by Daniel Hathaway
At 45 minutes in length, the first of 2018’s three Summers at Severance concerts may have been short, but guest conductor Herbert Blomstedt and The Cleveland Orchestra used their three quarters of an hour onstage to make a powerful experience out of a single work — Brahms’ Fourth Symphony. Conducting without a stick and never cracking open the small score on the podium, Blomstedt sculpted every detail of the piece, melding expressive, colorful lines into a pulsing musical organism. [Read more…]
It’s a familiar feeling for musicians: to have mastered a difficult piece, then discover someone a quarter their age playing it twice as well. “It’s amazing from year one to now,” Marc Damoulakis said in a recent conversation about the Modern Snare Drum Competition. “Stuff that we used to think was hard, these kids are coming in younger and younger and playing with ease. And I honestly don’t think it would’ve happened without this competition.”
There are competitions for everything, so why not one for snare drummers? Anyone who might have scoffed at the notion need only to have attended the final rounds of the Modern Snare Drum Competition on Saturday afternoon, May 28 in Gartner Auditorium at the Cleveland Museum of Art. The eight finalists competing in two divisions all brought superb artistry to their performances of a required work as well as a solo of their choice. 