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Oberlin Opera embraces the fun and games in La finta giardiniera

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by Stephanie Manning

The Oberlin Opera students have recently been learning to see their stage as a playground — literally.

In Mozart’s La finta giardiniera, “ these characters are sort of playing games in regards to their romantic relationships,” director Stephanie Havey explained. “ So we’ve incorporated different children’s games and playground activities into the action, as a metaphor for how they’re manipulating each other.”

This comedic Mozart opera from 1775, which boasts enough mistaken-identity plotlines to set one’s head spinning, will be presented this weekend at Oberlin’s Hall Auditorium. Conducted by Christian Capocaccia, the Thursday, March 6, Friday, March 7, and Saturday, March 8 performances are at 8:00 pm, while the Sunday, March 9 performance is at 2:00 pm. [Read more…]

Cleveland Chamber Symphony puts its annual spotlight on composing’s next generation

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by Stephanie Manning

The Cleveland Chamber Symphony has changed plenty since its founding more than 40 years ago. But some things are still the same.

In addition to the Symphony’s performing work, founder Edwin London “firmly believed that it could be an educational tool as well,” music director Steven Smith said. So in 1983, the Young & Emerging Composers Concert was born — an annual opportunity for the ensemble to play an entire program of new works by local student composers.

This tradition is set to continue on Saturday, March 8 during the Symphony’s “NEOSonicSpring” program, presented at 4:00 pm in Baldwin Wallace Conservatory’s Gamble Auditorium. [Read more…]

Les Délices: music fosters meaningful conversation at Cleveland’s VA Medical Center (Feb. 21)

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by Stephanie Manning

Navigating dementia — a common, yet devastating part of aging — requires confronting all sorts of complex emotions. People with memory loss, their caregivers, and the medical teams who interact with them all understand this well. So when Les Délices commissioned a piece tackling this difficult topic, they made a special effort to bring the music to those who would resonate with it the most.

The Louis Stokes Cleveland VA Medical Center hosted the early music ensemble for two performance-discussion sessions on February 21, a moving and emotional afternoon of empathetic, honest conversations about memory loss all framed by the solace of music.

At 12:00 pm, medical professionals and providers gathered in the rec hall, where flags of the U.S., the Department of VA, and the military’s many branches now provided a backdrop to a harpsichord and a collection of music stands. As part of the “Bioethics at Noon” series, the Les Délices musicians performed François Couperin’s La Visionnaire and selections from Viet Cuong’s world premiere, A Moment’s Oblivion. [Read more…]

Les Délices contemplates what makes us human in “A Moment’s Oblivion” (Feb. 23)

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by Stephanie Manning

“How wretched to forget,” sings the son in A Moment’s Oblivion — a character whose father now struggles to recognize members of his own family. “For all we were forms who we are.”

But the miracle cure that restores his father’s memory turns out to be a more fraught solution than it appears. Such is the conflict at the heart of Les Délices’ recent commission, with music by Viet Cuong and libretto by Cleveland poet Dave Lucas. The early music ensemble’s latest program surrounded the world premiere of A Moment’s Oblivion with more musical opportunities to reflect on the complex, and sometimes contradictory, emotions that make us human. [Read more…]

Cleveland Chamber Music Society: a multifaceted “Spanish Journey” (Feb. 11)

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by Stephanie Manning

Ever since Punxsutawney Phil popped his head out to predict six more weeks of winter, Clevelanders have seen no respite from the cold and snowy weather. So February 11 was as good a winter day as any to escape to sunny Spain, via the latest concert from the Cleveland Chamber Music Society.

The Chamber Music Society of Lincoln Center visited Disciples Church in Cleveland Heights for “Spanish Journey,” a program in collaboration with the Cleveland Classical Guitar Society. While a celebration of Spanish music would not be complete without its characteristic dance styles, the evening’s focus on sensitive, romantic selections created a nicely balanced sampling of what that culture has to offer. [Read more…]

Tenor Jonathan Pierce Rhodes makes Cleveland-area debut with Apollo’s Fire

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by Stephanie Manning

Jonathan Pierce Rhodes is a musician with many interests — so many, in fact, that he almost didn’t pursue a career in music at all.

