by Jarrett Hoffman

That might include choosing an electronic instrument or gadget that he doesn’t totally understand, and bringing that onstage without knowing what will happen. “That’s the exciting moment,” he said. Likewise performing with another improviser. “I go onto the stage expecting that my partner will do something unexpected. That’s the approach that I love.”
Park and fellow composer/improviser Molly Jones will bring their Detroit-based duo ParkJones to the Bop Stop on Sunday, June 9 during a 4:00 pm concert as part of the Re:Sound Festival. The program opens with the new music ensemble No Exit presenting works by Yoon-Ji Lee and premieres by area high school students Emma Eddy and Mya Vandegrift as part of the CoLab project. Following ParkJones, pianist Ju-Ping Song will perform works by Amy Beth Kirsten and Nicole Lizée based on trauma and fallibility. Tickets are available here.




In summing up last year’s inaugural Re:Sound Festival of New and Experimental Music,
Many of the sounds heard at the Re:Sound New Music Festival performances at the Bop Stop and CODA on Saturday, June 9 were reminiscent of noises made by ‘90s computers and played on old science fiction space TV shows. Relying heavily on electronics and other sound-manipulation techniques, each artist or group gave festivalgoers a taste of their music in a series of increasingly strange and interesting pieces.
A year and a half ago, saxophonist Noa Even and cellist Sophie Benn got together to discuss ways to promote new music in Cleveland. They soon brought drummer Stephen Klunk and Bop Stop manager Gabe Pollack into the conversation, and the idea of starting a new music festival in the city was born. Beginning on June 7 and running through June 10, the inaugural