by Nicholas Stevens
In an age when the word “opera,” to most, means the historical canon — that body of works that recirculate through the world’s houses each year — it bears repeating as often as possible that new efforts in the genre have flourished of late. Thanks to the combined efforts of the Cleveland Opera Theater, the Maltz Performing Arts Center at the Temple-Tifereth Israel, the Cleveland Composers’ Guild, and the Baldwin Wallace and Oberlin Conservatories of Music, Northeast Ohio audiences recently had a chance to hear scenes from three new works-in-progress by area composers and librettists.
Cleveland Orchestra second trumpet Jack Sutte has been busy recently compiling a second CD, Fanfare Alone. This time Sutte appears all by himself — but in the company of a sizeable cast of Schilke brass instruments. Recorded last May in Gamble Auditorium at Baldwin Wallace University by Five-Four Production’s Robert Friedrich, the eighty-three minute, two-disc set features twenty-eight tracks of music for solo trumpet, cornet and flugelhorn comprising pieces by twenty individuals. 
