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Les Délices at Plymouth: “Dido’s Lament” with Maria Christina Cleary & Clara Rottsolk (March 11)

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by Daniel Hathaway

Les Delices 031118Les Délices’ artistic director Debra Nagy quipped to the audience in Herr Chapel at Plymouth Church on Sunday, March 11, that the afternoon’s program could be nicknamed “Dido three ways.” Joined by the wonderful soprano Clara Rottsolk and the splendid Baroque harpist Maria Christina Cleary, Nagy and her ensemble explored the tragic story of Dido, Queen of Carthage, as chronicled in gripping performances of highly dramatic music by a trio of composers: Francesco Cavalli, Michel-Pignolet de Montéclair, and Henry Purcell. [Read more…]

Les Délices to present “Dido’s Lament”: a conversation with Baroque harpist Maria Christina Cleary

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by Mike Telin

Cleary-MariaDebra Nagy’s latest Les Délices creation, “Dido’s Lament,” will view the famous queen of Carthage from three emotional and musical perspectives. The tragic story of Dido, who was famously deserted by the Trojan warrior Aeneas, is based on Book 4 of Virgil’s classical epic The Aeneid. The program will include excerpts from Purcell’s Dido and Aeneas, Cavalli’s Didone, and Montéclair’s La Mort de Didon.

The concerts, held on Saturday, March 10 at 8:00 pm in Lakewood Congregational Church, and on Sunday, March 11 at 4:00 pm at Plymouth Church in Shaker Heights, will feature soprano Clara Rottsolk, harpist Maria Christina Cleary, oboist Debra Nagy, violinists Julie Andrijeski and Scott Metcalfe, violist Allison Monroe, viola da gambist Jaap ter Linden, and harpsichordist Eric Milnes. Tickets are available online.

On Saturday at 3:00 pm at the Bop Stop, the ensemble will present “Instrument of the Angels,” an LD@Play family concert. Registration is recommended.

In an email Debra Nagy said that she is thrilled to bring Maria Christina Cleary from Milan, Italy for these performances.

[Read more…]

Les Délices intoxicates with rare 14th-century music (Jan. 14)

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by Daniel Hathaway

Les Delices IntoxicatingThe Cleveland-based period instrument ensemble Les Délices generally traffics in French Baroque music. That national repertoire overlays special mannerisms onto forms and harmonic progressions that are otherwise relatively familiar to our ears. But when Debra Nagy takes her colleagues and audiences back another three or four hundred years on an excursion into the French 14th century, we enter a musical world that operates under very different rules. [Read more…]

Les Délices inaugurates Lakewood venue with third foray into Medieval music

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by Daniel Hathaway & Mike Telin

Machaut-under-the-disco-ball2-1024x684Debra Nagy and her colleagues of Les Délices usually dedicate themselves to bringing the music of 17th- and 18th-century France alive for modern ears. But this weekend, the period instrument ensemble will push the clock back to the 14th century — not an era of powdered wigs and salons, but a time of knights, crusades, courtly love, and increasing secularization.

“This is our third venture into Medieval music,” Nagy said over coffee in a Hingetown café. “We visited the 14th-century avant-garde a couple of years ago, and last year we collaborated with Boston’s Blue Heron on Machaut’s Remede de Fortune. This program, ‘Intoxication,’ is a Les Délices project, but with many of the same wonderful collaborators. Scott Metcalfe is back. Charlie Weaver was the lute player and Jason McStoots the tenor for the Machaut programs. We’re also working with Elena Mullins, a former student of mine who received her doctorate at Case and now directs the early music singers. She’s a beautiful singer and communicator with a real passion for this kind of music.”

[Read more…]

Save the dates for some January concert highlights

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by Daniel Hathaway

Westminster ChoirClassical music begins stirring from its long holiday nap during the first two weeks of January, revving up from adagio to allegro by mid-month.

