by Peter Feher
This article was originally published on Cleveland.com
CLEVELAND, Ohio — Johannes Brahms took more than two decades to compose a follow-up to his First Piano Concerto, but audiences at Severance Music Center have only had to wait two years for the sequel.
Pianist Daniil Trifonov is back with The Cleveland Orchestra this week, tackling Brahms’ monumental Second Concerto after playing the First here in 2023. And in a neat pairing, Music Director Franz Welser-Möst has programmed Sergei Prokofiev’s Seventh Symphony as the companion piece — the Sixth having accompanied Trifonov on his previous appearance.
Reversing the usual performance order (soloist on the first half, big symphonic work on the second), Brahms was the main event after intermission Thursday in Mandel Concert Hall. It’s a sensible way to present a piece that often resembles a symphony in style, scope and sheer impact.
“For me, coming back to Cleveland is like coming home,” conductor Giancarlo Guerrero said during a Zoom conversation from Nashville where he has served as music director of the Nashville Symphony since 2009. “The Cleveland Orchestra was my family for almost ten years and this concert is the project this year that I am looking forward to the most because of my history with this orchestra — I am beyond excited to see everyone.”
If you didn’t catch one of last weekend’s Cleveland Orchestra concerts, you missed an extraordinary experience. Pianist Daniil Trifonov, making his Severance Hall debut on Thursday evening, March 19, was simply breathtaking in Shostakovich’s first concerto — in cahoots with principal trumpet Michael Sachs and guest conductor Jahja Ling. And Ling’s interpretation of Rachmaninoff’s second symphony — the only other work on the program — was as sonorously thrilling as it was expertly paced. 
Cleveland Institute of Music faculty members Jason Vieaux, Jaime Laredo, Alan Bise and Bruce Egre and pianist Daniil Trifonov are among the nominees for the 57th Grammy Awards, to be presented in Los Angeles on February 8. 