“I was really close to being a lawyer,” the tenor explained in a recent interview. As an undergraduate, he earned degrees in both music and political science. “Then the pandemic hit, and I got into grad school for music.  So I was like, ‘Well, that door is opening, so let’s just keep going in that direction.’”

That direction is steadily heading upward, thanks in part to his work with the Washington National Opera’s Cafritz Young Artists, multiple summers at the Glimmerglass Festival, and now an appearance with Apollo’s Fire.

Later this month, Rhodes will make his debut with the early music ensemble in “Classical Sparks,” singing arias by Mozart and Joseph Bologne. Rounding out the program is Haydn’s Symphony No. 8, “Le Soir,” Mozart’s Overture to La Finta semplice, and Mozart’s Violin Concerto No. 3 with soloist Alan Choo. The four performances will tour the area with appearances in Akron (February 27 at 7:30 pm), Bay Village (February 28 at 7:30 pm), Shaker Heights (March 1 at 7:30 pm), and the Cleveland Museum of Art (March 2 at 3:00 pm). [Read more…]

Apollo’s Fire: cheerful collaboration and “Virtuoso Brilliance” (Feb. 9)

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by Stephanie Manning

On Super Bowl Sunday — a day that brings out plenty of competitive spirit — spending the afternoon with Apollo’s Fire felt like the perfect balance. In the few hours before “The Big Game” on February 9, those of us listening to the music in St. Paul’s Episcopal Church in Cleveland Heights were all rooting for the same team.

The Baroque chamber orchestra performs in a way that values collaboration over competition, especially in a conductorless outing like this one. “Virtuoso Brilliance,” a program heard in Akron, Rocky River, and Cleveland Heights, united both musicians and audience in concertos by Antonio Vivaldi and Georg Philipp Telemann. [Read more…]

Piano Cleveland Live: piano, violin, and an Ohio City pub (Feb. 5)

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by Stephanie Manning

“How do we bring in people who are interested in piano music, but might be intimidated by their first experience being in a concert hall?”

That’s the question Marissa Moore said she and the Piano Cleveland team were considering when they started a series of free performances held in local bars.

As the host of the Cleveland International Piano Competition, Piano Cleveland puts on plenty of events in Severance Music Center — “which is the most beautiful but probably the most intimidating space you can imagine,” said Moore, the organization’s executive director. “We thought it was really important to pair that with places that have more accessibility.”

Since 2022, these small, relaxed concerts in neighborhood pubs have been going strong, and are now part of the series “Piano Cleveland Live.” Last week’s event on Wednesday, February 5 brought folks to Forest City Brewery to sip drinks, eat food, and listen to the music-making of pianist Arseniy Gusev and violinist Shannon Lee. [Read more…]

Cleveland Pops and LEGACY: Broadway on the Severance stage (Feb. 1)

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by Stephanie Manning

Cleveland is no stranger to welcoming Broadway talent, with Playhouse Square regularly hosting national tours of award-winning musicals. But on February 1, it felt like Broadway came to Severance Music Center instead.

The vocal quartet LEGACY teamed up with the Cleveland Pops Orchestra to present “Music of Motown,” a high-energy evening that was memorable in the best way. “Tonight is about having a really good time,” LEGACY founder Justin Reynolds promised the packed crowd — and the two groups certainly delivered. [Read more…]

Old Friends, New Collaboration: Anthony McGill and Emanuel Ax bring recital tour to Oberlin

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by Stephanie Manning

Reposted with the permission of Oberlin Conservatory

Throughout his decades of playing chamber music, Emanuel Ax has kept his friends close. “ It’s wonderful to have people on stage that you like,” the pianist says. “I’m pretty gregarious as a person, so I like being with someone, especially old friends.”

Now in his 70s, the esteemed musician has performed with many of the same collaborators for decades, including cellist Yo-Yo Ma and violinists Issac Stern and Leonidas Kavakos. But his next recital tour brings him together with someone new: clarinetist Anthony McGill.

The duo’s upcoming performances feature a program of wide-ranging music, and their travels include a stop at Finney Chapel. That concert, on February 4 at 7:30 pm, will be presented as part of Oberlin’s Artist Recital Series. [Read more…]

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