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Blossom Music Center: opening a summer home for The Cleveland Orchestra (second of three articles)

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by Alice Koeninger

50 years ago, the Cleveland-Akron area was bursting with anticipation of Blossom Music Center’s opening on July 19, 1968. For the two weeks leading up to the inaugural performance –– which began with The Star Spangled Banner and continued with Beethoven’s Consecration of the House Overture and the Ninth Symphony –– newspapers ran a continuous flow of previews to hype the event. Articles about the coupon books being sold (tickets were only $2 for the lawn), the relaxed dress code (an Akron Beacon Journal headline read “Wear what you please”), and the planned broadcast of the program in color on Channel 3 and on WCLV-FM, all added to the excitement. [Read more…]

Ten remain in Cooper Piano Competition

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Following the second semifinal round on Monday, the jury for the Thomas and Evon Cooper International Piano Competition announced the ten competitors who will play full concertos with collaborative pianists on Tuesday, July 17 at 2:00 pm and 7:00 pm in Warner Concert Hall at the Oberlin Conservatory. Admission is free. The sessions will be streamed live here.

2 p.m. session:
Ryan Zhu (age 14), Vancouver, Canada
Liszt: Concerto No. 1 in E-flat
Bo Zhang (17), Hangzhou, China
Chopin: Concerto No. 1 in e
William Yang (17), Natick, Massachusetts, U.S.
Chopin: Concerto No. 1 in e
Kai-Min Chang (17), Changhua County, Taiwan
Chopin: Concerto No. 1 in e
Tony Yun (17), Toronto, Canada
Tchaikovsky: Concerto No. 1 in b-flat
William Chen (15), New York, New York, U.S.
Tchaikovsky: Concerto No. 1 in b-flat

7 p.m. session:
Yunchan Lim (14), Siheung-si, Gyeonggi-do, South Korea
Chopin: Concerto No. 2 in f
Yangrui Cai (17), Guangzhou, China
Prokofiev: Concerto No. 3 in C
Tyler Kim (15), Temecula, California, U.S.
Chopin: Concerto No. 2 in f
Anton Mejias (17), Helsinki, Finland
Rachmaninoff: Concerto No. 3 in d

Kent Blossom Chamber Orchestra:
A conversation with Vinay Parameswaran

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by Mike Telin

This weekend The Cleveland Orchestra turns its attention to young musicians. On Friday, July 20 at 7:30 pm at Severance Hall, the three finalists from the Cooper International Piano Competition will perform complete concertos with The Cleveland Orchestra under the direction of Jahja Ling. Tickets available online.

The following evening, July 21 at Blossom Music Center, Ling and The Orchestra will focus on the participants in the 50th annual Kent Blossom Music Festival. The concert will begin at 7:00 pm, when Vinay Parameswaran will lead the Kent Blossom Chamber Orchestra in Prokofiev’s Symphony No. 1 (Classical) and de Falla’s Suite No. 1 from The Three-Cornered Hat.

At 8:00 pm that student ensemble will join The Cleveland Orchestra and Jahja Ling in a side-by-side performance of Berlioz’s Overture to Benvenuto Cellini, and Vaughan Williams’ Serenade to Music featuring the Blossom Festival Chorus. The marathon event will continue around 9:00 pm when Ling and TCO return to the stage for Mahler’s Symphony No. 1 (“Titan”).   [Read more…]

Ohio Light Opera continues season
with Iolanthe, La Périchole & Cloclo

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by Kelly Ferjutz
Special to ClevelandClassical

Once the glitter and glitz of opening night and getting the season up on its feet is in the past, Ohio Light Opera settles into the imported, more traditional, part of the season. As it happened, the first four productions were all from the American Lyric Theater.  Now we’ll be treated to Iolanthe, a not-so-well-known Gilbert & Sullivan; La Périchole by the French master, Offenbach, and closing the season will be a Viennese confection by Franz Lehár. Cloclo (an OLO premiere) is a sort of step-sister to The Merry Widow.

Any operetta by Gilbert & Sullivan is full of confusion, disguises, mistaken identities, and so forth, and all set to wonderful music, of course. But Iolanthe seems to go a bit over the top.  In this one, the women are all fairies, or ‘peri’, while the men are all Peers of the Realm, always in full regalia, no matter the setting or purpose. It’s really a dandy battle of the sexes – in disguise. First there was Iolanthe, herself, falling in love with a peer, who turns out to be the Lord High Chancellor.  They have a son, Strephon, who is a fairy above the waist but his legs are mortal.  [Read more…]

Kent/Blossom Music Festival: a conversation with the Emerson Quartet’s Philip Setzer

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by Delaney Meyers

On Wednesday, July 18 at 7:30 pm, The Emerson String Quartet will perform with cellist Jerry Grossman in Ludwig Recital Hall as part of Kent/Blossom Music Festival’s 50th anniversary concert season. I spoke with Philip Setzer, violinist of the Emerson, by telephone and asked about the program and his personal connections with KBMF as an alumnus. The Quartet is this year’s Kulas Guest Artist.

