by Mike Telin
If you were to ask just about any musician why they enjoy playing chamber music, they will tell you that it’s because they get to make music with people they enjoy. Case in point, the Butler Trio — Sandy Yamamoto (violin), Joshua Gindele (cello), and Colette Valentine (piano).
“We are all on faculty at the University of Texas, but the Trio formed when I left the Miró Quartet back in 2011,” Yamamoto said by telephone from Austin. “Josh [the cellist in the Miró] and I weren’t quite ready to be done with making music together, so we talked about playing in a piano trio. At the time Colette had joined the faculty so we asked her if she would play some trios with us.”
On Monday, February 6 at 7:30 pm at West Shore Unitarian Universalist Church, the Rocky River Chamber Music Society will play host to the Butler Trio. The program will include Rachmaninoff’s Trio Élégiaque No. 1, Beethoven’s Piano Trio in D (“Ghost”), and Schumann’s Piano Quartet in E-flat with guest violist Lembi Veskimets. The concert is free. Click here to access the live stream.
It’s no secret that the pandemic caused many arts organizations to alter their plans. And while presenting concerts online was a suitable and often enjoyable alternative, they were no replacement for the shared experience of live performances.
From the time that Cuban-born guitarist René Izquierdo heard his first live concert as a child, he knew that he wanted to make “connecting with people through music” his life’s work. On Saturday, January 28 at 7:30 pm at Plymouth Church in Shaker Hts., the Cleveland Classical Guitar Society International Series will present René Izquierdo in a program that highlights his Cuban and Spanish heritage. Tickets are available
When we think of the Medieval period, musical variety is usually not the first thing that comes to mind. But Allison Monroe and her Trobár Medieval colleagues would beg to differ with that sentiment. “There’s a lot of variety in the repertoire,” Monroe said during a recent interview.
When composer Melissa Dunphy and her husband purchased a Philadelphia property that was in foreclosure, they saw it as an opportunity to own what could become a small performing arts space in a prime location. “It’s only an eight-minute walk to the Liberty Bell,” Dunphy said during a telephone conversation. Little did they know that what lay beneath the foundation of the former Magic Theater would reveal a story worthy of a made-for-television cold case mystery. Or better yet, an opera.
Many musicians can only dream of performing at Carnegie Hall. But next week students at the Oberlin Conservatory will have had the opportunity to perform at the famed venue not once, but twice in as many months.
“When I was ten or eleven, my father was going to an MLK march. He asked me if I wanted to go and I didn’t. And that has been a regret of mine for a very long time,” Peter Lawson Jones recalled during a recent telephone conversation. “But this night will celebrate all that Dr. King did and I look forward to being part of it.”
Timpani concertos are few and far between. Even the most knowledgeable would be hard pressed to name the composers of one or two. How remarkable is it that Cleveland Orchestra principal Paul Yancich has two that were written for him with a third on the way, all by the same composer, James Oliverio.
We last wrote to you on March 20, just as Spring had arrived along with lengthening days of sunlight, the budding of trees, the burgeoning of tender shoots and a sudden balminess in the air — all heralding a new season of hopefulness.
The Contemporary Youth Orchestra has a long history of performing works that have been written especially for the ensemble, as well as providing its young musicians with opportunities to collaborate with professional musicians representing diverse musical genres.