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Cleveland Chamber Choir begins 10th season with “Meditations and Mysticism”

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by Mike Telin

In a recent Zoom conversation, Gregory Ristow said, “We talk so much about how music heals. And that idea provided me with threads into how composers engaged with the notion of music as a centering device — as a way of finding one’s own place in the world or observing the broader context of the world beyond oneself.”

On Saturday, October 26 at 7:00 pm at Trinity Cathedral, Ristow will lead the Cleveland Chamber Choir in “Meditations and Mysticism.” The program celebrates the healing power of music. The concert, presented in partnership with the award-winning mental health program, Ghetto Therapy, will launch the ensemble’s tenth anniversary season.

The program will be repeated on Sunday at 4:00 pm at First Lutheran Church in Lorain. Oberlin College & Conservatory Professor Charles Edward McGuire will present a pre-concert talk 45 minutes prior to each performance. Click here to register for a “pay what you will” ticket.

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Cleveland Chamber Choir & Lakewood High singers: Considering Matthew Shepard at Trinity Cathedral (Oct. 22)

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by Daniel Hathaway

Young Matthew Shepard’s iconic suffering and death in Wyoming 25 years ago have inspired a number of social, political, and artistic initiatives, including Craig Hella Johnson’s “passion oratorio” Considering Matthew Shepard, which was first performed in 2016.

In 2023, some 40 organizations will have performed the nearly two-hour work, among them Gregory Ristow’s Cleveland Chamber Choir, who were joined by the Lakewood High School Symphonic Mixed Choir and an instrumental ensemble from the Local 4 Music Fund in an affecting Sunday afternoon concert at Trinity Cathedral on October 22. (An earlier performance was given the day before in Avon Lake).

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Cleveland Chamber Choir: Considering Matthew Shepard

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by Mike Telin

Statement from President Joe Biden on the 25th Anniversary of the Tragic Death of Matthew Shepard:

October 12, 2023

Twenty-five years ago today, Matthew Shepard lost his life to a brutal act of hate and violence that shocked our nation and the world. The week prior, Matthew had been viciously attacked in a horrific anti-gay hate crime and left to die – simply for being himself.

Matthew’s tragic and senseless murder shook the conscience of the American people. And his courageous parents, Judy and Dennis Shepard, turned Matthew’s memory into a movement, galvanizing millions of people to combat the scourge of anti-LGBTQI+ hate and violence in America.

On October 6, 1998 Matthew Shepard, a gay student at the University of Wyoming, accepted a ride home from two men at the Fireside Lounge in Laramie. Instead, Shepard was driven to a remote area where he was pistol-whipped, tortured, tied to a fence, and left for dead. Shepard died six days later from brain damage.

Shepard’s murder would later become the inspiration for Craig Hella Johnson’s fusion oratorio Considering Matthew Shepard.

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Composers Guild & Cleveland Chamber Choir join forces (Apr. 2)

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by Daniel Hathaway

When the Cleveland Composers Guild added the requirement of writing a vocal piece to its collegiate composition contest in 2019 and generated only a single entry — impressive as that piece was — the idea was born for dedicating an entire year to vocal music.

The choral side of that theme came to fruition on Sunday, April 2 in Drinko Hall at Cleveland State University, when the Guild collaborated with Cleveland Chamber Choir in a program designed and led by CCC acting director Gregory Ristow that successfully combined new pieces by Northeast Ohio composers with existing works, and in one case brought a new wrinkle to a well-known choral cycle.

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Composers Guild joins Cleveland Chamber Choir for Joint Concert

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by Daniel Hathaway

On Sunday, April 4 at 4 pm in Drinko Hall at Cleveland State University, Cleveland Composers Guild will join  Cleveland Chamber Choir for a program that combines new works by Northeast Ohio choral composers with masterworks from the last five centuries.

I recently met up on Zoom with Chamber Choir interim music director Gregory Ristow and Composers Guild chair Margi Griebling-Haigh to learn more about this Sunday’s concert.

Daniel Hathaway: It takes two to tango, but usually when two organizations end up collaborating, the original idea came from one of them. Who instigated this project?

