by Peter Feher
Gilbert & Sullivan might be the Ohio Light Opera signature, but the company in residence at the College of Wooster each summer has made other traditions out of its love for lyric theater. One curious case is the 1924 operetta The Student Prince, which OLO reprises for a seventh time in a production running through July 29 at Freedlander Theatre.
From the start, the work’s popularity has resembled something of a groundswell. Ignoring early objections from producers, composer Sigmund Romberg and librettist Dorothy Donnelly wound up securing their reputations with this hit. The Student Prince became the longest-running Broadway show of the decade and spawned two film adaptations, including a 1954 version with a star cast of its time. [Read more…]
Before Austrian composer Franz Lehár hit the Viennese operetta bull’s eye with The Merry Widow, he composed a less well-known show, The Mock Marriage (Die Juxheirat), whose complicated plot, set in America in 1904, gives a nod to such contemporary societal issues as gender identity and the empowerment of women.
The Fantasticks 
If you missed the tail end of ChamberFest Cleveland’s season, don’t be too worried. The highlights from each summer of brilliant, collaborative performances have a way of sticking around — online on the Festival’s YouTube channel and, more recently, on the radio with WCLV. Certainly this year’s finale, on July 2 at the Maltz Performing Arts Center, was full of such memorable musical moments.
Tri-C JazzFest went out with a bang this year. The stages at Playhouse Square got bigger and busier with each act on the schedule for Saturday, June 25. Steady momentum was the theme all around, not least for the Festival itself, which this summer returned to full size, following a detour online in 2020 and the move to a smaller venue, Cain Park, in 2021.
If their first tale of July 2022 was any indication, ENCORE Chamber Music Institute’s “Storytelling” Music & Ideas Festival is true to its name. On July 1, ENCORE premiered and livestreamed “Tales of Wünderkinds: The Hunt & Chase” — a formidable continuation of this year’s primarily narrative-driven Music & Ideas Festival. Interestingly, Jorg Widmann’s Hunt would be the only piece from the evening’s program to share a word with this title. I watched the livestream.
The closing line in the description of Yolanda Kondonassis’ latest CD FIVE MINUTES for Earth is “What is at stake…is only everything we have.” With a line like that, one can reflect on the consequences of their actions, which are often irreversible when applied to such imperative matters like climate change and Earth conservation. A labor-of-love project that commissioned fifteen composers to write for solo harp, this album — released by Azica Records on April 1 — cherishes, urges to protect, and aims to preserve the planet.
“Music begins where the possibilities of language end.” —Sibelius
With food trucks lined up on E. 14th Street by the Strassman Insurance Stage on Euclid, Tri-C JazzFest was hitting its groove on Friday, June 24.