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Suburban Symphony celebrates 70th anniversary

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by Mike Telin

Since its founding in 1955 by a group of eight musicians, all of whom were high school friends, the Suburban Symphony Orchestra has garnered the reputation of being one of Cleveland’s top-shelf community orchestras. And since turning 70 is always cause for celebration, this weekend the SSO is going to do just that.

On Sunday, March 16 at 2:00 pm at Severance Music Center, Domenico Boyagian will preside over “Seventy at Severance.”

The program opens with Jean Sibelius’ Karelia Suite. For the featured work, Beethoven’s Symphony No. 9, Boyagian and the Orchestra will be joined by the Western Reserve Chorale and West Shore Chorale, and soloists soprano Emily Margevich, mezzo-soprano Quinn Middleman, tenor John Pickle, and baritone Young-Kwang Yoo. WCLV’s Bill O’Connell will emcee the event. Tickets are available online.

I caught up with Domenico Boyagian on Zoom.

Mike Telin: 70 years is cause for a celebration. It’s easy to imagine why you programmed Beethoven No. 9, but how did you come to choose the Sibelius?

Domenico Boyagian: It’s a piece that we’ve wanted to do for a long time. Every once in a while we like to feature certain sections of the orchestra. In this case it’s the horns and brass.

[Read more…]

Suburban Symphony Orchestra: “A Family Concert” (Dec. 8)

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by Peter Feher

The best children’s music, like the best children’s literature, has something in it for the adults. Wisely, the Suburban Symphony Orchestra put together a family concert on December 8 at the Maltz Performing Arts Center that could appeal to young and old alike. Ravel’s delicate, miniature Mother Goose Suite made up the brief first half of the program, but Lemony Snicket’s The Composer is Dead, with music by Nathaniel Stookey, was the real family fare for the afternoon. [Read more…]

Choral Arts Cleveland & Suburban Symphony to mark Martin Kessler’s retirement at Maltz PAC

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by Daniel Hathaway

kesslerphotoCleveland native Martin Kessler graduated from Heights High, then went off to Harvard College, where he conducted the student-run Bach Society Orchestra and Leverett House opera productions. After a year in Europe on a traveling fellowship, the composer-conductor came back to town for graduate studies, and went on to log impressive years of service with several area institutions.

After 32 years on the faculty of University School, where he taught until 2011, 38 years as conductor of the Suburban Symphony, and 15 years at the helm of Choral Arts Cleveland, Kessler will officially mark his retirement in a concert by Suburban and Choral Arts on Wednesday, May 16 at 8:00 pm at the Maltz Performing Arts Center in University Circle.

“There’s something youth-inducing about doing something repetitively,” Kessler said in a recent telephone conversation. “You feel like you’re the same person you were when you started.” The conductor added that he feels it’s better to leave a little bit early than a little bit too late. “My mother retired at 70 from a career as a psychology professor, then ran a bookstore for 20 years. I’m using her as a model.”

[Read more…]

Suburban Symphony announces search for new music director

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The Suburban Symphony Orchestra (SSO) invites applications for the position of Music Director. SSO’s Music Director, Martin Kessler, will be stepping down at the end of the 2017-2018 season after 38 years of leading the orchestra in that role. SSO intends to ask highly qualified candidates interested in the position (who have not appeared with the orchestra recently) to guest conduct a concert. Read and download the complete announcement here.

Save the dates: January events to log in your classical music calendar

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by Daniel Hathaway

gaffigan-jamesFormer assistant conductor James Gaffigan will return to the podium at Severance Hall from Thursday, January 5 through Saturday, January 7 to lead The Cleveland Orchestra and pianist Kirill Gerstein in Bernard Hermann’s Suite from Psycho, Arnold Schoenberg’s Piano Concerto, the original, jazz band version of George Gershwin’s Rhapsody in Blue, and Béla Bartók’s Concerto for Orchestra. Performances include Thursday and Saturday evenings, a Friday matinee and a Fridays@7 event.

From January 6-8, the Philadelphia-based vocal ensemble, The Crossing, will give sixeen performances of David Lang’s Lifespan in Gallery 218 — the glass house that rises above the Cleveland Museum of Art’s East Boulevard façade. Surrounding a 4-billion-year-old rock suspended from the ceiling, three vocalists will whistle and breathe, moving the rock like a pendulum, “a poetic form of wind erosion” (read a preview here). Performances are scheduled for Friday at 4:00, 5:00, 6:00, 7:00, 7:45 and 8:30 pm, and on Saturday and Sunday on the hour from noon to 4:00 pm. Weigh in on your experience by sharing your own comments on the ClevelandClassical.com Facebook page. [Read more…]

Musical life after the holidays:
a cornucopia of January concerts

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by Daniel Hathaway

Bronfman-FWM-TCONow that winter has finally arrived and the excitement of the holidays has subsided, it’s tempting to burrow in and hibernate for a few weeks. But there’s plenty to do during January. Let’s have a look at some of what the month has to offer, beginning with orchestra concerts.

