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Women of Genius: Another winner from Les Délices

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by Mike Telin

Once again Les Délices scores a winner with the latest installment of the French Baroque ensemble’s online subscription series. Debuting on Thursday, March 18 at 7:30 pm, “Women of Genius” takes a historically thoughtful and musically fascinating look into the music of female composers who influenced French musical culture. After its debut, the video will be available on-demand through March 29. Read our preview article here. To purchase tickets and view connection details, click here.

The 70-minute program features music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. [Read more…]

Les Délices “Women of Genius” — a conversation with Clara Rottsolk

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by Daniel Hathaway

Les Délices, Cleveland’s French Baroque ensemble, continues its all-online subscription series on Thursday, March 18 at 7:30 pm with “Women of Genius,” featuring soprano Clara Rottsolk in music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. After its debut, the video will be available on-demand through March 29. Purchase tickets and view connection details here.

The program, curated by Les Délices’ artistic director and oboist Debra Nagy, sets out to present its female composers not as isolated phenomena, but as composers who exerted a strong influence on French musical culture.

These were the daughters, the nieces, and the cousins of musical families like the Couperins. They were poets, translators, and librettists for airs, cantatas, and operas. They were brilliant improvisers and arrangers whose celebrated performances were attested to but whose works were never published. They were singers, keyboard, and theorbo players whose intimate work impressed and delighted. They were Women of Genius.

Rottsolk, a native of Seattle now based in Philadelphia, said in a Zoom conversation that Nagy’s idea of moving from presenting live concerts to forming a production company to produce high-quality video and audio shows was a wise and creative solution to the vagaries of the pandemic. [Read more…]

SalonEra: “Women in Music” — a conversation with Michele Kennedy

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by Jarrett Hoffman

Both the music and the history of women composers are very much underexplored. So it’s fitting that Les Délices will begin its celebration of Women’s History Month with a new entry in their SalonEra series of performances and conversations — there will be plenty to hear, and plenty to learn.

Premiering online on Monday, March 15 at 7:30 pm, and remaining available for another 48 hours, “Women in Music” will feature instrumental and vocal works from the 17th-19th centuries by Francesca Caccini, Barbara Strozzi, Isabella Leonarda, Élisabeth Jacquet de la Guerre, Maddalena Sirmen, and Clara Schumann. See the full program and register here. It’s free to watch, but a donation is suggested.

Les Délices artistic director Debra Nagy, who is also the host of SalonEra, will be joined by harpsichordist Byron Schenkman, violinist Shelby Yamin, and soprano Michele Kennedy (above), who share a commitment to researching, performing, and recording music by women composers.

I reached Kennedy by telephone in Oakland, California to talk about the selections by three 17th-century Italian composers: Caccini, Strozzi, and Leonarda. We also discussed the societal restrictions on women of that era, and in some cases, the connections that helped these composers establish their careers. And we closed our phone call on the topics of equity and representation in classical music — particularly, Kennedy’s efforts to further that work while sheltering at home.

[Read more…]

Les Délices: Games & Grounds — online debut February 18

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by Daniel Hathaway

When Debra Nagy made the decision to reinvent her French Baroque ensemble Les Délices as a production company — whose interface with its subscribers would take the form of high-quality videos in the place of live concerts during the pandemic — many of us were curious to see how that would affect one of Cleveland’s cultural treasures.

Their fourth subscription concert, Games and Grounds, which premiered on February 18 and will be available through March 1, finds the members of Les Délices in top form and, if anything, more communicative with their audience than ever before, thanks to the digital magic of Erica Brenner and her audio/visual production team that includes Elaine Martone, Andrew Tripp, and Mathias Reed. [Read more…]

Les Délices: Aesop’s Fables & “making lemonade out of lemons”

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by Jarrett Hoffman

Thursday’s program on Les Délices’ Concert Series is an interesting combination of imagination and circumstance: a creative recipe composed of recordings the ensemble had at hand in the fridge, or rather the archives.

