ClevelandClassical.com Header
Ad
Ad
Ad

Omar Sosa Trio at CMA (Sept. 10)

by

by Kevin McLaughlin

Omar Sosa has a way of turning concerts into ceremonies. Before sitting down to play on Wednesday, September 10 at the Cleveland Museum of Art, he invoked Elegguá, the Afro-Cuban deity of the crossroads, snapping the irukére — a Yoruba horsetail whisk — to clear the space, invite protection, and “open the way.” The gesture set a ritual tone, reminding listeners they were at a spiritual gathering as much as at a musical performance.

Sosa brought his new trio, Outside the Box, to Gartner Auditorium for its Cleveland debut. The group includes his longtime collaborator Yosvany Terry on saxophones and young drummer Julian Miltenberger, whom Sosa introduced as “a 25-year-old from Philly — the next generation.”

Terry’s early contributions on soprano saxophone were so compelling that he temporarily shifted the group’s center of gravity. [Read more…]

A conversation with Cuban bandleader Omar Sosa

by

by Kevin McLaughlin

Cuban-born pianist, composer, and bandleader Omar Sosa has forged a three-decade career blending Afro-Cuban roots with global jazz traditions, and a decidedly philosophical perspective. He has earned multiple GRAMMY® and Latin GRAMMY® nominations, major awards, and has attracted an international following.

When he makes his debut in Gartner Auditorium at the Cleveland Museum of Art on September 10 at 7:30 pm, he will  bring along his new Trio, Outside the Box. Tickets are available online.

I spoke with Sosa by Zoom in a lively, warm conversation as he prepared to take the stage at the Detroit Jazz Festival over Labor Day weekend. Though he has traveled the globe, Cleveland has been on his radar through a personal connection. His former partner is the daughter of the well-known local architect Julian Madison. “She always told me, I hope you can play in Cleveland one day,” Sosa recalled. “And now that we’ve split up, I will play in Cleveland. Life is like that.”

[Read more…]

The Cleveland Orchestra and Blossom Festival Chorus seamlessly mesh with The Lion King (Aug. 29)

by

By Kevin McLaughlin|Cleveland Classical

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio – With the unhurried grace of a great cat, on Friday, August 29 at Blossom Music Center, The Cleveland Orchestra and Blossom Festival Chorus made the live score of Disney’s The Lion King sound effortless. Ably led by conductor Sarah Hicks, Hans Zimmer’s music and the ear-catching songs of Elton John and Tim Rice took on a vividness and power that occasionally outdid the movie.

In her introduction, Hicks reminded the larger-than-usual and decidedly youngish crowd that The Lion King marks its 30th anniversary this year. She invited them to cheer for their favorite characters — Simba, Nala, perhaps Timon — and to boo the villainous Scar. This audience was eager to comply.

[Read more…]

The Cleveland Orchestra just gave a most refreshing summer concert (Aug. 23)

by

by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio – The Cleveland Orchestra sounded far younger Saturday than their 107 years, energized by guest conductor Stephanie Childress, lifted by cellist Sheku Kanneh-Mason, and buoyed by a program of youthful works by Britten, Saint-Saëns, and Mendelssohn.

Franco-British conductor Stephanie Childress, who debuted with the Orchestra in 2024, returned Saturday to a warm welcome at the Blossom Music Center. From her slight frame and controlled gestures came a striking reserve of power. Whether with baton or without, her long, expressive fingers eloquently shaped phrases with precision and grace throughout the evening.

[Read more…]

Cleveland Orchestra delights with homage to Cuyahoga Valley National Park at Blossom Music Center (Aug. 16)

by

by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio – The Cleveland Orchestra brought together music, nature and friendship in a program as warm and satisfying as a summer night under the trees at Blossom Music Center on Saturday.

Conducted by Daniel Reith — making his final appearance as the ensemble’s associate conductor — the concert offered the regional premiere of Gabriella Smith’s Rewilding, Max Bruch’s seldom-heard Violin Concerto No. 2 and Edward Elgar’s beloved Enigma Variations.

Commissioned in honor of the 50th anniversary of Cuyahoga Valley National Park — where Blossom is situated — Rewilding is Smith’s exuberant tribute to ecological restoration.

