by Stephanie Manning

“Friendship is a requirement to open up and enjoy this piece,” clarinetist Afendi Yusuf said of the opener, Mozart’s Clarinet Quintet — though this sentiment could equally apply to Schubert’s Octet that followed. The July 17 performance in Kent State University’s Ludwig Recital Hall proved that the group had the friendship element in spades. [Read more…]



The Cleveland Composers Guild found an ideal partner in the Factory Seconds Brass Trio (Jack Sutte, trumpet, Richard King, horn, and Rick Stout, trombone), who, along with other performers, assembled a recital program of the first order at Rocky River’s West Shore Unitarian Universalist Church on Sunday, April 21.
The Rocky River Chamber Music Society’s live-streamed 62nd season came to a rousing conclusion on Monday, May 17, when five wind players and a pianist came together around quintets by masters of old and new.
Lately, wind players have only been sighted here and there on the calendar, and have mostly performed all on their lonesome. That makes the finale to the Rocky River Chamber Music Society’s 62nd season an extra special occasion for anyone with a fondness for music of the lungs.


As any brass, woodwind, or low-string player in an orchestra may confess under mild pressure, it can feel profoundly liberating to play music that draws the spotlight away from their colleagues in the violin section, especially for extended periods. Rare though this repertoire may be — Stravinsky favored winds and percussion, and Glass wrote a whole opera without violins — pieces that foreground these parts of the classical instrumentarium do appear at the heart of the canon. Filling the stage for its 60th-Anniversary Gala concert, the Rocky River Chamber Music Society placed conductor James Feddeck at the helm for an event featuring 21 musicians — violists, cellists, bassists, and wind players.