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CIM Opera Theater: JJ Hudson directs Dialogues of the Carmelites

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by Mike Telin

Francis Poulenc’s Dialogues of the Carmelites recounts a fictionalized version of the real-life story of the Martyrs of Compiègne, a group of Carmelite nuns who, during the closing days of the Reign of Terror, were guillotined in Paris for refusing to renounce their vocation.

On Friday, March 3 at 7:30 pm and Sunday, March 5 at 3:00 pm, CIM Opera Theater will present Poulenc’s haunting opera directed by JJ Hudson. Harry Davidson conducts the CIM Orchestra. Tickets are available online.

Since 2021, JJ Hudson has been Professor of Opera at Georgia State University and was recently appointed Artistic Director of the Harrower Summer Opera Workshop. His upcoming productions include A Little Night Music for Opera in the Ozarks, Ariadne auf Naxos for Lakes Area Music Festival, and La serva padrona, Dido and Aeneas, and Our Town​ for Georgia State University Opera Theater.

I caught up with the director by phone and began our conversation by asking him about his history with Poulenc’s opera. [Read more…]

CIM Hosts Music for Food Benefit in Mixon Hall on February 13

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by Daniel  Hathaway

How do musicians — who spend their lives giving concerts — go about raising funds for worthy causes? They give concerts, of course, as seventeen faculty members and students at the Cleveland Institute of Music will do on February 13 at 7:30 pm in CIM’s Mixon Hall to benefit the Cleveland Kosher Food Pantry.

The performance, co-sponsored by Music for Food and the CIM Student Government Association, will feature violin professor Jaime Laredo, cello professor Sharon Robinson, pianist Pin-Hsuan Huang, and student artists Minji Lee & Karisa Chiu, violin, Paolo Dara & Steven Song, viola, Cecelia Swanson, cello, Trey Floyd, tenor, and the Aeronaut Woodwind Quintet (Daniel Lopez, flute, Grayson Eichmeier, oboe, Shihao Hugh Zhu, clarinet, Brittney Delpey, bassoon & Liam McConlogue, horn).

The program will include Ernest Bloch’s “Nigun” from Baal Shem (1923), Valerie Coleman’s Tzigane for Wind Quintet (2011), Johannes Brahms’ String Sextet No. 2 in G, and a traditional spiritual arranged by Hall Johnson. [Read more…]

CIM Orchestra: Messiaen and Bruckner at Severance (Nov. 22)

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by Stephanie Manning

Change has been in the air at the Cleveland Institute of Music this year. After officially celebrating its centennial (delayed by the pandemic) in September, the CIM Orchestra returned to Severance Music Center on November 22 as part of their recent partnership with The Cleveland Orchestra. Under the direction of Carlos Kalmar — another recent addition to the school — the students gave great energy to their final concert of 2022.

Though the two composers on the program, Messiaen and Bruckner, were likely familiar to the audience, the pieces chosen were potentially less so. In the absence of written program notes, commentary was given from the stage (and with good humor) from violist Pablo Ronderos. Messiaen’s L’Ascension is “meditative, pensive, and prayer-like,” though not without the characteristic dissonances of the French composer. The early-career work, rooted in Messiaen’s Catholic faith, tells the story of Jesus’ ascent into heaven over four disparate movements.

[Read more…]

ChamberFest Cleveland:
“Timeless Explorations” (June 25)

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by Daniel Hathaway

The first piece of business at ChamberFest Cleveland’s June 25 concert in Mixon Hall at the Cleveland Institute of Music was rearranging the order of the program. “Timeless Explorations” was to have begun with a new piece, but probably for practical reasons involving a prepared piano, Yevgeniy Sharlat’s Dumka-22 and Beethoven’s Piano Trio, Op. 70, No. 2 traded places.

Violinist Diana Cohen, cellist Jonathan Swensen, and pianist Andrius Žlabys launched the sixth concert of ChamberFest’s tenth anniversary season with an effervescent performance of Beethoven’s least-performed trio. Bedecked with sparkling runs and ensemble flourishes and set in the gemütlich key of E-flat, the piece made an attractive opener and served as a lovely vehicle for the musicians to express their unassuming virtuosity.

[Read more…]

Lev Aronson Cello Festival:
Catalyst Quartet (June 8) 

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by Peter Feher 

If you were sitting in Mixon Hall last Wednesday, you might have thought you were in the midst of a recording session rather than a recital. And with good reason: the Catalyst Quartet was in top form playing a program that previewed several works on the group’s upcoming album.

