by Mike Telin

“Toutes Suites is all about the development of the instrumental suite. I’ll talk about how it began with a pairing of traditional dances like a pavane and gaillard during the late sixteenth and early seventeenth centuries, and how that concept developed into the standard format that we have today, with a prelude followed by a very specific series of dances like an allemande, courante, minuet, and gavotte,” Nagy explained. “I’ll also talk about how the instrumental suites were not necessarily meant to be danced, but rather they were composed for solo instruments like the harpsichord, the lute, or for a small ensemble.” [Read more…]





Philippe Lefebvre, one of three tenured organists (titulaires) at the Cathedral of Notre-Dame in Paris, made his impressive Oberlin debut on Wednesday, September 16 in a 70-minute, straight-through recital in Finney Chapel at Oberlin College. His program paid homage to the great bloodline of French organist-composers established by the Belgian-born master César Franck, as well as to the long and distinguished tradition of improvisation that continues to live and prosper in the organ galleries of France.
Since May of 2008, the Cleveland-based FiveOne Experimental Orchestra (51XO) has presented concerts featuring an eclectic mix of repertoire that bridges the gap between pop and art music at out of the ordinary venues such as the Sculpture Garden and the East Cleveland Cemetery. On Saturday, September 26 at 8:00 pm,
Playwright Ken Ludwig may not have invented The Three Tenors, but they surely do owe him a debt of gratitude. His brilliant farce Lend Me a Tenor ran for ten months at the Globe Theatre in London’s West End after opening in March, 1986. Two years later it came to Broadway, and has quite possibly never been out of production since then. Not surprising, as Mr. Ludwig really ‘gets’ tenors, who are definitely not your ordinary run-of-the-mill performers, singers or artistes, whichever title you prefer. And never forget ‘temperamental!’
BlueWater Chamber Orchestra occupies a unique place in the current musical scene in Cleveland: an orchestra committed to imaginative programming, including unusual works by famous composers as well as new works by emerging composers. Saturday evening’s program, featuring Grammy-winning guitarist Jason Vieaux and conducted by artistic director Carlton R. Woods, was no exception in its exploration of music of Hispanic heritage.
Jack Gallagher’s second symphony, now recorded by JoAnn Falletta and the London Symphony Orchestra in Blackheath Hall and released on the Naxos label, is a signal achievement. The composer, who is professor of music at The College of Wooster, has crafted a resplendent, hour-long work that scarcely flags in energy, never wants for inventive themes, and uses all the resources of the modern symphony orchestra with skill and ingenuity.
“This is one of my favorite piano concertos, and I think it’s one of Gershwin’s greatest works,” pianist Philip Thomson said during a telephone conversation. “I haven’t had a chance to perform it for a long time, so I’m thrilled to be able to play it again.” On Saturday, September 19 at 8:00 pm, Thomson will be featured in Gershwin’s Piano Concerto in F when Christopher Wilkins and the Akron Symphony open their season in E.J. Thomas Hall with a concert titled “American Journey.” The program will also include Aaron Copland’s El salón México and Rodeo Ballet, as well as Clint Needham’s Southern Air.
The Cleveland Classical Guitar Society will open its International Series with a “Showcase” concert at Plymouth Church in Shaker Heights. On Saturday, September 19 at 7:30 pm, two duos will join Grammy-winner Jason Vieaux in a wide-ranging program of pieces for voice and guitar, two guitars, and solo guitar. The performers include Stephen Aron, guitar, and JoNell Aron, soprano, as well as Duo Amaral (Jorge Amaral and Mia Pomerantz-Amaral, guitars). Where else can you find Shine on, harvest moon and a Bach lute suite on the same program? There’s no admission charge, but donations are welcome.
Once described as a “diminutive dynamo,” French-Canadian organist Isabelle Demers will bring her impressive technical skill and musicianship to bear on a wide-ranging program next Sunday afternoon, September 20 at 4:00 pm, when she performs on the beautifully-restored E.M. Skinner organ in Stambaugh Auditorium in Youngstown.