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Rob Kovacs brings video game music
to Tuning In and Silver Hall Series

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by Jarrett Hoffman

At one point during our recent conversation on Zoom, pianist/composer and Cleveland native Rob Kovacs gestured behind him to a bookshelf holding what he estimated to be 350-400 old video game cartridges. He laughed. “I’ve been collecting for about fifteen years, and I just keep going.”

His point was that if you add up all of those games, there’s a bounty of music that very few people have heard. “A lot of it’s great,” he said. “And when you hear it on a real, acoustic instrument, played in a fairly virtuosic way, I think it helps to make more people interested, and certainly helps them view it in a different light.”

That’s exactly what Kovacs aims to achieve when he brings this music into a classical context in two free, live-streamed concerts early this year: first on the Local 4 Music Fund’s Tuning In series on Thursday, January 21 at 7:00 pm, then on the Maltz Performing Arts Center’s Silver Hall Series on Sunday, March 7 at 3:00 pm.

[Read more…]

Local 4 Music Fund presents Duo Anime live on January 14

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by Daniel Hathaway

Although Duo Anime, the percussion duo of Mell Csicsila and Andrew Pongracz, have performed together for years, the demise of in-person concerts due to the pandemic has kept them apart for nearly twelve months. That will change on Thursday, January 14, when Local 4 Music Fund streams a live performance by these masters of mallets. I caught up with them for a Zoom conversation last Monday to find out more.

Duo Anime was birthed at Cleveland State University in 1992-1993 when Csicsila was in his second-to-last semester as an undergrad and Pongracz was just starting graduate school.

“It was really kind of forced on us,” Csicsila said. “There was a percussion ensemble program that was a little light on content, and our teacher Don Miller said, ‘I need ten more minutes. Learn these pieces.’ As a matter of fact, we’re playing those arrangements on this program.”

Except for an “impromptu video” of three Christmas songs the Duo posted in December (photo below), Csicsila said the last time he and Pongracz were in the same room was a year ago January or February. [Read more…]

Piano quintets from
Local 4 Music Fund (Dec. 17)

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by Jarrett Hoffman

The Local 4 Music Fund continued its “Tuning In” series on December 17 with an engaging, emotionally wide-ranging program of piano quintets, streamed live from the Steinway Piano Gallery of Cleveland.

The opener was Amy Beach’s Op. 67 (1907), a late-Romantic showcase of powerful and direct expressiveness. The closer was Dmitri Shostakovich’s intense but close-to-the-vest Op. 57 (1940). And in between was Eric Charnofsky’s 5 by 5 (2011), in one respect a hybrid of those other styles of musical communication: sometimes overtly emotional, but often exhibiting a coolness in its leaping gestures and its glassy harmonies.

[Read more…]

Local 4 “Tuning In,” a conversation with composer & pianist Eric Charnofsky

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by Nicolette Cheauré

A concert program comprised entirely of piano quintets is fairly uncommon, but on Thursday, December 17th at 7:00 pm at the Steinway Gallery you can hear three such pieces on the same program, as part of the Local 4 Music Fund’s “Tuning In” virtual concert series. You can hear piano quintets by Shostakovich and Amy Beach, performed by violinists Jennifer Walvoord and Diana Pepelea-Vardi, violist Esther Nahm, cellist Derek Snyder, and pianist Eric Charnofsky. The concert will also feature Charnofsky’s own composition, 5 by 5.

The piece was commissioned for and premiered by the Los Angeles-based group Pacific Serenades, and partly modeled off of Meditations on a Suicide, a film score Charnofsky composed in 1989. The work hasn’t been performed since 2011, “So this is bringing it back nine years later,” Charnofsky said during a recent Zoom interview. Specializing in premiering new works, Pacific Serenades highlighted a composer from the area at every concert, and their only requirement was to “compose something that is of lasting beauty.” In 5 by 5, commission number 101, Charnofsky utilized the compositional freedom he was granted. The title refers to the instrumentation and number of movements. Each — Intrada, Chaconne, Tarantella, Meditation and Postscript — features a different instrument and a specifically chosen interval, bouncing between celebration, resonance, quirkiness, and thoughtfulness. [Read more…]

Local 4 “Tuning In” with Cornelius and Charnofsky (Nov. 19)

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by Jarrett Hoffman

On November 19, violinist Emily Cornelius and pianist Eric Charnofsky were minutes into a live-streamed recital as part of the Local 4 Music Fund’s “Tuning In” series when technical issues arose. The duo stopped playing after someone off-screen said that Facebook had shut down the broadcast, and following a moment of confusion, the video stream on my computer indeed cut out.

That delay was odd, but apparently the problem was a mistaken concern from that ever-benevolent giant of social media companies about a copyright violation. Twenty minutes later, Cornelius and Charnofsky began once again, and the city of Cleveland crossed its fingers.

[Read more…]

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