by Mike Telin

by Mike Telin
by Mike Telin

by Mike Telin
by Mike Telin

“We met Pat at a guitar festival in Montana about four years ago,” Kanengiser said during a recent telephone conversation. “Unbeknownst to us, he was a closet LAGQ fan, which was a shock and an honor because we idolize him. He said, ‘Hey, I might write a piece for you guys,’ and we said that would be awesome.”
As it is with busy people, Kanengiser said the Quartet did not hear from Metheny for a while — until an email arrived from him saying that he was indeed going to write that piece. Although the LAGQ members expected to receive a 10- to 12-minute work, a month later the composer/guitarist contacted them saying he had sketched out a 6-movement, 25-minute piece.
by Mike Telin
by Mike Telin

On Thursday, November 1 at 7:30 pm, Gerstein will perform Rachmaninoff’s Third Piano Concerto with The Cleveland Orchestra under the direction of Matthias Pintscher. The concert also includes the complete ballet suite from Béla Bartók’s The Wooden Prince. The program will be repeated on Friday and Saturday at 8:00 pm. Tickets are available online.
Gerstein called the concerto “amazing” and said that while it is famous for its melodic beauty and technical difficulty, its structural inventiveness is often overlooked. “It is incredibly virtuosic, beautiful for the ear, and exciting. But one of the difficulties is that the soloist plays the entire time. There’s also something about needing to play much of it wrapped in what I would call aristocratic elegance, so it’s not just brutal force. While you’re doing all of these challenging things, it still needs to sound elegant.”
by Mike Telin
by Mike Telin

On Friday, November 2 Hinzo will launch his Fresh Perspectives series with a program titled “Then & Now: the evolution of tradition, at Lab Studios by Glo, a 5,000-square foot warehouse space in Cleveland’s Superior Arts District. The Art Gallery opens at 6:30 pm with dj white rims. The program, “Then & Now: the evolution of tradition,” featuring music for solo instrument + electronics including a new collaborative work for oboe, hip-hop dancer, and laptop begins at 7:30 pm. For more information visit the Fresh Perspectives Facebook page. A donation of $5 is suggested. RSVP here.
The evening will feature works by composers Brian Raphael Nabors, Elizabeth Hoffman, Carolina Heredia, Ivonne Paredes and J.S. Bach. Performers include Hinzo, hip-hop dancer Ron’dale Simpson, flutist Brittany Trotter, cellist Kellen Degnan, percussionist Torrell Moss, and violinist Julian Maddox. [Read more…]
by Mike Telin
by Mike Telin

“From the beginning we wanted to produce a concert series,” CUSP artistic director Sophie Benn said during a telephone conversation. “The lineup of artists is great, and we are so excited to share this music with the Cleveland community. We want CUSP to engage the community in different ways and this series is another way to do that.”
The concert will feature Nebraska-based tubist, composer, and audio engineer Aaron Hynds, who will perform his own project, Transformer, a large-scale, evolving work for tuba and computer. The work is inspired by the composer’s love of science fiction, and by the realization of the computer as an equal creative entity. [Read more…]
by Mike Telin
by Mike Telin

by Mike Telin
by Mike Telin

The run begins on Wednesday, October 24 at 7:30 pm at St. Jerome Church in Collinwood, and continues on to Temple Tifereth-Israel in Beachwood (October 25 at 7:30 pm), St. Noel Church in Willoughby Hills (October 26 at 7:30 pm), and the Shrine Church of St. Stanislaus in Slavic Village (October 27 at 8:00 pm), finishing up at Lakewood Congregational Church on Sunday, October 28 at 5:00 pm. Concerts are free but you’ll want to leave a donation. Click here for further information.
On Sunday, November 4 at 7:00 pm at the Maltz Performing Arts Center, CityMusic will participate in the world premiere of Grammy-winning trumpeter and composer Terence Blanchard’s OUR VOICES: DEMOCRACY RE:visited. [Read more…]
by Mike Telin
by Mike Telin

Equally at home with repertoire of the Baroque masters as with the music of the 21st century, Holger Falk has been described by Opernwelt magazine as “one of the most intellectually and vocally flexible singers on German stages.” He was honored with the German Record Critics Award in 2017 for his recording Hanns Eisler Lieder Vol. 1, the first of a four-album collection of songs by Eisler. In 2016 he received the ECHO Klassik Award for his recording of Erik Satie: Intégrale des Mélodies et Chansons.
Highlights of Falk’s 2018-19 season will include his debut as Jean-Charles in Hans Werner Henze’s Das Floß der Medusa at the Ruhr Triennale, and the world premiere of Michael Wertmüller‘s Diodati.Unendlich at Theater Basel. In addition to the recital in Cleveland, Falk will bring his program to The Frick Collection and The Phillips Collection as well as to Heidelberger Frühling, Ludwigsburger Schlossfestspiele, Rathauskonzerte Regensburg and Megaron Athens. [Read more…]
by Mike Telin
by Mike Telin

Based on the book by Tom Philpott, the two-act, 77-minute chamber opera tells the true story of Jim Thompson, the longest-held prisoner of war in U.S. military history, as he tries to re-assimilate into American life after spending nine years behind enemy lines in Vietnam.
Guest baritone Gregory Gerbrandt (above) sings the title role and Brian Onderdonk conducts a nine-piece chamber orchestra on Friday, October 19 at 7:00 pm at Red Space in Cleveland, and on Sunday, October 21 at 3:00 pm in BW’s Gamble Auditorium in Berea. A talk-back will follow each performance. Tickets are available online. [Read more…]
by Mike Telin
by Mike Telin

The revised version will be presented on Friday, October 19 at 7:00 pm at Kulas Hall at the Cleveland Institute of Music (above, rehearsal photo). The performance features soprano Angela Mortellaro, mezzo-soprano Sarah Beaty, tenor Brian Skoog, bass Bryant Bush, the Blue Streak Ensemble and Chamber Singers, and the Cleveland Institute of Music Children’s Choir, all under the direction of Domenico Boyagian. The performance will be video-recorded for future broadcast. Tickets are available online.
Written in four parts, the oratorio is a musical description of Lake Erie during the first quarter of the 21st century. While the work portrays the Lake’s magical side — waves splashing on the rocks, walks on the beach, children playing in the water, and the pleasure of a fisherman in his boat — it also highlights the Lake’s many environmental problems as well as the innovative attempts that are being made to combat those problems.