by Daniel Hathaway
Pianist Philip Thomson joined music director Christopher Wilkins and the Akron Symphony Orchestra in a spirited concert on Saturday, September 19 at E.J. Thomas Hall. The “American Journey” began in Mexico with Aaron Copland’s El Salón México, stopped in Texarkana, Texas for Clint Needham’s Southern Air, and traveled to somewhere in the Wild West for Copland’s Rodeo before meeting up with George Gershwin in New York. [Read more…]
by Mike Telin
“This is one of my favorite piano concertos, and I think it’s one of Gershwin’s greatest works,” pianist Philip Thomson said during a telephone conversation. “I haven’t had a chance to perform it for a long time, so I’m thrilled to be able to play it again.” On Saturday, September 19 at 8:00 pm, Thomson will be featured in Gershwin’s Piano Concerto in F when Christopher Wilkins and the Akron Symphony open their season in E.J. Thomas Hall with a concert titled “American Journey.” The program will also include Aaron Copland’s El salón México and Rodeo Ballet, as well as Clint Needham’s Southern Air.
Thomson, who is beginning his twenty-first year of serving on the piano faculty at the University of Akron, said that he first fell in love with George Gershwin’s music as a high school student back in St. John, New Brunswick. “He was my hero, and I read all about him. In addition to writing great melodies, he was also a great pianist. He could get around the keyboard, and he knew how to write for the piano. Just like Chopin and Liszt, he thinks like a pianist. He gave the first performance of this concerto, just as he did with Rhapsody in Blue.” [Read more…]
by Daniel Hathaway
Commemorations of war anniversaries have fueled the programming of many arts organizations in recent months. Akron Symphony artistic director Christopher Wilkins chose to mark the 150th anniversary of the end of the American Civil War with a sensitively curated program of music by Michael Tippett, Kurt Weill, Paul Hindemith, John Williams and Aaron Copland last Saturday evening, April 11 at E.J. Thomas Hall. While centered on the events of 1865 involving Abraham Lincoln, the program also took note of racial injustice in South Africa and Nazi Germany. [Read more…]
by Daniel Hathaway
Themed symphony orchestra programs — often cooked up by marketing departments — can be gimmicky. But Akron Symphony music director Christopher Wilkins’s “Four Rivers” program at E.J. Thomas Hall on Saturday, March 14 took three European rivers and one American one that lives only in the realm of metaphor, and made them tributaries that flowed beautifully together into a larger stream. [Read more…]
Mike Telin
This past Sunday, guitarist Jason Vieaux became a first-time Grammy Award winner in the “Best Classical Solo Performance” category for his Azica Records CD, Play. On Saturday, February 14, Vieaux will be the featured soloist in Joaquín Rodrigo’s Concierto de Aranjuez with the Akron Symphony under the direction of Christopher Wilkins.
The program also includes Mozart’s Overture to The Marriage of Figaro and Oboe Concerto with ASO principal oboist Terry Orcutt as soloist, as well as Elgar’s Serenade for Strings and de Falla’s El amor brujo. The concert begins at 8:00 pm in the University of Akron’s E.J. Thomas Hall.
Composed in 1939, Rodrigo’s Concierto de Aranjuez is without a doubt the composer’s best-known work. “It is a popular piece and deservedly so,” Vieaux said during a recent telephone conversation. “The second movement is a masterpiece. As a guitarist, I am a little biased, but I think it’s so cool how the solo line brings the entire concerto to a climax at the end of the second movement cadenza. Rodrigo understood the guitar well enough to make sure it was at its very loudest during those ten-note flourishes.” [Read more…]
by Daniel Hathaway
Among the more appealing attractions of the classical music genre is its ability to wrap the talents of multiple generations into a single performance. In the next two weeks, young musicians will be showcased alongside their more seasoned colleagues in concerts by the Akron Symphony, the Chamber Music Society of Lincoln Center, and The Cleveland Orchestra.
On Saturday, January 10 at 8:00 pm in E.J. Thomas Hall, Akron Symphony music director Christopher Wilkins will yield his baton to one of his mentors, the distinguished British-born conductor Benjamin Zander (Wilkins played oboe with the Boston Philharmonic under Zander after graduating from Harvard). Zander, in turn, has invited one of his young mentorees, cellist Jonah Ellsworth, to play the Dvorak concerto with the orchestra (above, Ellsworth with Zander after their performance of Strauss’s Don Quixote in May, 2014). [Read more…]
by Daniel Hathaway
The Akron Symphony appropriately celebrated Saint Cecilia’s Day 2014 with a concert of music by the divine Mozart and the sainted Fauré, but also took the opportunity to elevate the jazzy music of Ravel to the Empyrean. To a neglected symphony and an infrequently performed mass by Mozart, music director Christopher Wilkins added a lovely Fauré bonbon and a wonderfully cheeky Ravel piano concerto, creating a program that showed the patron saint of music to be a woman with wide aesthetic tastes. [Read more…]
by Mike Telin
“I love this concerto so much, I almost don’t know what to say,” pianist and Akron Symphony Associate Conductor Levi Hammer told us during a recent conversation. “It’s one of those pieces that’s been with me for most of my life, and I’m so happy to be able to play it again.”
On Saturday, November 22 at 8:00 pm, in the University of Akron’s E.J. Thomas Hall, Levi Hammer will perform Ravel’s jazz-inspired Piano Concerto in G major with the ASO under the direction of Christopher Wilkins. The concert will also include Fauré’s Pavane, Mozart’s Symphony No. 34 in C and his “Coronation” Mass in C, featuring the Akron Symphony Chorus.
Ravel composed the G-major concerto between 1929 and 1931 following a 1928 concert tour of the United States during which he met George Gershwin, who introduced him to Harlem jazz clubs. During the same tour, Ravel visited New Orleans, where he also took in that city’s vibrant jazz culture. [Read more…]
by Jane Berkner
Symphony musicians know all too well the feeling of being terrified during a performance. On Saturday night, October 18, in EJ Thomas Hall, the audience had plenty of reasons to share that feeling with the Akron Symphony. [Read more…]
by Daniel Hathaway
Akron Symphony music director Christopher Wilkins enjoys putting together themed programs that go well beyond what other orchestras put out to the public. On Saturday evening in E.J. Thomas Hall, with the help of Francis Scott Key, Dudley Buck, Ludwig van Beethoven, Charles Ives (via William Schuman), Michael Gandolfi, the Akron Symphony Chorus, One City Choir and Miller South Choir, Wilkins and the orchestra brought the spirit of 1814 vividly back to life through a canny choice of repertory.