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Cleveland International Classical Guitar Festival: recitals by Alan Mearns, Laura Snowden & Petra Polácková (June 7 & 8)

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by Daniel Hathaway

Northern Ireland-born guitarist Alan Mearns, now based in North Carolina, gave the first of three very different recitals I heard at the Cleveland International Classical Guitar Festival. He performed on Saturday afternoon, June 7 in Mixon Hall at the Cleveland Institute of Music.

Following the plan he described in an interview, his solo recital largely featured transcriptions and arrangements of works not originally intended for the guitar, a topic he addressed in a lecture conversation with Jonathan Leathwood the day before.

The gist of that session, Mearns said, was that arrangers are really re-composing pieces that should sound as native as possible on new instruments, but need not slavishly include every note of the original. [Read more…]

Petra Poláčková dazzles at CICGF with a journey into Czech Music (June 9)

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by Max Newman

You will not hear many classical guitarists with a better feel for emotion, atmosphere, pace, and tone than Petra Poláčková. The talented Czech musician showcased all of these talents and more for the audience at the Cleveland Institute of Music’s Mixon Hall on Sunday afternoon June 9.

The performance, the penultimate event of the Cleveland International Classical Guitar Festival, spanned four exhilarating Czech works. On this particular afternoon, golden sunbeams streaked in through Mixon’s floor-to-ceiling windows, drenching the stage with a light that underscored the otherworldly quality of Poláčková’s playing. One would be hard-pressed to find a more musically exhilarating way of closing out this magnificent series. [Read more…]

Cleveland International Classical Guitar Festival marks its 24th season this weekend at CIM

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by Daniel Hathaway

From Thursday, June 6 through Sunday, June 9 the Cleveland Institute of Music will host the 24th edition of the Cleveland International Classical Guitar Festival. Presented by Guitars International, the Festival features a rich mix of recitals, master classes, and lectures by eminent guitarists, bracketed by the fourth annual James Stroud Youth Competition. In a telephone conversation earlier this week, founder and artistic director Armin Kelly said, “It’s a lot of work and a lot of worry, but I love it.”

Considering the festival’s many moving parts, only one complication arose this time around that required quick action on Kelly’s part. “We did have one concert artist we were hoping to bring this year, who a week or two ago informed us that their U.S. visa had been denied. Fortunately, we had another guitarist who lives in Colorado we were planning on bringing next year who we were able to move up to this year.”

That problem having been solved, I asked Kelly what particularly excites him about this year’s lineup. “Obviously, the festival reflects my taste,” he said, “but the individual refinement of our artists is, I think, quite special.” [Read more…]

Petra Poláčková wows at Cleveland International Classical Guitar Festival (June 5)

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by Mike Telin

Over the past few years Petra Poláčková has enthralled audiences at the Cleveland International Classical Guitar Festival, and on Sunday afternoon, June 5, at the Cleveland Institute of Music’s Kulas Hall, the young Czech musician demonstrated why she has become a Festival favorite.

Her program, “Canciones,” featured a set of songs by Narvaez, Dowland, Milano, and Cassado, arrangements of Catalan folk songs by Liobet, and six Schubert lieder. And from start to finish the performance had the “wow” factor we have come to expect from Poláčková — her technique was unblemished and her thoughtful interpretations were both reserved and expansive.  [Read more…]

Cleveland Classical Guitar Festival: Drew Henderson, joined later by Petra Poláčková (June 2)

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by Jacob Strauss

On Thursday June 2 in Kulas Hall at the Cleveland Institute of Music, Drew Henderson (Canada) opened the Cleveland International Classical Guitar Festival with a program of Baroque and Romantic music.

This was the first time the festival had been in-person since the pandemic hit the world in March 2020. Henderson was grateful to be playing in front of an audience again, and he performed generously, his musicianship was thoughtful and earnest.

With his eight-string guitar propped up on a support rest, Henderson informed the audience that he would be adding to the program and begin by playing an unmeasured prelude by Sylvius Leopold Weiss, a preeminent composer for the lute, and a contemporary of J.S. Bach. [Read more…]

Classical Guitar Festival returns coupled with Stroud Competition: a conversation with Armin Kelly

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by Daniel Hathaway

When COVID-19 crashed the party in March of 2020, it arrived just as musical organizations were putting final touches on their summer festival plans.

