by Kevin McLaughlin
Northeast Ohio is home to an astounding number of community orchestras and choruses, many with proud histories that go back decades. To attend a concert by such a plucky band is to experience the excitement and joy of the performers, and to see their seriousness of purpose realized.
On Sunday, March 16 in Mandel Hall at Severance Music Center, the Suburban Symphony celebrated its 70th anniversary. Under the direction of music director Domenico Boyagian, they did so in style with performances of Sibelius’ Karelia Suite and Beethoven’s Symphony No. 9 (“Choral”).
The Orchestra was joined onstage by two other longstanding musical organizations: the Western Reserve Chorale, (David Gilson, artistic director) and the West Shore Chorale (Michael Lisi, artistic director). All told, there were around 240 smiling faces gathered onstage.
The Akron Symphony fully embraced tradition with its opening-night concert this season. In an all-out performance of Beethoven’s Ninth Symphony on September 29 at E.J. Thomas Hall, the Orchestra was recreating a major moment from its history. And at the end of the evening, as the finale of the “Ode to Joy” resounded throughout the hall, the program transformed into a complete celebration.
When Matthew Jenkins Jaroszewicz was appointed Music Director Designate of the Canton Symphony in August of 2020, the plan was for him to assume the role of Music Director in 2026. But with the passing in June of Gerhardt Zimmermann, the Orchestra’s longtime Music Director, Jaroszewicz suddenly found himself tasked with filling some big shoes sooner than expected.
Talk about perfect timing. In this abysmal era so saturated with our blood and tears, along comes the Canton Symphony Orchestra (CSO) with its inspiring April 30 concert, called Music For Humanity, presenting a lavish feast to feed yearning souls.
After losing its previous performing venue — the Masonic Auditorium having been sold — Cleveland Opera Theater has found a new home in the Maltz Performing Arts Center at CWRU. On Friday, April 27, stage director Scott Skiba and conductor Domenico Boyagian brought the tragedy of Cio Cio San, alias Madama Butterfly, to life in an elegantly simple production on the wide stage of the former temple.
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