by Stephanie Manning

by Stephanie Manning

by Daniel Hathaway

Following centuries of injustice and exploitation, new ideas of equal opportunity and representative government in one of the principal documents of the French Revolution, the Declaration of the Rights of Man, led enslaved Africans in the French colony of Saint-Domingue (which included what is now Haiti) to mount their own revolution in 1791, only two years after the French. Struggles for racial justice are ongoing. [Read more…]
by Stephanie Manning

“Winds of Change,” the second offering in this season’s concert series, features virtuoso flutist Emi Ferguson in music inspired by the French and Haitian Revolutions. The performance will debut online Thursday, November 18 and remain available on demand through December 17.
At the heart of the program is the premiere of A Journey to Freedom by Sydney Guillaume. The Haitian composer, now based in Portland, Oregon, spoke to me by phone to discuss the piece and how it was inspired by his native country.
by Mike Telin
by Mike Telin

In the next episode of Les Délices’ SalonEra, Catalina Klein will be joined by violinist Karin Cuellar Rendon, and mezzo-soprano Raquel Winnica Young, who delve into their personal connections to Sor Juana Inés de la Cruz and explore her legacy as a poet, composer, and protofeminist. “The Phoenix of Mexico,” premieres on Monday, October 18 at 7:30 pm, and will be available on-demand afterwards. Click here to register.
Born Doña Inés de Asuaje y Ramírez de Santillana in 1648 in San Miguel Nepantla, Mexico, she was an enthusiastic reader as a child. She composed her first poem at eight years old and by age thirteen had studied Greek logic, and taught Latin to young children. She also spoke and wrote in the Aztec language of Nahuatl. As a young woman who was not interested in marriage, only in furthering her studies, she entered the Convent of the Discalced Carmelites of St. Joseph, but soon moved to the more liberal Convent of the Order of St. Jérôme, where she would remain until her death. [Read more…]
by Mike Telin
by Mike Telin

The legend will be brought to life on Thursday, October 7, when Les Délices debuts “Song of Orpheus” on Marquee TV. The program features rarely-heard cantatas by Jean-Philippe Rameau and Philippe Courbois performed by Hannah De Priest, soprano, Jonathan Woody, baritone, Shelby Yamin, violin, Debra Nagy, oboe, Rebecca Reed, gamba and cello, and Mark Edwards, harpsichord. The program will also include the premiere of Woody’s cantata Much Love Betray’d. The online-only event will remain available on demand through November 6. Click here for tickets.
Woody’s performance resumé includes two national tours with Apollo’s Fire, and appearances as soloist with period groups including the Boston Early Music Festival, Tafelmusik, Trinity Wall Street, New York Polyphony, Bach Collegium San Diego, and New York Baroque Incorporated. But he is also a leader in the historical performance performer/composer movement.
During a recent telephone conversation, Woody said that his dedication to keeping the early music canon alive can be traced back to when he was a student of musicologist and historical performance pioneer Bruce Haynes. “I was lucky enough to have him as a professor at McGill University, and he definitely engendered the mentality that the canon of early music could remain alive, and that we had the power to continue to add to it and make it something that wasn’t just stuck in the past.”
by Stephanie Manning

“One thing we heard over and over again was, ‘regardless of the state of the pandemic, please continue SalonEra.’” The series’ second season, which premieres on September 13, aims to be even more ambitious and exciting than what came before it.
by Daniel Hathaway

LD’s artistic director Debra Nagy introduces the hour-long program with a discourse on the importance of the garden and its centerpiece, the fountain, for artists and musicians of the 14th century. Later in the program, Blue Heron artistic director Scott Metcalfe expands on the subject by exploring the Trinitarian metaphor behind that bubbling source of water in the Medieval mind. [Read more…]
by Mike Telin
by Mike Telin

While devotees of Les Délices will recognize the name Guillaume de Machaut, why has the ensemble returned to his music so frequently? “The practical reason is that there is so much of it,” artistic director Debra Nagy said during a telephone conversation.
“He created six copies of his own complete works that are full of compelling story-telling, which is something I’m always interested in when it comes to programming. Once you’ve invested a certain amount of time in learning the language — not just the 14th century French but the style and rhythmic language — it’s hard not to want to spend more time there.” [Read more…]
by Mike Telin
by Mike Telin

The 70-minute program features music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. [Read more…]
by Daniel Hathaway

The program, curated by Les Délices’ artistic director and oboist Debra Nagy, sets out to present its female composers not as isolated phenomena, but as composers who exerted a strong influence on French musical culture.
These were the daughters, the nieces, and the cousins of musical families like the Couperins. They were poets, translators, and librettists for airs, cantatas, and operas. They were brilliant improvisers and arrangers whose celebrated performances were attested to but whose works were never published. They were singers, keyboard, and theorbo players whose intimate work impressed and delighted. They were Women of Genius.
Rottsolk, a native of Seattle now based in Philadelphia, said in a Zoom conversation that Nagy’s idea of moving from presenting live concerts to forming a production company to produce high-quality video and audio shows was a wise and creative solution to the vagaries of the pandemic. [Read more…]