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Cleveland Chamber Music Society celebrates 75th birthday with Shostakovich & the Jerusalem Quartet

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by Mike Telin

In 1948, when three faculty friends from Western Reserve University convinced the Budapest Quartet to come to Cleveland to perform a three-concert series, who could have predicted that the humble event would lead to the creation of one of the city’s venerable presenters of classical music. Since its founding in 1950, the Cleveland Chamber Music Society has gone on to create one of the most respected chamber music series in the country.

In honor of its 75th anniversary, CCMS has planned a five-concert celebration from April 21 through 30 featuring the complete Shostakovich quartet cycle performed by the Jerusalem Quartet —  violinists Alexander Pavlovsky and Sergei Bresler, violist Ori Kam, and cellist Kyril Zlotnikov.

The performances will be held in Gartner Auditorium at the Cleveland Museum of Art. James Wilding will give pre-concert lectures at 6:30pm before each event. Tickets are available online. On April 23 at 3:00 pm in the Museum’s Morley Lecture Hall, there will be a free screening of the 1964 Grigori Kozintsev adaptation of William Shakespeare’s Hamlet, featuring a searing score by Dmitri Shostakovich. Click here for more information and to view a full schedule of events.

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The Cleveland Orchestra: fifteen minutes with tenor Andrew Haji

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by Mike Telin

The Cleveland Orchestra and Chorus will appropriately mark Easter weekend with three performances of Johann Sebastian Bach’s dramatic Easter Oratorio led by guest conductor Bernard Labadie on Thursday, April 17 and Friday, April 18 at 7:30 pm and Saturday, April 19 at 8 pm in Mandel Concert Hall at Severance Music Center. Tickets are available online.

Bach re-purposed a secular cantata to create his narrative of the resurrection of Jesus in 1725. Labadie will pair the Easter Oratorio on these programs with Bach’s Magnificat, a lovely (and unique for Bach) setting of the song Mary sang after learning she would bear Jesus, as reported in the Gospel of Luke.

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Cleveland Orchestra brass and percussion take center stage to celebrate Akron’s bicentennial

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by Stephanie Manning

Composer and conductor Peter Boyer has a lot on his plate. But when recording producer Elaine Martone called him two years ago with an offer from Tuesday Musical, he just couldn’t say no.

“ I knew I already had these two huge commissions for 2026, so I was a little hesitant,” he said in a recent interview. “But I could tell that this was going to be a really cool project, because we had great people involved. It was just too good to pass up.”

The brass and percussion players of The Cleveland Orchestra, led by principal trumpet Michael Sachs, will premiere Boyer’s Festive Fanfare (For Akron’s Bicentennial) on Tuesday, April 22. Presented by Tuesday Musical, the 7:30 pm concert at E.J. Thomas Hall celebrates Akron’s 200th birthday with music by Giovanni Gabrieli, Percy Grainger, and Modest Mussorgsky. [Read more…]

Cleveland Photoplayers to make debut at Cleveland Silent Film Festival

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by Kevin McLaughlin

Aficionados of silent film music know there is an infinite variety of approaches to performing a film’s music, from original scores to improvised performances and generic musical cues that have been stitched together from a variety of sources.

On Saturday, April 5 at 4:30 pm in the Louis Stokes Wing Auditorium at the Cleveland Public Library, the Cleveland Silent Film Festival will continue their “CPL: Celebrating 100 Years” series with a screening of Alfred Hitchcock’s 1929 thriller Blackmail. Daniel Goldmark, Professor of Music at Case Western Reserve University, will introduce the film and the musical score. Admission is free.

The screening will also mark the debut of The Cleveland Photoplayers. Directed by pianist Eric Charnofsky (pictured), the ensemble includes violinist Emily Cornelius, cellist David Ellis, clarinetist Amitai Vardi, and cornetist Riley Conley.

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Cleveland Women’s Orchestra at Severance: chatting with conductor Eric Benjamin

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by Daniel Hathaway

On Sunday afternoon, March 30, at 3:30 pm, the Cleveland Women’s Orchestra will continue its long tradition of performing in Severance Hall. The ensemble’s 90th Anniversary Concert in what is now known as the Mandel Concert Hall at Severance Music Center will be conducted by music director Eric Benjamin. Tickets are available online.

The main work on the program will feature violinist Olga Dubossarskaya Kaler, cellist Eleanor Pompa, and pianist Emanuela Friscioni, in Ludwig van Beethoven’s Triple Concerto. 

