by Jarrett Hoffman
The next concert from Les Délices is indeed about gods and heroes, built around 14th-century songs referencing characters such as Jason and Medea, Ulysses and Circe, and Tristan and Isolde.
But if you’re familiar with artistic director Debra Nagy, who makes a habit of crafting programs both musically and intellectually stimulating, you won’t be surprised that there’s more to these selections than just mythology.
The central idea behind the program — to be presented live February 25-27 in Shaker Heights and Akron — is something more meta. “The funny thing about these 14th-century translations is that they’re not so much about the characters, but about seeing yourself in them, or contrasting your experience with theirs,” Nagy said during a recent Zoom call. “There’s a sense of timeless relatability.”
That timelessness ties into another aspect of the program: the integration of contemporary poetry, including a new poem by former Ohio Poet Laureate Dave Lucas on commission from the ensemble. “A lot of his work draws on or is inspired by myth and storytelling,” Nagy said.
Just in time for Rabbie Burns Day (January 25), Les Délices will release its latest concert series episode, “
There’s something so engaging about watching Handel’s Messiah performed live — especially in the capable hands of Apollo’s Fire and Apollo’s Singers. The movement of the instrumentalists, the stage presence of the singers, and the enthusiastic response from the audience all elevate the experience of listening to this familiar music. On the evening of December 8 at Federated Church in Chagrin Falls, guest conductor Nic McGegan led the ensemble in a breathtaking performance of one of Handel’s cornerstone works.
Parallel revolutions in France and Haiti have inspired the second episode of this season’s online concert series from Les Délices. “Winds of Change,” which went live on November 18 and is available both on subscription and as a single performance, includes late 18th-century music by Joseph Bologne (Chevalier de Saint-Georges), Karl Bochsa, and Luigi Boccherini, and the premiere of a commissioned piece, Haitian-born composer Sydney Guillaume’s A Journey to Freedom.
If you’re intrigued by the idea of contemporary composers writing music for historical instruments, Les Délices says that their latest program is for you.
In Greek mythology the nine Muses were the source of knowledge and inspiration for poets, musicians, and philosophers. “They inspired everybody,” bassoonist Catalina Guevara Víquez Klein, said during a telephone interview. “That’s the reason Sor Juana Inés de la Cruz is called the 10th Muse, because she too inspired everybody.”
No mythological character has inspired musicians more than Orpheus. Legend has it that his music was so powerful that trees and mountains bowed in his presence — his song so beautiful that he convinced the ruler of the underworld to allow him to bring his love Eurydice back from the underworld. 
Last year, Cleveland’s period ensemble Les Délices dared to be different with their contribution to the world of online concerts: SalonEra. Billed as a “variety show for early music,” the web series’ unique format made it a hit among audience members, director Debra Nagy said in a recent interview.
Les Délices has once again joined forces with Boston’s Blue Heron, this time to produce the impressive video “Machaut’s Lai of the Fountain,” which debuted on Vimeo on April 8, and remains available on-demand until April 19.
Now that the cold and dreary winter is behind us, our thoughts turn to spring. And with trees beginning to blossom and flowers blooming we can begin to think about cultivating the garden. On April 8 at 7:30 pm,