lament in the course of a single aria. (The soprano stunned audiences with such vocal prowess in the role of Edilia in the same opera during the 2013 Boston Early Music Festival.)

Arias from nine operas are featured in this collection, plus four wildly contrasting orchestral movements from Terpsichore (Il Pastor fido) — a graceful chaconne, a skittering entrée depicting jealousy, a delightful air, and a ballo for recorders and violins. Those interludes give Forsythe a virtual breather between her exhausting representations of the many emotions of a soprano in love (now she’s like a butterfly hovering around a lamp, now she’s a calculating temptress, now she’s a cruel traitor, finally, she’s a shattered ship reaching safe harbor). [Read more…]

Galante Experiments: Les Délices in “The Age of Indulgence” at Plymouth Church (Nov. 8)

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by Nicholas Jones

Les-Delices-3The truism holds that French aristocrats before the Revolution danced time away in utter complacency, refusing to change in the face of the inevitable. The image is probably true with respect to most things that would have mattered to those who stormed the Bastille. But in the world of music, things were changing decades before the Revolution. Writing within a framework of courtly elegance that would have pleased Marie Antoinette, composers were also pushing the boundaries of their music with wit, irony, turmoil, and glimmers of Romantic self-consciousness. [Read more…]

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