Margi Griebling-Haigh: Neither of us was in a decision-making capacity when the idea first came up — which I believe was in a brainstorming session for the 2019 season. Probably somebody said, ‘Hey, I’ve heard that Cleveland Chamber Choir is terrific. Let’s work with them.’ So I’m pretty sure we approached them for the first concert. [Read more…]

Cleveland Chamber Choir: “Of Sound Mind” at the Maltz (Feb.19)

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by Daniel Hathaway

Since it made its impressive debut in 2015, Scott MacPherson’s Cleveland Chamber Choir has enlivened the choral music scene in Northeast Ohio with superb performances of carefully curated, interestingly-themed programs that so far have added more than 32 new commissioned works to the repertoire.

That tradition is now continuing under the leadership of Gregory Ristow, associate professor of conducting and director of vocal ensembles at Oberlin, who has been appointed acting artistic director of the ensemble following the mid-season announcement of MacPherson’s retirement.

At the Maltz Performing Arts Center on Sunday afternoon, February 19, the Choir, whose tagline is “more than music,” presented Of Sound Mind: From Darkness into Light, a program that “explores the universality of grief and sorrow, helping us to embrace our common humanity in the struggles we individually and collectively experience.” [Read more…]

Cleveland Chamber Choir: a conversation with Gregory Ristow

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by Daniel Hathaway

The next pair of concerts by Cleveland Chamber Choir this weekend will be led by Gregory Ristow, associate professor of conducting and director of vocal ensembles at Oberlin Conservatory, who has been appointed acting artistic director of the ensemble following the mid-season announcement of founding director Scott MacPherson’s retirement.

The program, “Of Sound Mind: From Darkness into Light,” explores the universality of grief and sorrow, helping us to embrace our common humanity in the struggles we individually and collectively experience. Free performances will take place on Saturday, February 18 at 7:30 pm at St. Noel Church in Willoughby Hills and on Sunday, February 19 at 3:00 pm at the Maltz Performing Arts Center in Cleveland. A pre-concert talk with Oberlin musicologist Charles Edward McGuire will begin 30 minutes prior to each performance.

After their Cleveland concerts, the Choir will perform at the 2023 National Conference of the American Choral Directors Association in Cincinnati later this month. Of the hundreds of choirs from across the country that auditioned, CCC was one of 28 choirs invited to perform, and will send 32 singers to perform two 25-minute performances to thousands of attendees.

I reached Gregory Ristow by telephone to chat about the repertoire for this weekend, and began by asking how much input he had into the program. [Read more…]

Oberlin Orchestra & Choirs
visit Carnegie Hall (Jan. 20)

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by Jarrett Hoffman

From a brooding opening, through a turbulent depiction of reality, to a rousing journey for freedom that surely lodged itself into the audience’s collective memory for a long time to come, the orchestral and choral forces of Oberlin College and Conservatory traced a compelling emotional arc with their program at Carnegie Hall’s Stern Auditorium on January 20.

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“Heaven and Earth” at the Church of the Covenant (Oct. 8)

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by Mike Telin

Wonderful things can happen when two accomplished ensembles collaborate. Such was the case on Saturday, October 8, when the Cleveland Chamber Choir and the BlueWater Chamber Orchestra joined forces at the Church of the Covenant in a program titled “Heaven and Earth.” The result was spectacular.

The program featured Gwyneth Walker’s The Golden Harp (1999) and Beethoven’s Mass in C. At first glance the two works appear to have little in common: Walker sets the words of Bengali poet Rabindranath Tagore and Beethoven sets the text of the Latin mass. Still, the colorful, expressive music in each provides a directness to the text that takes the listener on an emotional journey.

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BlueWater Chamber Orchestra 
& Cleveland Chamber Choir — 
together again at last 

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by Mike Telin 

We all know that the pandemic forced many performing arts organizations to put their plans on hold. Case in point, the collaboration between BlueWater Chamber Orchestra and the Cleveland Chamber Choir that was scheduled for May of 2020. 

Now, after a long wait, the two ensembles will come together on Saturday, October 8 at 7:30 pm at the Church of the Covenant for a performance of Beethoven’s Mass in C and American composer Gwyneth Walker’s emotionally intense The Golden Harp, featuring Ideastream Public Media’s John Mills as narrator. A pre-concert talk will be presented by Oberlin Conservatory musicologist Charles Edward McGuire 30 minutes before the performance. The concert is free.

The performance will be under the direction of both Gregory Ristow, Associate Professor of Conducting and Director of Vocal Ensembles at Oberlin, and Daniel Meyer, Artistic Director of BlueWater.

I caught up with Ristow and Meyer via Zoom and began by asking them how they came to pair the Walker with the Beethoven.

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