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Apollo’s Fire in Vivaldi, Bach & Telemann (March 8)

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by Timothy Robson

Despite the lurid title of last weekend’s Apollo’s Fire concerts — Three Duels and a Funeral — no blood was shed onstage at St. Paul’s Church in Cleveland Heights on Friday evening, March 8. The entertaining program concocted by director Jeannette Sorrell was a set of concertos by Johann Sebastian Bach and Antonio Vivaldi, plus a humorous solo cantata by Georg Philipp Telemann eulogizing a talented, but murdered, canary. Each of the works had its own imaginative character. [Read more…]

The Cleveland Orchestra and Harry Bicket play Mozart (Feb. 14)

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by Timothy Robson

The Cleveland Orchestra billed last week’s concerts as “Romantic Mozart.” That may have been a great marketing gimmick to attract the Valentine’s Day crowd on Thursday evening, but the repertoire — all by Mozart, with a little help from guest conductor Harry Bicket — was the epitome of Classical elegance, with performances to match. The ensemble was pared down to chamber orchestra size, and there was no hint of “romantic” interpretation. [Read more…]

Les Délices & Quire Cleveland in Charpentier Noëls (Dec. 23)

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by Timothy Robson

In what must have been among the most alluring Christmas music concerts of this season, period instrument ensemble Les Délices (Debra Nagy, director) and Quire Cleveland (Jay White, director) teamed up to present French Baroque music for Christmas, highlighted by the Messe de Minuit (“Midnight Mass”) by Marc-Antoine Charpentier (1643-1704). [Read more…]

Cleveland Orchestra Youth Orchestra with violinist Célina Béthoux (Nov. 16)

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by Timothy Robson

This past Friday evening, while waiting for the start of the Cleveland Orchestra Youth Orchestra’s concert at Severance Hall, I ran into some friends whose granddaughter was performing with the Orchestra. They could not have been more proud. And proud they should be — along with the many other family, friends, and audience members — because, under the direction of talented music director Vinay Parameswaran, it was an excellent concert that made few concessions to the reality that COYO is a student orchestra. [Read more…]

CIM Opera Theater: Stravinsky & Ravel (Nov. 7)

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by Timothy Robson

From November 7-10, Cleveland Institute of Music Opera Theater presented a double bill of Igor Stravinsky’s early Le Rossignol and Maurice Ravel’s L’enfant et les sortilèges in CIM’s Kulas Hall. Dean Southern directed, and Harry Davidson conducted the CIM Orchestra, with sets and lighting by Dave Brooks and costumes by Inda Blatch-Geib. It was a very fine show, both musically and theatrically. [Read more…]

Good Company with composer Ola Gjeilo at Lakewood Presbyterian (Nov. 3)

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by Timothy Robson

Good Company: A Vocal Ensemble presented what was likely the biggest project in the group’s 23-year history this past weekend — a two-day residency with Ola Gjeilo (pronounced yay-loh), a Norwegian-born composer now based in the United States. On Saturday, November 3, Gjeilo led a workshop about his music with members of Good Company and singers from Bay Village High School and elsewhere. On Sunday afternoon, Good Company music director Mike Carney led a concert of fifteen of Gjeilo’s works to a packed sanctuary at Lakewood Presbyterian Church, with the Amethyst Strings and the composer at the piano for several selections. [Read more…]

Anthony Roth Costanzo & Les Violons du Roy at Tuesday Musical (Oct. 16)

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by Timothy Robson

American countertenor Anthony Roth Costanzo and the Quebec-based Baroque orchestra Les Violons du Roy, with their new music director Jonathan Cohen, made a stop at E.J. Thomas Hall at the University of Akron on Tuesday, October 16, in a presentation by Tuesday Musical. The concert included music from their recent album ARC – Glass / Handel, plus a Handel concerto grosso and an excerpt from a Philip Glass symphony. [Read more…]

Apollo’s Fire in Mozart and Haydn at the Cleveland Museum of Art (Oct. 12)

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by Timothy Robson

Jeannette Sorrell and her intrepid orchestra Apollo’s Fire performed Friday evening, October 12, in a somewhat unusual venue — for them — Gartner Auditorium at the Cleveland Museum of Art, in somewhat unusual repertoire — again, for them — Mozart and Haydn. After listening for years to Apollo’s Fire in churches around Northeast Ohio, I had a bit of cognitive dissonance being in a real concert hall with relatively drier acoustics and seats rather than pews. Apollo’s Fire certainly performs in concert halls elsewhere in the United States and internationally, but it seemed on Friday that the group had not yet fully settled into the ambience of Gartner Auditorium. [Read more…]

Ohio Light Opera: Bernstein’s Candide (July 11)

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by Timothy Robson

Ohio Light Opera’s production of Leonard Bernstein’s Candide is in the midst of a repertory run through early August in the Friedlander Theatre at the College of Wooster. It is a splendid affair in every regard, and I can recommend it without reservation. The principal roles are double-cast — I saw it with the July 11 ensemble. [Read more…]

Cleveland Orchestra at Blossom: Roger Daltrey in Tommy (July 8)

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by Timothy Robson

On Sunday evening, July 8, Roger Daltrey, legendary lead singer of The Who, joined members of the current incarnation of the band and the Cleveland Orchestra in a concert performance of Tommy in front of a sold-out Blossom Music Festival audience. This was the last show on an 11-city, 13–performance tour. [Read more…]

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