[Read more…]

Elim Chan directs Cleveland Orchestra at Blossom Music Center in Maurice Ravel’s Shéhérazade with Gustav Mahler’s Symphony No. 1 (Aug. 9)

by

by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — The Cleveland Orchestra on Saturday offered a summer evening of musical storytelling that was alluring and colorful without excess.

Under the elegant and incisive direction of Elim Chan at Blossom Music Center, the program paired Maurice Ravel’s Shéhérazade with Gustav Mahler’s Symphony No. 1 in performances redolent of perfume and sonic splendor.

Coinciding with the 150th anniversary of Maurice Ravel’s birth, the opener was Shéhérazade, a 1903 song cycle with words by Tristan Klingsor, the pen name of French poet, painter, and composer Léon Leclère.

[Read more…]

Lisztomania ignites Blossom as Rustioni and Bax dazzle in Cleveland Orchestra debut (Aug. 2)

by

by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — The marketing department of The Cleveland Orchestra seized on two works by the 19th-century “rock star” composer and pianist Franz Liszt on its programs at Severance and Blossom to advertise the weekend events as “Lisztomania” — with a nod to “Beatlemania,” the 20th century craze for the music of The Beatles by their adoring fans.

On Saturday night, August 2, at Blossom Music Center, Daniele Rustioni made his Cleveland Orchestra debut, conducting with clarity and joy but also with a flair reminiscent of Liszt’s charismatic presence. His physical expressivity drew a palpable response from the ensemble, an experience of shared energy between conductor, soloist and orchestra that recalled how Liszt could drive his fans into a frenzy.

[Read more…]

Utsav Lal at Piano Days: Indian classical music with new interpretations (July 22)

by

by Kevin McLaughlin

Pianist Utsav Lal’s solo concert at the Lorraine and Bill Dodero Center for the Performing Arts in Gates Mills on Tuesday evening July 22 offered “Indian classical music reimagined for the Western grand piano.” The experience was a gradual one: you became aware of a rare sensual and spiritual atmosphere — and then, if you allowed it to, a gently meditative state overtook you.

One of Indian classical music’s defining traits is the irregularity of intervals and pitches — something you might hear from a sitarist or a vocalist — yielding a broader expressive palette. To fully appreciate Lal’s work, one had to set that convention aside and receive his Western reinterpretation on its own terms.

[Read more…]

Guest conductor Jonathon Heyward presents captivating program in Cleveland Orchestra debut (July 26)

by

by Kevin McLaughlin

This article was originally published on Cleveland.com

CUYAHOGA FALLS, Ohio — The July 26 concert at Blossom Music Center marked the exciting Cleveland Orchestra debut of conductor Jonathon Heyward — the music director of the Baltimore Symphony and the Festival Orchestra of Lincoln Center. His program should have captivated even the most distant lawn loungers with works by Dvořák and Beethoven, as well as a recent concerto by London-born composer Anna Clyne, who now resides in the United States.

The centerpiece of the evening was Clyne’s Glasslands, a haunting, kaleidoscopic concerto for soprano saxophone, written for the 27-year-old British saxophonist Jess Gillam, who premiered it with the Detroit Symphony in 2023 and performed it on Saturday with beauty and authority.

[Read more…]

Ohio Light Opera: The Cousin from Batavia (July 23)

by

by Kevin McLaughlin

Last seen in Wooster in 2002, The Cousin from Batavia (1921) — with its tangle of mistaken identities, impromptu romance, and Southeast Asian impostures — may be less familiar to English-speaking audiences than other Golden Age operettas. But Ohio Light Opera’s sweet-tempered, farcical revival at Freedlander Theatre on July 23 proved charming enough to win over even the staunchest devotees of the present-day and plausible. The late operetta scholar Richard Traubner rendered the text into vivid English.

Composed by Eduard Künneke with a witty libretto by Hermann Haller and “Rideamus” — “Let us laugh,” the Latin pseudonym of German-Jewish satirist and lawyer Fritz Oliven — Batavia blends the lyricism of Viennese operetta with the slapstick of farce. Wilson Southerland’s crisp conducting and the orchestra’s fine playing brought out all the color and buoyancy in Künneke’s sparkling score. [Read more…]

Follow ClevelandClassical.com

Contact us