Setzer said that “the theme, if there is one, is of loss and mourning, but also a celebration of life.” The all-20th century first half will open with the adagio from Barber’s string quartet, a work that is very meaningful to the ensemble. Setzer said that the string orchestra version, known as Adagio for Strings, “has become iconic as a piece of national and international mourning.” [Read more…]

31 young pianists arrive this week for Oberlin Cooper Competition

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by Daniel Hathaway

Piano professor Robert Shannon is eagerly waiting to welcome this year’s participants in the Thomas & Evon Cooper Piano Competition to the Oberlin campus later this week. “This year the lineup is stronger than ever,” Shannon said in a recent telephone conversation. “There’re some impressive people, and the overall level is consistently high.” (Photo: the semifinalists in 2016.)

The biennial piano contest, which alternates with a violin competition, will be fueled by 31 young players from seven different countries (see the roster of competitors and their repertoire here). The 13-18 year-olds have been selected from a field of some 90 applicants who have been drawn to the Cooper event through its reputation alone. “We don’t actively recruit,” Shannon said. “We just publish the announcement and we’re well enough known by now that it just happens. The first year we held the Cooper we had something like 140 pianists apply, but then I think people figured out how challenging it was going to be. We’ve stabilized now at about 90 applicants.”

This year’s competitors include eleven U.S. citizens, seven from China, five from Canada, three from South Korea, two each from Finland and Taiwan, and one from Norway.

[Read more…]

The Oberlin Cooper Competition: a conversation with Kasey Shao

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by Mike Telin

This year’s sole competitor from Ohio in the Cooper International Piano Competition, fourteen-year-old Kasey Shao began her studies at age six. During a recent telephone conversation from her home in Cincinnati, the Walnut Hills High School sophomore said that she has known about the Cooper Competition from the time it began. “I’ve watched the live streams and broadcasts, and I’ve always wanted to compete in it. Now that I’m finally old enough, I applied and got in. I’m very excited to compete and to meet the other contestants.”  

No stranger to the competition world, Shao is a two-time grand-prize winner of the National League of Performing Arts. She has been awarded first prize at the Crescendo International Music Competition, West Chester Piano Competition, and Princeton Festival Piano Competition, as well as grand prize and first place at the Steinway Society of New Jersey Young Pianist Competition. [Read more…]

Milt Hinton Institute for Studio Bass:
July 7 through 13 in Oberlin

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by Mike Telin

For seven decades, bassist Milt Hinton played with the most influential artists in American music. While doing so, Hinton chronicled his experiences through the lens of his ever-present camera. This week the Oberlin Conservatory will celebrate its ties to the late performer with the Milt Hinton Institute for Studio Bass, a biennial summer program for developing musicians that takes place this year the Oberlin campus from July 7 through July 13.

Designed for bass students ages 13-21 of all ability levels, the Institute consists of a week of master classes, performances, bass ensembles, studio sessions, lectures, and workshops. It focuses on a comprehensive range of genres: classical, early music, jazz, slap, Latin, and electric. Directed by Oberlin Professor of Jazz Studies and Double Bass Peter Dominguez, the Institute will feature the nation’s finest teachers and performers across a variety of styles.

The Institute is part of an ongoing relationship between Oberlin and the Hinton estate to ensure that the legacy of “The Dean of Jazz bassists” will be kept alive well into the future. [Read more…]

Pianist Spencer Myer and the Miami String Quartet to combine once again at Kent Blossom

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by Jarrett Hoffman

“Although Myer isn’t an official member,” ClevelandClassical.com wrote last year, “his performance…made it sound as if he were a bona fide Miami.”

Pianist Spencer Myer will continue his long-standing collaboration with the Miami String Quartet on Wednesday, July 11 at 7:30 pm in Ludwig Recital Hall at Kent State — the second faculty concert of this year’s Kent/Blossom Music Festival. The program includes Haydn’s String Quartet in d, Op. 76, No. 2, Pēteris Vasks’ 1995 String Quartet No. 3, and Dvořák’s Op. 5 Quintet for Piano and Strings in A.

Last week I caught up with Myer by phone, and began our conversation by asking about his busy June.

[Read more…]

Blossom Music Center: starting to build a summer home for The Cleveland Orchestra
(first of three articles)

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by Alice Koeninger

As you may remember, two summers ago The Cleveland Orchestra helped to celebrate the centennial of the National Parks Service at the Blossom Music Center. Now it is time for Blossom to celebrate its own milestone: its 50th anniversary.

At Blossom’s conception, The Cleveland Orchestra was the only “Big Five” orchestra in the country that did not offer full-time positions to its musicians, mainly due to the fact that it did not have a summer home. In 1965, it became musical director George Szell’s mission to build such a residence, and the Musical Arts Association was finally listening.

Soon, Frank E. Joseph, Szell’s friend and board president, along with Beverly Barksdale, the Orchestra’s general manager, began looking at possible sites for that outdoor venue. 

[Read more…]

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