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CIPC Finalists share their thoughts on the 2024 Cleveland International Piano Competition

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by Mike Telin & Daniel Hathaway

“I’m so happy. It’s very nice that all the work has been recognized and appreciated.” — Giuseppe Guarrera (32, Italy), fourth prize.

“It’s amazing. Honestly, when I came to the competition I had zero expectations for what was going to happen.” — Maxim Lando (21, USA), third prize.

“It feels really great.” — Evren Ozel (25, USA), second prize.

“It’s a dream come true.” — James (Zijian) Wei (25, China), first prize.

On Sunday afternoon following the concerto round with The Cleveland Orchestra on Friday and Saturday, we had the opportunity to meet with the four finalists in the atrium of the Cleveland Museum of Art to get their impressions about the innovations in this year’s Cleveland International Piano Competition, which is celebrating its 50th anniversary, and how it felt to be a prizewinner.

In an interview with this publication, Piano Cleveland president Yaron Kohlberg said that “A lot has changed in the classical music world during the past 50 years,” and that this year’s competition is all about creating more and better ways for it to serve the contestants, and the audience. [Read more…]

CIPC Finals zero in on top four pianists at Severance (Aug. 9-10)

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by  Daniel Hathaway

By the time that Evren Ozel, Maxim Lando, Zijian Wei, and Giuseppe Guarrera played concertos with conductor Ruth Reinhardt and The Cleveland Orchestra at Severance Music Center last weekend, their places in the winners’ circle of the Cleveland International Piano Competition were already determined.

It only remained to be revealed which of the generous cash prizes (ranging from $75,000 to $10,000) they would take home.

Given the quality of the competitors’ playing to this point, the jury had some tough choices to make. [Read more…]

ChamberFest Cleveland: “Spirited Away” at Disciples Church (June 17)

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by Daniel Hathaway

The post-COVID era may be on the horizon, but it hasn’t arrived yet. That dastardly microbe that has wrought havoc in the performing arts world for more than two years is still on the prowl.

Just ask Jessica Peek Sherwood, ChamberFest Cleveland’s new executive director, whose first official acts since coming on board June 1st have been to replace musicians whose positive test results have left them on the sidelines.

Swapping out individuals in a festival roster can often be accomplished quickly and efficiently, as for ChamberFest’s opening concert when Rising Star Sterling Elliott offered to step in for another cellist without missing a beat. It’s not so simple when a guest ensemble like King’s Return, the Dallas male vocal quartet, is scheduled to headline a concert. [Read more…]

ChamberFest Cleveland opens with “Exquisite Beginnings” at CIM (June 16)

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by Daniel Hathaway

ChamberFest Cleveland’s Season X — Roman numeral, not unknown quantity — got underway on Thursday, June 16 when a crowd of masked fans filled every seat in Mixon Hall at the Cleveland Institute of Music for “Exquisite Beginnings,” an opening salvo of works by Mozart/Grieg, George Walker, and Brahms.

The joy of returning to live concerts was palpable, reinforced by co-artistic director Franklin Cohen — who warmly greeted attendees in the lobby beforehand — and captured in the words of performers in an almost giddily edited video by Erica Brenner that was shown right after intermission. Chez Cohen was once again bubbling over with the sounds of rehearsing musicians in the “Chamberhood” that the Festival has created over nine previous seasons. The audience showed its feelings in ardent ovations. [Read more…]

ChamberFest Cleveland: catching up with pianist & rising star Evren Ozel

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by Daniel Hathaway

Born in Minneapolis in 1999, pianist Evren Ozel has established a stellar reputation in Northeast Ohio.

He has competed twice in the Thomas and Evon Cooper International Competition at Oberlin, making it into the finals in 2013, when he also won the Audience Prize. He finished second in 2016, when photographer Roger Mastroianni captured him here in the heat of collaboration with Jahja Ling and The Cleveland Orchestra. We were impressed:

17-year-old Evren Ozel, from Minneapolis, learned Beethoven’s fourth concerto expressly for this competition, and the results of his preparation were impressive. His interpretation shone both with technical poise and poetry — basking in the moment of performing on the Severance Hall stage with his excellent colleagues. [Read more…]

Rising Stars steal the show at ChamberFest’s Folklorica (June 23)

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by Rory O’Donoghue

There are rare, perfect moments in chamber music where minds meld and hearts coalesce in beautiful synergy. Violinist Nathan Meltzer and pianist Evren Ozel, both young phenoms, did just that with their pre-concert performance of Franck’s Violin Sonata during ChamberFest Cleveland’s Folklorica on Sunday, June 23 in CWRU’s Harkness Chapel. On an afternoon packed with stellar musicianship, the two distilled Franck down to its exquisite essence. I doubt I will ever hear a better rendition.  [Read more…]

ChamberFest Cleveland: “In Full Swing” (June 14)

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by David Kulma

CIM’s Kulas Hall on Friday, June 14 was the setting for the enjoyable and amazingly performed second concert in ChamberFest Cleveland’s eighth season. Titled “In Full Swing,” the evening featured three works tangentially related to dancing by Leonard Bernstein, John Adams, and Antonín Dvořák. But before the fantastic music-making by professionals, the pre-concert performance by the Deng sisters was easily a highlight. [Read more…]

ChamberFest Cleveland stuns with season opener (June 13)

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by Rory O’Donoghue

ChamberFest Cleveland descended from the heavens with “Under the Influence,” the inaugural concert of its eighth season on June 13 in CIM’s Mixon Hall. Exquisite interpretation, unparalleled finesse, and delightful music-making tied the evening’s selections together in performances of simply the highest caliber. [Read more…]

ChamberFest Cleveland: “Mozart the Giant” (June 20)

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by Daniel Hathaway

Mozart the influencer was documented in music for winds by Beethoven and Poulenc for ChamberFest Cleveland’s fifth program on Thursday, June 20 in CIM’s Mixon Hall, while the notion of “Mozart the Giant” was affirmed by the composer’s own String Quintet in D. The first part of the evening was distinguished by elegant wind playing every bit as refined as what you would expect from a world-class string quartet, yet fully capable of incisive punctuation when the music called for emphatic gestures.

[Read more…]

ChamberFest Cleveland 2019: behind the scenes with Franklin Cohen

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by Rory O’Donoghue

“This year’s ChamberFest — the way everything’s turned out — is really quite satisfying. It makes me smile.” I could almost hear Franklin Cohen grinning through the phone.

Prior to the beginning of this year’s festival, I had the opportunity to talk with Cohen, principal clarinet emeritus of The Cleveland Orchestra and co-artistic director of ChamberFest, about the current season and the evolution of the Festival. Above all, he’s immensely appreciative of how far he’s come: “It’s just so wonderful to be able to do this, to have this life of music. I fell in love with music as a child, lying under the piano when my mother would practice. I couldn’t escape the spell, and still can’t.”

ChamberFest emerged in 2012 with its first season, Big Bang!, and has been on the rise ever since. [Read more…]

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