by Robert Rollin

by Robert Rollin

by Nicholas Jones

by Mike Telin
by Mike Telin

What is that challenge? On Friday at 9:00 am in the Chamber Hall, the five finalists will be assigned an instrumentation and a secret musical ingredient that must be incorporated into their work. Past challenges have paired piano trio with a Monet painting, pipe organ with 19th-century music boxes, and brass trio with audience participation. After five hours, the composers must submit a score and parts for their finished piece. Their work will be performed and judged during a free public concert at 8 pm in Gamble Auditorium. Following the performance, prizes will be awarded, and the title of Iron Composer will be bestowed.
by Daniel Hathaway

by Mike Telin

One piece is common to both programs: Haydn’s C-Major Cello Concerto, and McGegan looks forward to renewing his friendship with the soloist, TCO principal cello Mark Kosower. “I’ve known him since he was a teenager, so it will all be great fun.”
The Haydn concerto is both old and new: it was presumed lost until the score was discovered by Oldřich Pulkert in the Prague National Museum in 1961. “People knew it existed, because the first couple of bars are in one of Haydn’s own catalogues,” McGegan said, “and that’s all we knew until the 1960s. It’s one of the great musical discoveries of our time, and a masterpiece at that. It’s a wonderful foil for the D-Major concerto. The C- Major is a really outgoing piece, whereas the D-Major is more intimate.” [Read more…]
by Daniel Hathaway

Stanislaw Skrowaczewski will revisit the site of his American debut in 1958 when he returns to conduct the Orchestra in Dmitri Shostakovich’s fifth symphony on the Summers@Severance series on Friday, August 7 at 7:00 pm. Skrowaczewski knew the composer personally, and led the Paris premiere of the fifth. He talked about his career and his history with The Cleveland Orchestra in an interview last summer.
Pianist Garrick Ohlsson will team up with guest conductor Gustavo Gimeno at Blossom on Saturday, August 8 at 8:00 pm for Beethoven’s noble fifth piano concerto, nicknamed “The Emperor,” prefaced by the Leonore Overture No. 3, the third of Beethoven’s four attempts to write an overture for his only opera, later revised and renamed Fidelio. A third noble work, Antonín Dvorak’s Symphony No. 8, will round out the evening. [Read more…]
by Robert Rollin
On August 7th, the second concert in this season’s Summers@Severance series marked guest conductor Stanislaw Skrowaczewski’s return to Cleveland. Drinks on Severance Hall’s lovely Front Terrace in the waning afternoon sun provided an excellent prelude to a fine musical event, of which Dmitri Shostakovich’s Symphony No. 5 was the centerpiece. Skrowaczewski, now 91 years old, knew the composer personally, and on Friday evening he shepherded the Orchestra through a stunning performance of the work.
by Timothy Robson

He seems to be working his way up the ladder through engagements with European regional orchestras, so this “one-off” debut concert with The Cleveland Orchestra — undoubtedly with very limited rehearsal time — put him under a laser light in three masterworks: Beethoven’s Leonore Overture No. 2 and Piano Concerto No. 5, “Emperor,” with the esteemed Garrick Ohlsson as soloist, and Dvořák’s Symphony No. 8. [Read more…]
by Mike Telin
“It feels like a long time, but it’s only been just under two years since I left The Cleveland Orchestra in September of 2013,” former assistant conductor James Feddeck said in a recent telephone conversation. “While it’s been a whirlwind, I’ve had so many wonderful experiences to make music. I think I’ve worked with about forty orchestras during that time, and it’s been inspiring for me to be able to conduct repertoire in all of those different places. But it’s equally exciting to be able to come back to The Cleveland Orchestra. I have to say that I’m really looking forward to this program at Blossom.”
On Saturday, August 15 at 8:00 pm, Dutch violinist Simone Lamsma will join Feddeck and the Orchestra for the Tchaikovsky concerto in a program that begins with Carl Maria von Weber’s Euryanthe Overture and concludes with Jan Sibelius’s Symphony No. 5.
by Nicholas Jones
Saturday’s Cleveland Orchestra concert at Blossom graced the kind of crystalline evening for which summer festivals were created. As I drove to the concert through the Cuyahoga Valley National Park, its lush meadows already half in shadow and half in sun, I could hear in my head the idyllic opening of Samuel Barber’s Violin Concerto, almost as summer-drenched as one could imagine a piece of music to be.