by Peter Feher
Longtime fans of Apollo’s Fire might think they’ve heard everything possible from Cleveland’s Baroque Orchestra, but they should have another listen. A fresh lineup of musicians and a largely unfamiliar set of composers were featured in the group’s concerts this month, making for an exciting evening with just a hint of trial and error.
Spearheading the experiment was violinist Alan Choo, a regular standout performer with Apollo’s Fire and, as of this season, the ensemble’s Assistant Artistic Director. With “Muse of Fire,” the first program he’s led here entirely solo, Choo played up the idea of coming to the fore. He chose a handful of small-scale works by lesser-known composers of the 17th century and then let much of this music speak brilliantly for itself.
Heinrich Ignaz Franz Biber’s Rosary Sonatas are the perfect vehicle for a violinist looking to make a splash. Choo has been putting all his energy into polishing these pieces, recording the complete set for an album he’s headlining with Apollo’s Fire (due out next year) and highlighting two of the fifteen sonatas here. The mastery and deliberation that come from knowing a score so well shone through in his performance on Friday, February 3 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]