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A peaceful afternoon at Classically Lake View (July 7)

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by Stephanie Manning

Choosing a mausoleum as a concert venue might imply a more somber occasion, but the atmosphere was distinctly lighthearted at the Classically Lake View concert on July 7. Held in the Lake View Cemetery’s Community Mausoleum on a sunny Sunday afternoon, a string quartet of Cleveland Orchestra members and an Oberlin student guitarist presented a spirited program of chamber music by Black composers.

First violinist Liyuan Xie confidently led the quartet as they kicked things off with two movements from Joseph Bologne, Chevalier de Saint-Georges’ String Quartet No. 3, Op. 1. Despite the unconventional indoor space, the small stage helped with projection and the blend between the four musicians kept a balanced timbre. (Probably best not to add any wind instruments into the mix with that echo, though.) [Read more…]

Classically Lake View chamber series celebrates Justin Holland — Cleveland’s forgotten composer

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by Mike Telin

Set on 285 acres on Cleveland’s East Side, Lake View Cemetery’s wonderful landscapes, beautiful gardens, and artful monuments make it a serene final resting place as well as a tranquil retreat for the living to reconnect with nature.

On Sunday, July 7 at 3:00 pm in the Community Mausoleum, the recently created Classically Lake View chamber music series will present “Cleveland’s Forgotten Composer, Guitar Hero, and Abolitionist, Justin Holland.”

Under the artistic direction of Cleveland Orchestra violinist Isabel Trautwein, the program spans over 280 years of chamber music by Black composers, including Joseph Bologne, Justin Holland, Scott Joplin, Florence Price, William Grant Still, George Walker, and Thomas Flippin. Performers include guitarist Damian Goggans, violinists Liyuan Xie and Isabel Trautwein, violist Eliesha Nelson, and cellist Tanya Ell. The emcee will be Jennifer Coleman, Program Director for Creative Culture and Arts at the Gund Foundation. Tickets are available online.

[Read more…]

The Cleveland Orchestra: Honoring Black Composers

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by Jarrett Hoffman

It was disappointing in January when The Cleveland Orchestra’s Martin Luther King Jr. Celebration Concert had to be postponed due to a surge in COVID. But there’s good news, and it’s two-fold.

First, time has passed, and the rescheduled date is not far away: early next month. Second, the concert’s companion program, “Honoring Black Composers,” has found a new setting of its own, or rather three new settings. A very good thing, because the first date, an hour-long program on May 24 at Karamu House, has already sold out.

That still leaves you with two options. On Friday, May 27 at 6:30 pm and Saturday, May 28 at 7:00 pm, the program will move to Reinberger Chamber Hall at Severance, albeit in a slightly different form: a half-hour concert of music by Brian R. Nabors, Dolores White, George Walker, Melika Fitzhugh, H. Leslie Adams, and William Grant Still.

[Read more…]

Cleveland Silent Film Festival & Colloquium: The Fascinating Life of John Stepan Zamecnik
(second of two articles)

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by Mike Telin

Until recently, only a select few would have recognized the name John Stepan Zamecnik (1872–1953) if it had come up in conversation. But in the past few months the Cleveland-born violinist and composer is experiencing a resurgence. His music and accomplishments are being featured as part of the Cleveland Arts Prize Past Masters Project. And on Sunday, February 13 at 3:00 pm at the Hermit Club, Zamecnik’s music and life will take center stage during the opening event of the inaugural Cleveland Silent Film Festival and Colloquium.

The program will include chamber works by Zamecnik and his mentor, Antonín Dvořák, performed by violinists Isabel Trautwein, Alicia Koelz, and Katherine Bormann, violist Eric Wong, cellist Tanya Ell, clarinetist Robert Woolfrey, and pianist Rodney Sauer, who is also the director of the Mont Alto Motion Picture Orchestra, and who will deliver remarks on Sunday. Click here for tickets and here to read the previous article in this series, an overview of the Festival. A complete list of events and ticket information can be found at the end of this article.

In addition to selected movements from Zamecnik’s String Quartette in B-flat and Trio for Piano, Violin, and Cello, the concert will include three of the composer’s Photoplay Scenes: Ode to Spring (1923), A Gruesome Tale (1922), and Bon Vivant (1917). 

[Read more…]

Cleveland Arts Prize honors Past Masters in celebratory concert (Dec. 4)

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by Stephanie Manning

At first glance, the inclusion of Dvořák’s String Quartet No. 6 in F Major, “American,” might seem out of place on a program dedicated to historical Cleveland composers. But the concert’s curator, Cleveland Orchestra violinist Isabel Trautwein, posed a question to the audience. Why has this work become so well-known, while other pieces — like the ones on this concert — have not? 

Trautwein’s question left lots of food for thought over the course of “Honoring Our Past Masters: The Golden Age of Cleveland Art, 1900–1945,” on Saturday afternoon, December 4. The five pieces provided just a taste of the rich variety of music written by those who have called Cleveland home.