The performance hardly counted as a sneak peek, though. The repertoire the ensemble settled on for its June 8 concert at the Cleveland Institute of Music, part of this year’s Lev Aronson Cello Festival, consisted of pieces the Quartet has lived with for some time (in a couple of cases, since its founding a decade ago). In addition to the usual close-knit connections among members of a chamber group, the Catalyst players had the extra benefit of all the familiarity that comes from having a long relationship with a work of music.

[Read more…]

Cleveland International Classical Guitar Festival: a guitarist, a harpist, two dogs & a composer

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by Jarrett Hoffman

One by one the guest list for a recent Zoom conversation grew, until it included — in order of appearance — a guitarist and a harpist, two dogs, and a composer.

I knew about the instrumentalists going in. CIM guitar department co-head Colin Davin was staying at the home of his friend and collaborator Emily Levin, principal harp of the Dallas Symphony. So it would only make sense to chat with them together about their Davin-Levin Duo program coming up on Friday, June 3 at 7:30 pm at CIM’s Kulas Hall, presented as part of the Cleveland International Classical Guitar Festival (tickets here). [Read more…]

A long-awaited celebration from the Blue Streak Ensemble (May 22)

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by Stephanie Manning

In the two years since the Cleveland Institute of Music’s centennial, Margaret Brouwer’s Blue Streak Ensemble has been patiently waiting for the opportunity to celebrate — and they weren’t about to let another chance pass by. After three pandemic-related delays, the concert finally presented on May 22 at CIM’s Mixon Hall was a testament to both the institution and the resilience of the ensemble itself.

Sunday’s program, the first in a pair of performances from the ensemble, featured four contemporary works with instrumentations ranging from one to six players. It also paid homage to the lineage of CIM composition faculty with a work by Donald Erb — the second performance, on Tuesday the 24th, highlighted Marcel Dick and Keith Fitch. (Brouwer herself was the head of the composition department from 1996 to 2008.)

[Read more…]

Art Song Festival rises again
from May 23-28 at CIM 

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by Daniel Hathaway

It’s been rough going for Art Song Festival for the past two years. Founder George Vassos passed away after a long teaching and entrepreneurial career in February of 2020, and although detailed plans were in place to hold the festival that year, concerns about the well-documented spread of COVID via aerosols among singers dictated a postponement.

“It feels like such a gift that the Art Song Festival is actually happening,” director Dean Southern said in a recent phone conversation. “It’s also time for reflection, and I find myself getting to a really reflective place.

“More than two years ago, George, Tamara Wilson, and Warren Jones were planning the 2020 Festival, The Cleveland Orchestra was going to do Otello, and we worked it out so that Tamara could do both, then that all got canceled. We postponed to 2021, when it all got canceled again. So it feels quite amazing that it’s all going to come back this year. For me, spring and Art Song Festival just go together.” [Read more…]

Fourth time’s the charm: Blue Streak celebrates CIM

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by Jarrett Hoffman

Any graph tracking cases of coronavirus is a looping one: up, down, up, down. So if the timing is just unlucky enough, the same program could potentially be postponed once, twice, thrice…

That hypothetical has been a reality for the Blue Streak Ensemble. The group aimed to celebrate the Cleveland Institute of Music’s centennial in 2020 with a set of three programs that would include, in part, music by composers connected to CIM. But new variants, new spikes, and rescheduled student recitals have meant cycling through one date after another.

So composer and Blue Streak director Margaret Brouwer had a proclamation to make during our recent conversation on Zoom. “We’re giving these concerts no matter what!” she said with a laugh. “Even if we have to stand in the street and play.”

[Read more…]

Pianist Michelle Cann joins Cavani Quartet to open new season of Arts Renaissance Tremont

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by Daniel Hathaway

Thanks (or no thanks) to the pandemic, Arts Renaissance Tremont will open its new season in mid-winter rather than the fall, and due to other circumstances will move its performances from Pilgrim to St. Wendelin Church. The series will also be under new management: the Cavani Quartet will take over its artistic leadership following the passing of its founder, Christine Haff-Paluck.

On Sunday, February 20 at 4:00 pm, pianist Michelle Cann will join the Cavani in a program of piano quintets by Johannes Brahms and Florence Price. Admission is free, but offerings will be gratefully accepted.

Cann, a graduate of the Cleveland Institute of Music who is on the faculty of the Curtis Institute in Philadelphia, is treating her visit as something of a homecoming.

I chatted with her earlier this week on her mobile phone while she was driving from Santa Rosa to San José in California for a recording session with a flutist friend. (Not to worry: Bluetooth was operational.) [Read more…]

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