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Tuesday Musical: the show must go on (Mar. 4)

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by Kevin McLaughlin

This will be one of the stories the Isidore Quartet will tell in their dotage. At about 10 pm, the night before their Tuesday Musical performance in Akron’s E.J. Thomas Hall on March 4, the quartet’s violist Devin Moore came down with a case of strep throat.

As might only happen in a region brimming with musical talent, Eva Kennedy — violist of the Callisto Quartet and a former classmate of Isidore violinist Phoenix Avalon — happened to be in Columbus and was available. The next morning, Kennedy drove up to Akron to rehearse with Isidore and pianist Jeremy Denk. As they say, the show must go on.

Despite the disappointment of half of the program needing to be changed, the substituted works — four Bach fugues (from The Art of Fugue) and Mozart’s great String Quartet No. 19 in C, “Dissonance,” K.465 — made for a surprisingly agreeable switcharoo. The scheduled Brahms Piano Quintet in f remained in place. (If and when the Isidore returns to Northeast Ohio, I hope they’ll re-program Gabriella Smith’s amazing Carrot Revolution.)

[Read more…]

Tuesday Musical presents the Isidore Quartet and pianist Jeremy Denk

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by Mike Telin

If something is meant to be, even a global pandemic can’t keep it from happening. Case in point: the Isidore String Quartet. “Technically we formed at Juilliard in 2019, but we were sent home shortly afterwards. We had not even played together for a full semester.” cellist Joshua McClendon recalled.

After reforming at Kneisel Hall Chamber Music Festival during the summer of 2021, McClendon and his colleagues — violinists Adrian Steele & Phoenix Avalon and violist Devin Moore — went on to win the 14th Banff International String Quartet Competition in 2022. In 2023 the group was awarded an Avery Fisher Career Grant.

Tuesday Musical will host the Isidore String Quartet and pianist Jeremy Denk on Tuesday, March 4 at 7:30 pm at E.J. Thomas Hall in Akron. The program includes Maurice Ravel’s String Quartet in F, Gabriella Smith’s Carrot Revolution, and Johannes Brahms’ Quintet for Piano and Strings in f. Tickets are available online.

I caught up with Joshua McClendon via Zoom in Dallas, where the Quartet is the Peak Fellowship Ensemble-in-Residence at Southern Methodist University. I began our conversation by asking him about the program they’re bringing to Akron.

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Oberlin Artist Recital Series: Dynamic Buffet from Pianist Jeremy Denk (Nov. 30)

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by Daniel Hathaway

Oberlin alumnus Jeremy Denk returned to Finney Chapel on Thursday, November 30 to play an intriguing program on the Artist Recital Series. Inspired in part by Judy Chicago’s 1979 permanent installation at the Brooklyn Museum that sets 39 personalized place settings for famous women at an enormous table, for the first half of his program, the pianist chose pieces by nine women to create a dynamic musical menu.

The second half featured a pair of 19th-century works by Robert Schumann and Johannes Brahms, composers with close personal connections to Clara Schumann, whose Romanze, Op. 21, No. 1 launched the whole evening. [Read more…]

Jeremy Denk brings a celebration of women composers to Oberlin Artist Recital Series

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by Mike Telin

Like many, Jeremy Denk’s time as an undergraduate at Oberlin was filled with emotion. “When I arrived I had so much growing up to do,” the celebrated pianist recalled. “So every place in Oberlin is kind of covered with those memories — emotional memories, discoveries, and stress, of course. I was trying to do a double degree — trying to be a pianist and a chemist, and in some ways I really wanted to be an English major. I wanted to be a lot of different things.”

As part of the Oberlin Artist Recital Series, Jeremy Denk will perform a program that celebrates women composers from the 19th to 21st centuries along with works by Robert Schumann and Johannes Brahms on Thursday, November 30 at 7:30 pm in Finney Chapel. Tickets are available online.

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Cleveland Orchestra with John Adams and Jeremy Denk (Feb. 4)

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by Peter Feher

The Cleveland Orchestra transformed into the Los Angeles Philharmonic over the weekend. Even if a snowstorm outside suggested otherwise, the program on February 4 at Severance Music Center had the California spirit of experimentation at all costs. The Orchestra had postponed the performance by a day, and lingering bad weather plus the new date meant Friday’s sparse crowd was the committed, brave-it-out type.

The concert embraced more than just a general innovative attitude, though. Composer John Adams led the Cleveland musicians in a distinctive all-contemporary bill, in the model of the “Green Umbrella” series he chairs for the LA Phil.

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The Cleveland Orchestra:
Denk on Adams & writing

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by Jarrett Hoffman

Almost two years passed, with Jeremy Denk limited to thinking about the piece, playing around with the fingerings, and maybe emailing the composer a question or two. All while he had it solidly learned.