[Read more…]

Cleveland Arts Prize Past Masters

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by Mike Telin

Being recognized with a Cleveland Arts Prize is arguably the greatest honor that someone working in Northeast Ohio’s cultural sector can have bestowed upon them. Founded in 1960 by the Women’s City Club of Cleveland, since 1961 CAP has honored over 350 artists and arts leaders whose work has advanced the disciplines of literature, music, design, visual art, theater, film, and dance.   

Although CAP’s list of recipients reads like a who’s who of the region’s most influential artists, a closer look reveals many names that are conspicuously absent. “People come up to me and say, ‘How come Langston Hughes never won the prize, how come Ernst Bloch never won?’” Cleveland author and biographer Dennis Dooley said during a telephone conversation. “I tell them, that’s because the Arts Prize didn’t exist yet.” 

In honor of its 60th anniversary, The Cleveland Arts Prize, in partnership with The Cleveland History Center, will recognize the region’s artist luminaries of days gone by with its Past Masters Project.     

The year-long celebration kicks off on Saturday, December 4 with “Honoring Our Past Masters: The Golden Age of Cleveland Art, 1900–1945” at the Hay-McKinney Mansion. Doors open at 1:00 pm for a 1:30 concert that will feature music by five Past Master composers performed by members of The Cleveland Orchestra and guest musicians (download the program here). Tickets for the concert are available online. 

[Read more…]

MusiCLE Yours to present social justice-themed “Porchestra Concert” at Cozad-Bates House

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by Jarrett Hoffman

Last summer, according to Cleveland Orchestra violinist Isabel Trautwein, musicians from the Orchestra played 90-100 outdoor events. “These were driveway concerts and porch concerts with friends and students,” Trautwein said by telephone from her farm in Geneva (where she recently put on a program called Barnegie Hall.) “We thought, why don’t we give that a name, so that it has more of an impact, and so we all know we’re part of something larger.”

That something larger has become MusiCLE Yours, an initiative by a group of Orchestra members to share solo and chamber music — particularly but not exclusively by under-represented composers — with a range of communities throughout the area.

They started with recordings posted on YouTube, including a few that were filmed at the Crawford Auto Aviation Museum at the Cleveland History Center, with vintage cars visible in the background.

The next undertaking from MusiCLE Yours takes place at another venue off the beaten path, this time live, outdoors, and themed around social justice. “I can’t help with all the woes in our world, but I think we musicians — we must tackle the social justice issues surrounding our art form, especially classical music,” Trautwein said.

[Read more…]

Cleveland Orchestra Musicians’ “Summer Salute to Healthcare Workers”

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by Mike Telin

Never has it been more important to thank a healthcare worker than the present. And for the past four-plus months, people have expressed their gratitude to workers on the frontline of the Coronavirus Pandemic in a multitude of ways, from banging on pots to flyovers by the U.S. Navy Blue Angels.

For the past six weeks, more than 40 members of The Cleveland Orchestra have shown their appreciation with a “Summer Salute to Healthcare Workers.” The idea for the concerts came from Lynne Ramsey, the Orchestra’s first assistant principal viola.

“During the early part of the shutdown, Lynne saw military planes doing flybys over hospitals as a salute to healthcare workers,” violinist Isabel Trautwein said during a telephone conversation. “So she thought, what if musicians would do ‘playbys’?” [Read more…]

Season 14 of Close Encounters, Year 20 of Heights Arts

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by Jarrett Hoffman

Close Encounters Chamber Music and artistic director Isabel Trautwein have two reasons to celebrate: the series’ 14th season, and the 20th year of its parent organization, Heights Arts.

The minds behind the scheduling have kept things simple for concertgoers to store away in their brains (and for writers to explain): the four concerts take place on Sundays at 3:00 pm, which does seem like a particularly nice time for “up close and personal” chamber music, just as the series likes it. Single and season tickets are available online.

Up first is the Omni Quartet on October 13 at a Carriage House on Herrick Mews Lane in Cleveland Heights. Cleveland Orchestra musicians Amy Lee and Alicia Koelz, violins, Wesley Collins, viola, and Tanya Ell, cello, will bring along Haydn’s Trio in C, Hob V:G1, Mozart’s Quartet No. 22 in B-flat, and Robert Schumann’s Quartet No. 3 in A — written during his exuberant, love-filled first year of marriage to Clara Wieck.

[Read more…]

Heights Arts: Bach, Stravinsky & Brahms in Shaker (Mar. 10)

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by David Kulma

There is something about the richly layered music of Johannes Brahms that brings out the best in musicians’ virtuosity and interpretive taste. Brahms somehow brings everything together. Exhibit A is the most recent Heights Arts Close Encounters program, “Johann Sebastian, Igor, and One French Horn,” performed on Sunday, March 10 at a board member’s house in Shaker Heights. Artistic director and violinist Isabel Trautwein and her longtime collaborative pianist Patti Wolf played duos by Bach and Stravinsky, and hornist Richard King joined them for Brahms’s Horn Trio. [Read more…]

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