by Mike Telin

However, it was pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti with sonatas by American composer Frederick Rzewski that got things off to a fascinating start. [Read more…]
by Mike Telin
by Mike Telin

However, it was pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti with sonatas by American composer Frederick Rzewski that got things off to a fascinating start. [Read more…]
by Daniel Hathaway

Based on recent events, its new designation might well be “Chamber Music Way” in honor of the fine performances that are taking place this month at Gilmour Academy in Gates Mills and The Grove Amphitheatre in Mayfield, courtesy of ENCORE Chamber Music Institute and ChamberFest Cleveland, respectively. In addition to the distinction of presenting some of the first in-person performances to come onto the calendar since the pandemic, both organizations were making their debuts in new venues. [Read more…]
by Mike Telin
by Mike Telin

The program “Luscious Soundscapes” begins with pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti (1685-1757) with sonatas by American composer Frederick Rzewski (1938 -). Wosner’s three pairings include Scarlatti’s Sonata in d K. 141 with Rzewski’s Nanosonata No. 36 (“To a Young Man”), Scarlatti’s Sonata in d K. 9 with Rzewski’s Nanosonata No. 38 (“To a Great Guy”), and Scarlatti’s Sonata in c K. 230 with Rzewski’s Nanosonata No. 12.
If juxtaposing music by these two seemingly dissimilar composers sounds like an oddity, Wosner believes they make an interesting match. “I love Scarlatti and I love Rezewski,” the pianist said during an interview. “And I think that Scarlatti and Rzewski are mavericks in similar ways. Of course their music is very different from one another’s, and Rzewski was not trying to emulate Scarlatti in any way with his short sonatas. The Nanosonatas are almost like a stream of consciousness, but I hear that in the Scarlattis as well.” [Read more…]
by Mike Telin
by Mike Telin

The evening will begin with pianist Shai Wosner’s arrangement of the Dvořák performed by clarinetist Franklin Cohen, violist Dimitri Murrath, and Wosner, who will be making his ChamberFest debut.
Originally written for piano four-hands, the ten pieces that comprise the work were later arranged for orchestra by the composer. I asked the pianist why he decided to make his own arrangement, and why he chose this particular instrumentation?
by Daniel Hathaway

Photo Credit: I-Jung Huang
Bearing a name that reflects his Bulgarian-Chinese heritage, 21-year-old cellist Zlatomir Fung scored a big victory in the 2019 XVI International Tchaikovsky Competition, becoming the first American in forty years to win Gold — and the youngest contestant ever to earn that distinction in the Russian contest.
Fung will make his first visit to Cleveland this week to play six works in the first four concerts of ChamberFest Cleveland. “I’ve worked with Roman Rabinovich and New York’s Jupiter Symphony Chamber Players. We’d been hoping for a few years that I could come, and now it’s finally panned out,” he said in an early morning phone call on Tuesday before heading off to a rehearsal.
ChamberFest will keep Fung busy during his sojourn in Cleveland. He’s slated to play Paul Wiancko’s American Haiku with violist Dimitri Murrath, Schubert’s Trio No. 2 with violinist Itamar Zorman and pianist Shai Wosner, Ernö Dohnányi’s Piano Quartet No. 2 with Zorman, violinist Diana Cohen, Murrath, and Wosner, Alexander Zemlinsky’s Clarinet Trio, Op. 3 with Franklin Cohen and pianist Roman Rabinovich, Coleridge-Taylor Perkinson’s Lamentations Suite for cello solo, and Ravel’s Sonata for Violin and Cello with Zorman.
by Mike Telin
by Mike Telin

Earlier this week, Festival co-artistic directors Diana and Franklin Cohen announced that the “chamberhood” will come together again June 9-26 with free, safe, family-friendly outdoor concerts, allowing as many as possible to experience the healing power of live music.
Around the theme of Together Again, the majority of the Festival’s concerts will be held at The Grove Amphitheatre, 425 N. Commons Blvd. in Mayfield. Click here for details and here for reservations (required). Audiences should bring a lawn chair or blanket as the venue has no permanent seating. Enhance your evening by bringing a picnic or ordering take-out from a local restaurant. The responsible consumption of alcohol is permitted. In case of rain, concerts will be moved to St. Paschal Baylon Church in Highland Heights (also the venue for the Festival’s final concert.)
“We can’t wait to share music with the community,” longtime ChamberFest pianist Roman Rabinovich said by telephone. “These times have made it clear about what is important in music — and that is the sharing part.”
by Mike Telin
by Mike Telin

If the absence of live Festival performances this summer is leaving a void in your soul, take note: ChamberFest is collaborating with WCLV 104.9 Ideastream to broadcast nine programs drawing on material from all eight festival seasons on the station’s Wednesday evening “Ovations” Series and six, one-hour Sunday evening broadcasts. WCLV co-founder Robert Conrad will host and produce the series. Click here to view the schedule.
It’s no secret that since the pandemic caused the cancellation of all live performances, there has been a seemingly never-ending “stream” of performances by musicians and arts organizations over the Internet. Coupled with the reality that our lives are now spent in front of a glowing computer screen, this has caused our eyes and minds to grow weary.
by Mike Telin
by Mike Telin

I recently sat down with violinist and ChamberFest’s co-artistic director Diana Cohen and pianist Juho Pohjonen at the epicenter of the Festival — the Cohen house.
When I arrived, a rehearsal of the Mendelssohn Octet was taking place in the living room while Frank Cohen was sitting on a sofa beaming with joy as he took in the beautiful sounds. In the kitchen and dining room, caterers were busy setting up for a reception that would include a performance by violinist Itamar Zorman and pianist Roman Rabinovich. [Read more…]
by Timothy Robson

by David Kulma
by David Kulma