“That was horrible not to be able to play this piece,” the pianist said during a recent telephone interview. “But.” He paused. “Good things come to those who wait, I suppose.”

Only recently did the opportunity arrive to perform John Adams’ third piano concerto, Must the Devil Have All the Good Tunes? — written in 2018, and played by only a couple of other keyboardists before Denk was to take it on with the composer on the podium in late March of 2020.

Finally, his first go at it came in Seattle in the early days of 2022. St. Louis is next, in late January. And Cleveland will follow when Denk and Adams share the Severance stage with The Cleveland Orchestra on February 3 (at 7:30 pm), February 5 (at 8:00 pm), and February 6 (at 3:00 pm).

“Now we’re really in the thick of trying to define this piece and make sense of it,” Denk said, “which is so much fun.”

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Cleveland International Piano Competition kicks off 2019 Concert Series with Jeremy Denk

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by Mike Telin

If you’ve ever wondered what the Cleveland International Piano Competition does during the gap years between its signature event, the answer is a lot. Last spring CIPC hosted its Young Artist Competition, and from January through May will present five free concerts at the Beachwood Community Center. And on Saturday, January 19 the Competition will kick off the 2019 Concert Series with an 8:00 pm recital by Jeremy Denk at the Cleveland Institute of Music’s Mixon Hall.

Denk, an Oberlin alum and winner of a MacArthur “Genius” Fellowship, will perform Beethoven’s Five Variations on “Rule Britannia” in D and An die ferne Geliebte, Op. 98/S. 469 (transc. Liszt), Adams’ I Still Play, Bizet’s Variations chromatiques, Mendelssohn’s Variations sérieuses in d, Op. 54, and Schumann’s Fantasy in C, Op. 1. Tickets are available online.

“We’re very happy Jeremy is coming,” CIPC President & CEO Yaron Kohlberg said during a telephone conversation. “He’s one of the major pianists in the United States right now. He’ll be presenting a wonderful program and I look forward to a beautiful concert.”

This Saturday’s concert also marks one of Kohlberg’s first public events since he began his tenure with the Competition this past fall. Kohlberg, the second prize winner at the 2007 CIPC, is uniquely qualified for the job. [Read more…]

Piano Competition Festival to feature Zsolt Bognár’s “Classical Life” interviews

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by Daniel Hathaway

Bognar-Kaupo KikkasClevelanders and classical music fans near and far already know Zsolt Bognár as a talented concert pianist who specializes in Germanic, Russian, and Romantic repertoire. But there’s more. He’s a writer, a speaker, and a skilled interviewer. His speaking engagements have included two TEDMED talks and guest appearances on National Public Radio programs dealing with a variety of subjects. And he’s recently become the Charlie Rose of the classical music world as host of the Elyria Pictures film series “Living the Classical Life.”

As part of the Cleveland International Piano Competition’s 2016 Festival, Bognár will emcee three morning sessions this week in the Lecture Hall at the Cleveland Museum of Art. [Read more…]

Cleveland Orchestra with Susanna Mälkki & Jeremy Denk at Severance Hall (April 23)

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by Daniel Hathaway

Susanna_Malkki_Simon–Fowler_Photo1Finnish guest conductor Susanna Mälkki and American pianist Jeremy Denk both made their Cleveland Orchestra debuts on Thursday evening, April 23 at Severance Hall in an impressive program of works by Jean Sibelius, Béla Bartók and Igor Stravinsky. The chemistry between the two and the Orchestra produced a precise but risky journey through Bartók’s third piano concerto that was edge-of-your-seats thrilling. [Read more…]

Preview: Tuesday Musical — a conversation with pianist Jeremy Denk

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by Daniel Hautzinger

DENK-JeremyJeremy Denk disproves the theory that all men are created equal. He is a classical pianist who was named Musical America’s 2014 Instrumentalist of the Year, received a MacArthur Genius Grant in 2013, writes an engaging blog as well as having been published in The New Yorker and The New York Times Review of Books, wrote a libretto for a new opera, has a contract to pen a memoir for Random House, and received two degrees upon graduating from Oberlin (young, no less), in chemistry and music. Is there anything he can’t do? “I’m not good at washing the dishes,” he said in a phone conversation. “Or many other real life things.”

That self-deprecating humor underlies much of his work, and how he thinks about music. “It really is an important part of my worldview,” he said. Take for example the program he will perform on Feb. 4 at EJ Thomas Hall in Akron, as part of the Tuesday Musical Concert Series. “In this program there is a strong obsession with humor.” It features Mozart’s Piano Sonata K. 533/494, three Ligeti etudes, and Schumann’s Davidsbündlertänze and Carnaval. “These are dances but also satires of dances, with an incredible sense of wit and mockery of the Philistines,” he said of Carnaval. [Read more…]

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