The famously disruptive pathogen caused the Cleveland International Classical Guitar Festival to make major alterations in its annual event at the Cleveland Institute of Music that June. What may look like the most practical solution — taking a whole festival online — poses problems of its own.

“Early on, and learning on the spot, we resorted to videos,” founder and artistic director Armin Kelly said during a recent phone conversation. “We were proud of what we were able to do on such short notice, but nothing beats the camaraderie of a live performance.” [Read more…]

Cleveland International Classical Guitar Festival: eight strings and YouTube with Drew Henderson

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by Jarrett Hoffman

Several things can stand in the way of a smooth musical arrangement, including the range of the instrument of destination.

“There used to be so many instances in arranging music when I said to myself, I wish I had some extra strings,” guitarist Drew Henderson said during a recent call from Toronto. So when an opportunity presented itself to purchase an eight-string guitar for a good price, he went for it. “And I haven’t looked back.”

Henderson will share the bill with Petra Polácková during a free, pre-recorded concert on Friday, June 4 as part of the Cleveland International Classical Guitar Festival. The Canadian guitarist will make use of the eight-string instrument for his own arrangement of the Prelude, Sarabande, and Boureés from J.S. Bach’s Fourth Cello Suite. His program also includes Joaquín Turina’s Sonata and Johann Kaspar Mertz’s arrangement of Schubert’s Lob der Tränen.

Henderson’s portion of the evening airs here at 7:30 pm, while Polácková will take the reins at 8:15 pm here with a program of music by John Dowland, Miguel Llobet, and Mertz. Admission is free, and donations can be placed here to support the artists.

[Read more…]

Armin Kelly talks about taking this year’s International Classical Guitar Festival online

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by Daniel Hathaway

Cleveland International Classical Guitar Festival founder Armin Kelly was planning to celebrate the second decade of the event when the novel coronavirus crashed the party. “The 2020 shutdown was too close to our festival time to put an alternate plan together,” he said in a recent phone conversation. “So we put up one streamed concert, and that was our 20th anniversary season.”

That concert featured perennial festival favorites Jason Vieaux and Colin Davin performing from the audition room of Guitars International, the business Kelly runs out of his house. “It made me very happy to present them, because Jason and Colin had had all of their concerts cancelled and hadn’t been able to perform for anyone for a month or two,” Kelly said. He added that he had more fun than anyone else at his own party. “There was so much excitement behind the scenes. It really touched my heart.” [Read more…]

Petra Poláčková gains steam at the CICG Festival (June 9)

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by Rory O’Donoghue

Czech guitarist Petra Poláčková returned to the Cleveland International Classical Guitar Festival with a performance that gained in confidence and character as it went along on Sunday, June 9 in CIM’s Mixon Hall. She began with several works by the wildly successful lutenist Sylvius Leopold Weiss, which she performed on her beautiful nine-string Romantic guitar crafted by Jan Tulacek. Visually striking with its additional strings, the instrument had a pure, sweet sound of remarkable depth. [Read more…]

Cleveland International Classical Guitar Festival: the 2019 edition

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by Mike Telin

If it’s the beginning of June, it’s time for classical guitarists from around the world to gather at the Cleveland Institute of Music for the annual Cleveland International Classical Guitar Festival.

For the 2019 edition, which runs from Thursday, June 6 through Sunday, June 9, Founder and Artistic Director Armin Kelly has invited an outstanding lineup of performers, clinicians, and lecturers. The Festival will feature twelve participating artists and ensembles, five concerts, two premiere performances, nine master classes, two youth ensemble performances, three lectures, and one guitar demonstration concert. Click here to view a Festival schedule.

Thursday, June 6

Colin Davin (USA) will kick things off at 7:30 pm in Mixon Hall with a program that includes Steve Reich’s Electric Counterpoint, J.S. Bach’s Violin Sonata No. 3, BWV 1005 and Violin Partita No. 2, BWV 1004, and the Cleveland premiere of David Crowell’s Point Cloud. A performance by students of Tom Poore and Andrew Poxon in the Pogue Lobby will begin at 6:50 pm.  

[Read more…]

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