by Daniel Hathaway
On the seventh day, BPI rested — even Kathie Stewart, who is usually at work Monday through Friday shortly after dawn as Oberlin’s Curator of Harpsichords. Known publically to Apollo’s Fire audiences as the principal flutist in Cleveland’s Baroque Orchestra, Stewart’s role at BPI is usually hidden from sight, although the results of her labors are crucial to the work of BPI’s 22 harpsichord students.
Few other institutions could provide multiple practice instruments for that many keyboardists. BPI students have access to 18 harpsichords of various configurations, and Stewart tunes them all every weekday beginning between 6:00 and 6:30 am. “In ten days, that comes out to 180 tunings, plus another 20 for concerts and faculty rehearsals,” she told me, taking a break from touching up one of Lisa Goode Crawford’s personal instruments. [Read more…]