by Stephanie Manning

The Oberlin Artist Recital Series proved the perfect occasion for the group’s visit to Northeast Ohio on November 15. ACRONYM was founded by Oberlin alumni, and their first public performance in 2014 was held in the same venue: Warner Concert Hall. They hadn’t been back since, making Tuesday’s concert a long-overdue homecoming.
Warner was a fitting choice not just symbolically, but also sonically. The combination of Baroque strings, theorbo, harpsichord, and organ created a nice blend and balance, allowing the opportunity for softer instruments to stand out. In Johann Rosenmüller’s Sonata à 5 in g, Doug Balliett’s violone pizzicatos resonated beautifully, and in Johann Heinrich Schmelzer’s Sonata in d, harpsichordist Elliot Figg became an equal player in the texture with his clever improvisations. The slight exception was Joshua Stauffer on theorbo — despite the instrument’s big physical presence on stage, he received little time in the spotlight. [Read more…]




“I’m so excited about coming back to Cleveland,” violinist Stefan Jackiw said by phone from his home in New York. “I can’t wait to play the Britten with The Cleveland Orchestra in Severance Hall. It doesn’t get more luxurious than that.”
IN THIS EDITION:
by Daniel Hathaway
IN THIS EDITION:
On a recent chilly Sunday in Cleveland Heights, waves of sleet skittered down from the heavens, ricocheting off anything that stood in their way. But the real storm was brewing inside St. Paul’s Episcopal Church, where Apollo’s Fire and director Jeannette Sorrell took the stage for their latest program. “Storms and Tempests” entertained a packed house on November 13, as the Baroque orchestra played up the drama of both nature and love.
IN THIS EDITION:
IN THIS EDITION: