by Daniel Hathaway

No Exit founder and artistic director Timothy Beyer said in a recent phone conversation that the mostly solo works on the program “get outside the traditional mold and deal with sound more than formal structure. They’re immersive, but cerebral, and they also force more active listening.”
The exception is Frederic Rzewski’s Down by the Riverside, the piano work that Nicholas Underhill will play at the beginning of the program. “He presents the tune in kind of a literal way, then he goes nuts,” Beyer said. [Read more…]







New music concerts can run the risk of sinking under the weight of their own self-importance, especially when “world premieres” are involved. Happily, while No Exit takes itself seriously, it goes about its business with a redemptive playfulness, as demonstrated in several of the entries in the hour-long concert that debuted on the ensemble’s YouTube channel on January 29.

Friday the 13th — the mere mention of this day conjures up fear for those suffering from triskaidekaphobia. Or perhaps that fear stems from seeing one or more of the twelve slasher films. And, we must not forget that Italian composer Gioachino Rossini died on that most unlucky day.
With the onslaught of streamed concerts, whether live or pre-recorded, ensembles are now faced with the task of deciding how to present themselves on-screen to an at-home audience.