The Westminster Choir — the flagship ensemble of Westminster Choir College, now part of New Jersey’s Rider University, will make a stop at the Church of the Covenant in University Circle on Saturday, January 6 at 7:30 pm during its winter tour. Joe Miller will conduct the ensemble in Frank Martin’s Mass for Double Choir (1926), György Ligeti’s Lux Aeterna (1966), and music by Joel Phillips, Tim Brent, Edward C. Bairstow, Ailo Alcala and Randall Thompson.

Franz Welser-Möst and The Cleveland Orchestra will make a big splash the weekend of January 11 with Gustav Mahler’s Symphony No. 9 and a new work by Austrian composer Johannes Maria Staud. Stromab (“Downstream”) is inspired by what Staud calls “one of the finest horror stories of all time,” Algernon Blackwood’s The Willows, a tale of two young people who canoe down the Danube and discover a lonely island where weird things swirl around them. Mahler 9, the composer’s last symphony, has been described by Herbert von Karajan as “music coming from another world, from eternity.” There are performances on Thursday the 11th at 7:30 pm and on Friday and Saturday the 12th and 13th at 8:00 pm.

Another major work will be featured the following week when soprano Golda Schultz, tenor Maximilian Schmidt, and baritone Thomas Hampson join Welser-Möst, The Cleveland Orchestra, and the Cleveland Orchestra Chorus in Haydn’s The Seasons. Performances are scheduled for Thursday, January 18 at 7:30 and Saturday, January 20 at 8:00 pm. In between, Welser-Möst and the Orchestra will play all-Beethoven on Friday, January 19 at 8:00 pm — Symphonies 1 and 3 and the Overture to The Creatures of Prometheus. [Read more…]

Les Délices goes Italian (Oct. 22)

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by Mike Telin

Andrijeski-JulieTry as he did, even Louis XIV’s edicts on style and taste could not suppress the cross-pollination of the “refined” music of late-17th and early-18th century French musicians with that of the more “flashy” Italians. This past weekend, Les Délices, the always-creative and musically polished French Baroque ensemble, opened their season with two performances of a program titled “Inspired by Italy.” I heard Sunday afternoon’s concert in the Herr Chapel at Plymouth Church. [Read more…]

Les Délices’ opening concerts to be “Inspired by Italy”

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by Hannah Schoepe

Les-Delices-galleryOpening a window into the past, Les Délices will explore the polarized yet relational bond between 17th- and 18th-century French and Italian music during its season-opening concerts. “Inspired by Italy” will take place Saturday, October 21 at 8:00 pm at Pilgrim Church in Tremont, and Sunday, October 22 at 4:00 pm at Plymouth Church in Shaker Heights. For ticket information click here.

Les Délices, a Baroque ensemble founded in 2009 by Baroque oboist Debra Nagy, initially specialized in French music. This weekend’s concerts will feature Nagy, Baroque violinist Julie Andrijeski, viola da gambist Emily Walhout, and harpsichordist Mark Edwards. When asked about the French name via email, Nagy wrote, “It means ‘the delights.’ Délices also shares the same root as the words ‘delicious’ or ‘delicacy.’ French Baroque music is sometimes considered a fine delicacy. It is rich and diverse, but not often a central part of a listener’s diet. We wanted the opportunity to introduce this music to a wider audience.” [Read more…]

Les Délices begins ninth season with a celebration

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by Mike Telin

LesDelices5Over the past eight years, Les Délices has presented well-researched, thought-provoking, and highly entertaining concerts that explore music and topics of the French Baroque.

During recent seasons the ensemble’s founder and artistic director, Debra Nagy, has created imaginative programs such as A Woman Scorned, which explored universal themes of desire, jealousy, shame, and revenge by giving voice to the spurned lovers of antiquity.

She introduced audiences to the famous pair of viola da gamba players of the 18th century, Marin Marais and Antoine Forqueray, during The Angel and the Devil. Nagy’s programs have often highlighted social issues of the time that remain relevant today. We’ve learned that finding ways to circumvent rules has always been a popular pastime. And the ensemble also presented the only area concert in living memory that featured the hurdy-gurdy.

[Read more…]

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