Franz Welser-Möst and The Cleveland Orchestra are back at work early in the month with a round of all-Beethoven concerts from January 7-9 featuring pianist Yefim Bronfman (left) in the third piano concerto, and Bronfman and the Cleveland Orchestra Chorus in the Choral Fantasy. Soprano Barbara Hannigan will be featured in the U.S. premiere of Hans Abrahamsen’s let me tell you on January 14 and 15, sharing a program with Dmitri Shostakovich’s fourth symphony. On Saturday the 16th, Robert Porco will lead the annual Martin Luther King Jr Celebration, followed by a Severance Hall Open House on Monday the 17th from 12 Noon to 5 pm. Community ensemble performances will be bracketed by the Cleveland Orchestra Youth Chorus (12:30) and Youth Orchestra (4:15). The Cleveland Philharmonic will host its own MLK Observance at Tri-C Metro Auditorium on Sunday, January 17. [Read more…]

Suburban Symphony and Choral Arts Cleveland to celebrate joint anniversaries with Carmen

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by Daniel Hathaway

kesslerphotoWe know about serial relationships, but what do you call an event that celebrates the overlapping anniversaries of two performing arts organizations? On Sunday, March 15 at 3:30 pm in the Masonic Auditorium Performing Arts Center, the Suburban Symphony and Choral Arts Cleveland will mark their respective sixtieth and fortieth anniversaries — adding up to a hundred years of music-making — with a performance of Georges Bizet’s opera, Carmen.

Martin Kessler, who conducts both organizations, said in a telephone conversation that Carmen has become a recurring “celebratory vehicle” for the Suburban Symphony. “It was first performed in 1975 for the twentieth anniversary of the orchestra, conducted by Robert Weiskopf. Grace Reginald, a friend of Bob and his wife, Eunice Podis, may have proposed it. At least she put the cast together. The performance also celebrated the opening of Beachwood High School, then the orchestra’s performing venue. Then Suburban wanted to honor me in 1990 on my tenth anniversary, and they suggested that I do it then.” [Read more…]

Review: Suburban Symphony with Angelin Chang, piano (October 13)

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by Robert Rollin

CHANG-AngelinLast Sunday afternoon the Suburban Symphony presented an interesting “All Russian Program” at the University School Shaker Campus’s Conway Hall, an acoustically effective six hundred seat auditorium. The highlight was an excellent performance of the rarely heard Shostakovich Concerto for Piano, Trumpet, and String Orchestra, Opus 35 with Angelin Chang as piano soloist. Chang chairs the Keyboard Department at Cleveland State University. The unusual instrumentation made for a transparent orchestral texture that combined well with Chang’s wonderful musical exuberance and skill.

Shostakovich wrote this humorous and witty piece at age twenty-seven, premiering the piano part himself, accompanied by the Leningrad Philharmonic Orchestra. The Concerto precipitated the composer’s first difficulties with Stalin that were to trouble him for many years, though the piece’s tongue-in-cheek character, similar to that of his Tahiti Trot, composed four years earlier, makes Stalin’s distaste all the more incomprehensible.

Chang’s alert and intense performance of the opening Allegretto fairly sparkled and seemed to sweep up the orchestra in her wake. [Read more…]

Preview Suburban Symphony to play Severance Hall benefit for Alzheimer Association and University Hospitals Neurological Institute

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 by Daniel Hathaway

Martin Kesslerkesslerphoto will conduct the Suburban Symphony Orchestra in a special Severance Hall concert on Sunday, November 18 at 4:00 pm based around Robert S. Cohen and Herschel Garfein’s Alzheimer’s Stories. The performance is a benefit for the Alzheimer’s Association of Greater Cleveland and the University Hospitals Neurological Institute. How Cohen and Garfein’s piece came to be written and how it came to be performed in Cleveland are interesting narratives of their own.

An anonymous member of Pennsylvania’s Susquehanna Valley Chorale made a donation in 2007 toward commissioning a piece dealing with Alzheimer’s disease in honor of his parents, who had both died of that irreversible neurological condition. A blog was set up in cooperation with Garfein (the librettist for Elmer Gantry and Rosenkranz and Guildenstern are Dead) to collect stories from chorus and community members who had dealt with the disease. The work was premiered in October, 2009 at the Weis Center at Bucknell University in Lewisburg, Pennsylvania, along with works by Cohen’s teacher, Ron Nelson, and was recorded for radio and television by PBS. (Read the libretto and listen to excerpts here). [Read more…]

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