by Mike Telin

Described as “a 21st Century Dreamscape showcasing the modern nocturne, lullaby and musical trance in a fully immersive nighttime event,” the program will feature Ananda Sukarian’s Gentle Darkness, Alessandro Amato’s Berceuse No. 3, Sullivan Boecker’s {0}, Steve Kuhn’s Trance, and the premieres of K. Krummenauer’s Born Sleeping and John HC Thompson’s re-imagination of the George Shearing classic Lullaby of Birdland. In keeping with the sleepytime theme, milk and cookies will be provided. [Read more…]







A concert of “new music” conjures up for some listeners the works of the atonal and twelve-tone works of the likes of Arnold Schoenberg and his disciples, the austere works of Pierre Boulez, or the dense modernist Harrison Birtwistle. But these days composers of contemporary “classical” music are no longer bound by such musico-political considerations. There is no “accepted” modern style. Instead composers now draw upon a wide variety of inspiration: old works, pop and rock music, jazz and world music, among other influences.
“We’re an ensemble that usually forgoes performing in churches in favor of the less traditional warehouse settings,” FiveOne Experimental Orchestra executive director Jeremy Allen told us during a recent telephone conversation. “When we’re looking for a reverberant Cathedral, we usually look for a post-industrial one like the Screw Factory. But when the opportunity came about to perform this concert, it was a no brainer.” On Friday, November 13 at 8:00 pm at Disciples Christian Church in Cleveland Heights, FiveOne Experimental Orchestra (51XO) will present Sacrum Silentium.
Since May of 2008, the Cleveland-based FiveOne Experimental Orchestra (51XO) has presented concerts featuring an eclectic mix of repertoire that bridges the gap between pop and art music at out of the ordinary venues such as the Sculpture Garden and the East Cleveland Cemetery. On Saturday, September 26 at 8:00 pm,