“Games and Grounds” — which premieres online on February 18 at 7:30 pm and remains available on-demand until a Closing Reception on March 1 at that same hour — combines musical versions of Aesop’s Fables with virtuosic ground-bass variations by such composers as Rebel, Marais, and Rameau.

Tenor Jason McStoots and soprano Elena Mullins (above) will take turns telling the stories of an ant and a grasshopper, a lion and a rat, a tortoise and a hare, and a tortoise and an eagle. Those texts will be heard here set to simple airs and popular tunes from 1730s France, but in new English translations commissioned from Larry Rosenwald.

And Mullins will top off the program with her own new choreography for Rebel’s Caractères de la danse — one of a couple pieces that continue the thread of narrative, but in a more subtle way than the fables. See the full program here, and purchase tickets here.

I reached Les Délices director Debra Nagy by telephone to discuss all of that, beginning where else but with Aesop’s Fables. Those got us talking about childhood, specifically Nagy’s upbringing as a first-generation American. [Read more…]

Les Délices SalonEra: “Afro-Caribbean Roots” (Feb. 1)

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by Jarrett Hoffman

Premiering on February 1, last week’s episode of Les Délices’ SalonEra series explored “Afro-Caribbean Roots” in early music, delving into the evolution of an 18th-century Haitian text, the original works and arrangements of Guadeloupe-born composer Joseph Bologne, and the modinhas of Brazilian guitarist and singer-songwriter Joaquim Manoel da Câmara.

[Read more…]

SalonEra: Medieval Christmas

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by Nicholas Stevens

Art often transcends without trying, remaining rooted in its specific regional, topical, or historical niche yet appealing well beyond. A humble central-German cantor became Bach, an observer of social posturing in a narrow slice of the gentry became Austen, an aerosol virtuoso known to tag lower-Manhattan walls became Basquiat.

Northeast Ohio’s Les Délices has long been that rarest of beasts: a world-class organization so proud of its region (ours) and repertoire (distinct niches in pre-1800 music) that it never tries to be everything to everyone, paradoxically making a strong case for a broad, curious international following. In the December episode of its SalonEra series, the ensemble embraces its strengths and community to marvelous effect. [Read more…]

Christmas with Les Délices: “Noel, Noel” (debut Dec. 10)

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by Timothy Robson

Les Délices premiered another winner this weekend with the debut of their pre-recorded Christmas concert “Noel, Noel,” a highly enjoyable blend of English, French, and German carols, interspersed with Christmas-themed poetry from authors as diverse as Christina Rosetti and e.e. cummings. (The program is available until December 23. Click here for tickets.)

Earlier in the year Les Délices had put out a call to local poets to submit Christmas poems for this concert. Three were chosen: Diane Kendig’s At the Christmas Tree, Dave Lucas’ Three Kings, and Julie Warther’s one child’s candle. The styles are diverse, from Kendig’s sonnet to Wather’s six haiku miniatures. [Read more…]

SalonEra: “Folk Influences” (Nov. 16)

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by Mike Telin

Any talk show worth its weight possesses three qualities: a host who is knowledgeable of the subject matter, guests who are engaging conversationalists, and a feeling that by the end of the program, you’ve learned something.

With the onslaught of newly created online content designed to entertain the stay-at-home audience, SalonEra is a standout. Produced by Cleveland-based early music ensemble Les Délices and hosted by Debra Nagy, each show is centered around a single topic and features guest artists who bring the subject du jour to life. [Read more…]

Les Délices’ Bewitched: “Sensational” Online Concert

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by Timothy Robson

“Bewitched,” the first subscription concert of this season by Les Délices, can be summed up in one word: sensational. In her introductory remarks, director Debra Nagy talked about the “Embracing Change” theme of the season and completely rethinking the concert experience for streaming. The detailed planning was in evidence throughout the program. “Bewitched” was not just a concert; it was a carefully planned musical film, with elements of drama and music appreciation, all in support of the inspired program choices featuring Medea and Circe, two famous witches (or sorceresses, if you prefer) of classical antiquity. [Read more…]

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