by Peter Feher

In a sensitive solo turn, harpist Yolanda Kondonassis gave the world premiere of Itoh’s work at University Circle’s Church of the Covenant on March 16, joined by BlueWater Chamber Orchestra and conductor Daniel Meyer. Their collaboration was the highlight of a program that was all-around remarkable for its delicate touch.




In a pre-holiday offering, Bluewater Chamber Orchestra’s audience received gifts simple and somber, with intermittent thrills, on Friday evening, November 17. In an all-American program, the pleasures were many: Cindy McTee’s moving
Accordionist Hanzhi Wang held the Church of the Covenant audience in thrall on March 4 as she demonstrated mastery of the wild marvel that is her instrument in a performance of Piazzolla’s Bandoneon Concerto. The BlueWater Chamber Orchestra and conductor Daniel Meyer provided able accompaniment there, as well as lovely accounts of works by Arriaga and Copland in this Latin-tinged program.
We all know that the pandemic forced many performing arts organizations to put their plans on hold. Case in point, the collaboration between BlueWater Chamber Orchestra and the Cleveland Chamber Choir that was scheduled for May of 2020.
BlueWater Chamber Orchestra’s concert at the Church of the Covenant on Saturday evening, March 5 checked all the boxes for a memorable concert experience.
One minute, plastic skeletons dangle from rows of porches. Next, the country fixates on turkeys. Then a menagerie of menorahs and evergreens take the scene.
As a high school student, George Leggiero enjoyed collecting chiming clocks. When he arrived as a freshman at Case Western Reserve University, he couldn’t help but notice the mammoth chiming timepiece in the tower of the Church of the Covenant — especially when he moved next door into Mather House for his junior and senior years. “My room overlooked the tower, so you either got to love the bells or you moved,” he said in a telephone conversation.