Benjamin was named the fourth music director of the oldest women’s orchestra in the U.S. in 2023, following the lengthy tenures of its founder Hyman Schandler and his successor Robert L. Cronquist, who held the podium for 33 and 22 years respectively. During COVID, John Thomas Dodson served as interim music director for three-and-a-half years, passing the baton to Jungho Kim for a single season. [Read more…]

Clarinetist Amer Hasan celebrates Mozart with the Akron Symphony

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by Stephanie Manning

When Amer Hasan introduced himself to the Akron Symphony in 2019, he did so with the opening movement of Mozart’s Clarinet Concerto. “ It was the first piece that I played for Maestro Wilkins in my audition, behind the screen,” Hasan recalled in a recent interview. “So the first three minutes of the concerto is not only the first music I associate with auditions, but also with the Akron Symphony.”

Six years on from that fateful performance, which helped earn Hasan the principal clarinet position, he and the orchestra are set to create some new memories with that same Mozart work. Music director Christopher Wilkins will lead Hasan and the Akron Symphony in a performance of the full, three-movement concerto on Saturday, March 29.

The 7:30 pm concert in E.J. Thomas Hall also features Joseph Bologne’s Overture to The Anonymous Lover, Jessie Montgomery’s Five Freedom Songs, and Beethoven’s Symphony No. 1. Tickets are available online. [Read more…]

Oblivion Project brings tango to CMA

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by Max Newman

Argentine composer Astor Piazzolla may have passed away over thirty years ago, but his contributions to the tango music genre are truly eternal.

“Even in his sweetest melodies, there are things that are powerful,” said Derek Snyder, the self-described “de-facto leader” of the Oblivion Project, a musical group that has been performing and exploring the works of Piazzolla for over twenty years.

The project will take the stage at the Cleveland Museum of Art’s Gartner Auditorium on Friday, March 28 at 7:30 pm. Tickets available online. I was lucky to get to speak to both Snyder and Malena Dayen, the project’s vocalist, over the phone prior to the performance.

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Martha Redbone Hears Her Musical Call

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by Stephanie Manning

Reposted with the permission of Oberlin Conservatory

“If it’s meant to happen, the music will find you.” That’s how Martha Redbone sees it. And it wasn’t until she was in college studying illustration in the late ’80s, that the music found her for good.

Back then, the advent of the first Mac was rapidly changing the art world. “As an illustrator who loved painting and drawing people, that digital world was not for me,” she said. Feeling torn, she turned to music as a creative outlet, starting as a background vocalist before progressing into a career as a lead singer. Together with her songwriting partner (and later life partner) the pianist Aaron Whitby, she began to write music that had stories to tell.

“ There was a connection and a resonance that I got from singing, and it gave me a sense of peace,” she says. “I’ll always be an artist, I’ll always be an illustrator. But the music is what ended up calling me, and I just listened to that call.”

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No Exit Presents: Patchwork, Audra Duo, and the Cleveland State Percussion Ensemble

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by Mike Telin

On Saturday, March 22 “No Exit Presents” welcomes Patchwork — Noa Even, saxophone and Stephen Klunk, drums — back to Cleveland for a free 7:00 pm concert at  Praxis Fiber Workshop.

The performance, which is part of the Duo’s 10th Anniversary tour, will feature works by Jason Charney, Hong-Da Chin, Erin Rogers, and Osnat Netzer.

In an interview with No Exit’s Laura King, Even said that Charney’s Interstittch is one of their earlier commissions and the most melodic, rock-inflected piece on the program.

She added that the other three works are drawn from their debut album, released in May 2020 by New Focus Recordings. “You’ll hear some similar sounds in these pieces — the term “extended technique” seems almost antiquated when multi-phonics, slap tonguing, and superball mallets are now as much a part of the basic vocabulary of our instruments as major scales and drum rudiments are… but each of the composers we worked with use those sounds in their own unique voice and syntax. Hong-Da Chin’s  …time was not passing… it was turning in a circle… is a musical reflection on the cyclical nature of humanity’s path through history. Erin Rogers is a saxophonist herself, and Fast Love has a lot of the eclectic, noisy, improvisatory playing for which she’s known.

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CIM Young Composers Program: a conversation with Jessie Montgomery

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By Mike Telin

“I’m very excited to be part of the CIM summer community,” Grammy Award-winning composer, violinist, and educator Jessie Montgomery said during a recent conversation.

From June 22 through 27, Montgomery will serve as the creative partner for CIM’s Young Composers Program — a five-day intensive for emerging composers consisting of personalized lessons, masterclasses, and workshops with Montgomery, as well as with CIM faculty.

The 2025 program is open to composers ages 12-17 in the Young Innovators division, and ages 18-28 in the Next Gen division. Applications are being accepted now through March 24. Click here for more information.

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