by Jarrett Hoffman
It was September of 2001, two weeks after 9/11, when Scott MacPherson was at a concert in Germany, hearing a mystery piece that sounded like it was written for the fall of the twin towers.
“I speak German, so I understood the text and I was literally in tears the whole time,” MacPherson, now founding artistic director of the Cleveland Chamber Choir, told me during a phone interview. “There are all these images of a fire coming down from on high, and of the city once being a beautiful place.”
The name of the piece wasn’t printed in the program — it was a surprise addition to commemorate those lost in the attack — but it turned out to be Wie liegt die Stadt so wüst (“How Desolate Lies the City”) by Rudolf Mauersberger, who died in 1971. The text, from the Lamentations of Jeremiah, tells of the destruction of Jerusalem, while the music was written after the fall of another city: Dresden, firebombed during World War II. “It’s an extremely moving piece,” MacPherson said.
This weekend, MacPherson and his Cleveland Chamber Choir will present that work and eleven others as part of “Remembrance: War, Peace, and Comfort.” [Read more…]
2018-19 marks the tenth anniversary of the always creative new music ensemble No Exit. And they will begin their season later this week by once again sharing a stage with Minneapolis-based Zeitgeist. “I’m just thrilled that they will be joining us for these opening three concerts,” No Exit Artistic Director Timothy Beyer said during a telephone interview. “They are they an absolutely amazing new music ensemble but they’re also great collaborators — they always bring something wonderful to the table.” 
What are musicians to do when the piece of music they are looking to present simply doesn’t exist in the repertoire? In the case of guitarists Stephen Aron and Jeremy Collins, they decided to fill that void by writing their own.