by Jarrett Hoffman
Two Chicagoans and an Irishman walk into a bar — or rather, a university. That’s the origin story of the McGill/McHale Trio.
The university is none other than Bowling Green, where flutist Demarre McGill and clarinetist Anthony McGill were artists in residency in 2014. There they performed alongside a pianist hailing from Belfast — Michael McHale — and a long-term partnership began to brew.
The Trio will return not quite to the scene of the crime, but close, when they perform on the Kent Blossom Music Festival’s Faculty Concert Series as Kulas Visiting Artists on Wednesday, July 13 at 7:30 pm at Kent State’s Ludwig Recital Hall. Tickets are available here.
Their program will draw on Portraits, the album they recorded in 2017 on the Cedille Records label, which featured a slew of world-premiere recordings of works by living composers: Valerie Coleman (Portraits of Langston), Chris Rogerson (A Fish Will Rise), Paul Schoenfield (Sonatina for Flute, Clarinet and Piano), and Philip Hammond (the trio version of his Lamentation of Owen O’Neil).
Midway through his performance on July 21 at Ludwig Recital Hall — part of this year’s Kent Blossom Music Festival — flutist Demarre McGill invited the audience into an understanding of his program with an abstract but heartfelt speech. It was all preface to the next piece on the program, an arrangement of three short songs by William Grant Still.
“The first thing I do is find music that I love, that I’m emotionally connected to, and that I believe the listener will enjoy,” flutist Demarre McGill said by telephone last week, explaining how he put together his upcoming program for the Kent Blossom Music Festival.
“What a year!” Kent Blossom Music Festival director Ricardo Sepúlveda said in a recent telephone conversation. “But we’ve been fortunate. The challenges of the pandemic provided us with opportunities to learn, to explore, to be creative and innovative, and how to adapt to rapid change.”
Dunham Tavern Museum is a perfect venue for an afternoon of chamber music. On Sunday afternoon, June 25, the seventh installment of this year’s ChamberFest explored the theme of “Youth” and featured early works by Beethoven and Bartók. The concert began with Wilhelm Popp’s 
On June 23, as beautiful light poured through Mixon Hall’s many windows, ChamberFest Cleveland presented “Hommage,” a program showcasing composers paying tribute to J.S. Bach. The concert began with the final two movements of Bach’s 
Demarre McGill has guts.